Last Night We Watched

n this episode of Last Night We Watched, the crew dives into the absurd world of the Lifetime thriller Stalked by My Doctor. We break down the series of bad decisions made by Dr. Beck, a man who is a "professionally awesome" heart surgeon but an absolute neckbeardian incel when it comes to even thinking about women.

From creepy hospital hugs to the "Goldilocks" moment where he breaks into a house just to take a nap in someone else's bed, we explore how Eric Roberts carries this entire film. Also, these highlights:

• World's Most Indifferent Dad: A father so obsessed with the doctor’s prestige that he practically hopes his daughter runs away with him.
• Medical Malpractice as a Love Language: Dr. Beck’s strategy of faking a patient's death by burning a random body in a car wreck—all while logged into his own hospital account.
• The "Cuckold" Closet: That awkward scene where the doctor hides in a closet, watching an apology involving a ring stolen from a dead grandmother.

In this episode of Last Night We Watched, Matthew, Brett, and Brandon tackle the Lifetime cinematic masterpiece, Trapped by My Sugar Daddy. Join the guys as they break down the most inefficient abduction ring in history , run by an upper-middle-class criminal named Kyle who insists on buying massive houses and chartering private jets just to capture one person at a time.

The crew discusses Kyle's masterful "gaslighting" techniques , his reliance on pure, dumb luck , and his brilliant strategy of running over a woman with a Mercedes just to open up a waitress job for his victim. They also highlight the incredible logic of his sidekick Brent, the henchman who thinks a gun "silencer" is called that because it literally silences people by blowing their minds.

Also in this episode:

• A detour into Mayo family lore involving shaving cream, a midnight hallway beatdown, and Matthew writing Brett's name on the wall to frame him.
• The logistics of a 40% tariff on human trafficking.
• Why the main characters decided a highly specific textbook on "Psychosexual Emotional Manipulation" was the best way to wrap up the plot.

Will Carly escape the world's worst sugar daddy? Will Brent finally understand how firearms work? Tune in to find out what this movie earned on the boys' highly scientific rating scale!

This week, the guys head to Garland, Alaska to watch Candace Cameron Bure smile her way through Christmas Under Wraps. We break down the important questions: Why does a town with 4 hours of sunlight have a bustling outdoor social scene?. Why is the handyman fixing the power grid with a screwdriver he doesn't know how to use?. And why does everyone in town know exactly what medical procedure you just had?.

On this episode, the brothers break down the Lifetime classic Death of a Cheerleader, a movie that turns high-school insecurity, Catholic guilt, and one truly awful cheer tryout into a full-blown murder tale. From Kelly Martin actually delivering a great performance to Tori Spelling playing the most believable mean girl imaginable, the movie somehow makes you feel bad for the killer and annoyed at the victim—and we have some things to say about that.

As we sit on the pink couch with mismatched coffee cups, Matt admits he’s now addicted to Lifetime movies, Brett questions why anyone would cut cucumbers in a car, and Brandon tries to make sense of larks, larking, and whatever larking is supposed to accomplish. We also wander into side debates about Hallmark hunks, Sabrina the Teenage Witch, Stranger Things neck thickness, and why this film plays like it was directed by someone who watched Pulp Fiction once and took the wrong notes. Somehow we even fit in a coach's 9/11 speech.

This week, the brothers take a big red-nosed dive into Killer Klowns from Outer Space (1988), a cult classic that wears its absurdity proudly on its grease-paint sleeve. Brandon, Brett, and Matt question the mysteries of the universe—ancient astronaut clowns, popcorn monsters, and why the movie spends so much time explaining its own popcorn physics.

Along the way they spiral into delightfully off-track tangents:

• debating whether the Chiodo Brothers deserved an Ernest Scared Stupid-style franchise run,
• pitching sequels like Killer Klowns Go to Africa and Killer Klowns Enter the Drag Show,
• comparing Burn Notice casting to horror leads,
• and wondering why we got 15 Leprechaun sequels but not a single clown encore.

It’s equal parts horror nostalgia, chaotic improv, and late-night sibling banter—served with extra cotton candy and just a pinch of Motown raisins.

