Host Meg Wolitzer presents three stories about finding solutions to complex problems, and to simple ones. T. C. Boyle tackles evolution and government intervention in “Top of the Food Chain,” read by Zach Grenier. In Matthew Ryan Frankel’s “Carapace,” a young boy struggles with feelings at a family funeral—with the help of some crabs. The reader is Philip Estrera. And a young woman traveling between two worlds and two families has to deal with what to put in “The Suitcase” by Meron Hadero. The reader is Renée Elise Goldsberry. The show also includes an interview with Hadero.

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Host Meg Wolitzer presents the Explain Like I'm 5 podcast, a show that takes the questions you always wanted to ask and talks about them in a way that is easy to understand. Some times we want simple answers to complex questions! We here at Selected Shorts have become big fans and hope you enjoy it too!

Meg Wolitzer presents three unexpected stories that let us see the holidays’ associations—family, friends, food, gifts, and goodwill—in different ways.  Amy Krouse Rosenthal presents a playful encounter with the Almighty in “Interview with God,” performed by Jayne Atkinson and James Naughton.  In Sherrie Flick’s “Heidi is Dead,” read by Adina Verson, a second wife tries to tune in with her in-laws. And John Cheever’s “Christmas is a Sad Season for the Poor” is a richly comic and warmhearted look at giving and receiving.  Teagle F. Bougere reads.

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Host Meg Wolitzer presents two provocative stories that address the idea of communing with something “other”.  In Etgar Keret’s “Polar Bear” an AI program, and a lonely widow, commune.  The reader is Michael Imperioli. And Mom is close by—and full of unwanted advice—in “The Acorn” by Elizabeth Stix, performed by Dylan Baker.

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Symphony Space was thrilled to host an evening with Israeli writer Etgar Keret, whose stories we’ve featured many times on Selected Shorts. He was interviewed by his longtime friend, and host of This American Life, Ira Glass. In this condensed version of their talk, they playfully challenge each other on a wide range of topics, some political, some creative, but mainly about what it’s like to live in these uncertain times.

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Host Meg Wolitzer presents three stories about people inserting themselves into the lives of others—in their own best interests. In Simon Rich’s “Relapse,” friends rally ’round when one of their numbers heeds the call of the muse. It’s read by Ophira Eisenberg. In Langston Hughes’ “Thank You, M’am,” read by Pauletta Washington, a fierce old lady sets a young man straight. And a young woman finds an ingenious way to cheer up retirees—and herself—in Miranda July’s “The Swim Team,” read by Parker Posey.

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Host Meg Wolitzer presents three fictionaldisappearing acts.  In “We Have Your Son,” by Ben Kronengold and Rebecca Shaw, a kidnapping goes wrong.This darkly humorous piece recalls O’Henry’s “The Ransom of Red Chief” and is performed by Jill Eikenberry and Michael Tucker.  In “Where’s Dad?” by Claire Fridkin, performed by Emily Skeggs, the hunt for Waldo gets personal.  And Anita Felicelli creates a mysterious lodger and an atmosphere of Hitchcockian dread in “A Minor Disturbance,” performed by Jill Eikenberry.

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Host Meg Wolitzer presents stories about characters coping with pre-existing difficulties, large and small—and then encountering someone or something ready to change everything. In “Shoulder-Top Secretary” by Shinichi Hoshi, performed by Thom Sesma, a door-to-door salesman unveils the must-have technology of the future. In “It Had Wings” by Allan Gurganus, performed by Marian Seldes, a celestial being offers up a possible remedy for the aches and pains of life.  And our final story, “The Toynbee Convector,” is a Ray Bradbury classic in which a time machine delivers a hero to our tumultuous present. It’s read by Mike Doyle, with whom we also spoke backstage on the night of his performance.

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Host Meg Wolitzer presents three imaginative and funny reworkings of classic stories.  In Ginny Hogan’s “Phantoms and Prejudice,” Jane Austen’s Bennet sisters learn about ghosting.  The reader is Sara Bareilles.  Anthony Marra invents a plausible reason for murder in his reworking of Poe’s “The Tell-Tale Heart,” read by Mike Doyle.  And Michael Cunningham turns Jack into an entrepreneur in “Jacked,” read by Jim Parsons.

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Meg Wolitzer sits down with her friend, writer Michael Cunningham. Michael is an American novelist, screenwriter, and educator. He is best known for his novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award and was later adapted into an Oscar-winning film and opera. What happens when two writers get together? Well, of course, they talk about writing, specifically his story, “Jacked,” read by Jim Parsons, which we featured on Selected Shorts, but they also nerd out about the semicolon and Scrabble.

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