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Meg Wolitzer presents four works that consider various forms of risk, and risk taking. In “Clicking on Heaven’s Door,” by Anand Giridharadas, performed by Negin Farsad, the pearly gates require an online account, a password, a security question…you get the idea. “The Stand-In,” by Gerald Jones and Jean Marple, imagines a unique job. It’s read by Tony Hale. David Sedaris creates the ultimate in well-meant interference in other people’s lives—oh, and there’s a parrot. “Farnsworth” is read by Jessica Keenan Wynn. And—dining at the end of the world. Where’s the waiter? Robin Hemley’s “The Last Customer,” is read by Jane Curtin and Mike Doyle.
By Symphony Space4.4
27452,745 ratings
Meg Wolitzer presents four works that consider various forms of risk, and risk taking. In “Clicking on Heaven’s Door,” by Anand Giridharadas, performed by Negin Farsad, the pearly gates require an online account, a password, a security question…you get the idea. “The Stand-In,” by Gerald Jones and Jean Marple, imagines a unique job. It’s read by Tony Hale. David Sedaris creates the ultimate in well-meant interference in other people’s lives—oh, and there’s a parrot. “Farnsworth” is read by Jessica Keenan Wynn. And—dining at the end of the world. Where’s the waiter? Robin Hemley’s “The Last Customer,” is read by Jane Curtin and Mike Doyle.

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