🎧 Tune in wherever you get your podcasts, and remember: aim for the nose.

This week, the Mayo brothers dive headfirst into Halloween Kills — a sequel with more flashbacks than frights and more “Evil Dies Tonight!” chants than actual evil dying. Brandon, Brett, and Matt break down the body count (verified? absolutely not), debate whether Michael Myers teleports or just power-walks like a spooky Olympian, and imagine a Haddonfield economic collapse after the plumber, electrician, and tailor all meet the business end of a butcher knife.

Along the way, the guys detour through Ace of Base, Stuart Little’s questionable adoption paperwork, and the glory days of AMC’s “Spooktober.” They even manage to ponder AI, trauma bonding, and why Paul Rudd should’ve been the one to finally kill evil (or at least charm it to death).

If you’ve ever yelled “Evil dies tonight!” at your TV—or wished Michael Myers would just take a PTO day—this episode’s for you.

Join brothers Brandon, Brett, and Matt as they dive into this bizarre VHS relic. We wrestle with Hulk Hogan’s lack of charisma, Christopher Lloyd’s best attempts at holding the movie together, and Shelley Duvall’s underwhelming role. Along the way, we spiral into tangents about Wormtongue, gamer tags, mime fights, Pumpkinhead confusion, pro wrestling lore, and why the Japanese release title (My Home Commando) might actually be the superior choice.

With recycled props from Ghostbusters and Masters of the Universe, The Undertaker in a throwaway role, and dialogue so bad it triggered existential depression mid-recording, this episode is part roast, part therapy session.

If you’ve ever wondered what happens when Hollywood pivots from Arnold Schwarzenegger to Hulk Hogan, or just want to hear three brothers lose their minds over goat jokes and light signals, this one’s for you.

This week on Last Night We Watched, Brandon, Brett, and Matthew descend into cinematic madness with 1987’s The Garbage Pail Kids Movie, a film so baffling, so aggressively unpleasant, it left us questioning our life choices. From Captain Manzini’s suspicious mentorship, to sweatshop couture, to bullies who skip straight past teasing into attempted murder, we unpack every absurd, horrifying, and accidentally hilarious moment. Along the way, we debate which Kid is the least disgusting, discover the oxygen limit for wearing a Garbage Pail suit, and try to figure out if this movie was an elaborate prank on the audience. Think of it less as a review and more as a support group for the truly damaged.

This week on Last Night We Watched, the boys dive headfirst into 1987’s The Stepfather — a Lifetime movie with a low body count, a protagonist with a quick move to frontal nudity, and a tone that can’t decide if it's horror, Hallmark, or just horny.

Brandon tries to defend the "batshit charm" of Terry O’Quinn’s unsettlingly committed performance, while Matthew and Brett tag-team it with jokes, critiques, and pure bewilderment over the film’s Lifetime-movie energy, sudden nudity, and utter lack of suspense. From stepdads and suspicious psychiatrists to tragic music scores and true crime side quests, no topic is safe. Not even Drew Barrymore’s coke phase.

Bonus: A chaotic tangent on Mac and Me, food patriotism, and the sociological impact of “I’m the stepdad who stepped up” t-shirts.

🔪 If looks could kill, then you could be a stepfather, baby.

This week, the Mayo boys stare directly into the furry, dead eyes of the 2003 Mike Myers disasterpiece Cat in the Hat. What begins as a kids’ film spirals into a neon nightmare filled with inappropriate jokes, existential dread, and Paris Hilton for some reason. Brandon breaks down the cursed production history, including the fact that Mike Myers had to be legally threatened into wearing that human-hair suit, while Brett dreams of Fran Drescher and Matthew tries to explain why this movie is basically The Grinch’s weird cousin.

We discuss cat-based eldritch horrors, how Alec Baldwin’s character is five different men in one body, and why this film made Dr. Seuss’s widow cancel all future adaptations. Also featuring: worst lines of the movie, a heated Mike Myers vs. Jim Carrey debate, and a brief detour through McDonald's customer service in Germany.

Let’s be real — this wasn’t a movie. It was an event. And we may never recover.