Guest host Meg Wolitzer presents our holiday show--two stories about being home for the holidays and how you can count on your Mom to be there for you—and possibly to complicate things. First, memoirist Augusten Burroughs recalls a disastrous—and hilarious—childhood cooking project. Reader Michael Cerveris relishes every bite. And in “Live Wires” by Thomas Beller, a young man invites his girlfriend to his mother’s annual Hanukkah party. The reader is Jane Curtin.

Host Meg Wolitzer presents stories of inspiration small and large. In these tales, writers investigate moments in which art inspires life, or life inspires art, especially in a visual medium. In Elizabeth Crane’s “Blue Girl,” read by Valorie Curry, a young woman's secret life is given an unusual public forum. In Jai Chakrabarti’s “Lessons with Father,” commissioned for our Small Odysseys anthology, a middle-aged child tries to connect with her late father through brushstrokes. The reader is Purva Bedi. And in William Boyd’s “Varengeville,” read by Dan Stevens, a young man strays from his famous family as he discovers himself on canvas.

On this week’s SELECTED SHORTS, Meg Wolitzer presents three stories that offer unpredictable life lessons, from characters who are adolescent, and those who love them—a little eccentrically.  In “The Facts of Life,” by Anthony Marra, a preteen learns about the birds and the bees from an icon of ’90s masculinity. The reader is Santino Fontana.  In “Leave Me in St. Louis,” by Tania James, sisters tap their way into a new life.  The reader is Rita Wolf.  And in Elizabeth McKenzie’s “Hope Ranch,” a granddaughter discovers that her grandmother is a road warrior. The reader is Mia Dillon.  

On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior.   In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school.  Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James.   We hear from James about this nuanced rite-of-passage story. 

Host Meg Wolitzer presents two stories that reflect on the beauty and vulnerability of the natural world. In “Joyas Voladoras,” by Brian Doyle, we hear the many different heartbeats of the natural kingdom.The reader is Becca Blackwell. And a talking fox has a lot to tell us about reading aloud, shopping malls, and fried chicken “Fox 8,” a darkly funny fable by George Saunders read by John Cameron Mitchell.  And we’re joined by the mother/daughter book club we’ve featured on a couple of earlier episodes, which discusses “Fox 8,” at the end of the show.

A routine that never changes can get old. So this week on Selected Shorts, host Meg Wolitzer presents three stories that shake up domestic life, teaching the characters something new about themselves and their circumstances. In “Scaffolding Man” by Jenny Allen, performed by Patricia Kalember, a woman in a drab marriage is intrigued by a “hot” stranger. In "Myrna's Dad" by Cyn Vargas, a father’s changing occupations hide a family secret. The reader is Krystina Alabado. And in “Overtime” by Hilma Wolitzer (Meg’s mom), read by Becky Ann Baker, a happy couple gets a jolt when the man’s ex moves into their apartment. After the story, Meg interviews Hilma about what gave her the idea and her writing in general.

Host Meg Wolitzerpresents works that reflect on the loss of love, creatively imagined by a quartet of thoughtful writers.  In “The Space,” by Christopher Boucher, a lost love is replaced by—her absence.  The reader is Rob Yang.  In Wendi Kaufman’s “Helen on Eighty-Sixth Street,” the loss is the backstory, as a lively ‘tween, voiced by Donna Lynne Champlin, finds ways to deflect the emotional fallout from her father’s absence.  Sharon Olds’ wrenching poem, “Last Look,” read by Jane Kaczmarek, is our palette clearer before we close with a Raymond Carver classic, “Why Don’t You Dance?”The couple idly roving a lawn sale don’t realize they are walking through the detritus of lost relationship.The reader is Corey Stoll.

The author of the story is Carlos Greaves. His stories have been featured in The New Yorker and McSweeney's. Reading this story is Jon Cameron Mitchell who wrote and starred in Hedwig and the Angry Inch—the musical and its film adaptation—and has made memorable appearances in series including Girls, Shrill, and City on Fire. And he continues to follow his passions with projects such as his musical podcast Anthem: Homunculus. After the story, host Aparna Nancherla talks to Greaves about his work, and yes, Satan.

Host Meg Wolitzer presents two stories about objects of love, and feelings that can't be returned, for very different reasons. In “A Love Letter” by Greg Ames, a boy falls head over heels in a crosswalk. Actor and Young Adult author Maulik Pancholy really captures teen ardor and angst in his reading. And in Kali Fajardo-Anstine’s “Sugar Babies,” another teenager learns about adult responsibility from an everyday pantry staple. The reader is Sonia Manzano.

Meg Wolitzer presents four works drawn from an evening of satirical stories about American political history, hosted by Andy Borowitz.Nothing is sacred.  First, Joe Yan imagines Abraham Lincoln, huckster, in “I’m Abraham Lincoln and I Beg Of You, Please Commemorate My Birthday With Mattress Sales,” read by Ikechukwu Ufomadu.  In “Running for Governor,” Mark Twain imagines himself in the political horse race.  The reader is John Cameron Mitchell.  John and Abigail Adams had a famously happy marriage, despite often being apart, and why not imagine them taking advantage of the 18th century version of modern media options?  That’s the premise of Alexandra Petri’s “John and Abigail Adams Try Sexting,” read by Ophira Eisenberg and Ikechukwu Ufomadu.  And the show wraps with a piece by Borowitz himself, “A Very Nixon Halloween,” inspired by a photograph of Nixon as an awkward civilian after he left office.The reader is Caroline Aaron.