Left of the Projector

Left of the Projector

By Evan, Bill, WardTV & FilmTV ReviewsFilm Reviews
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Left of the Projector episodes

  • TV BONUS: Andor - Season 1 - Episodes 1-6

    In this episode, we analyze the first season of "Andor," the prequel to Rogue One, with guests Bill and Ward. We discuss the show's unique approach to storytelling within the Star Wars universe, focusing on its complex portrayal of rebellion and oppression. Highlighting Cassian Andor's journey from marginalized thief to revolutionary, we examine themes of class struggle, corporate control, and character motivations. Key moments, like the Aldani heist, illustrate the blend of action and ideology. We encourage listeners to binge the season before our next discussion, promising deeper insights into this groundbreaking series.

    Left of the Projector Links

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    https://www.threads.net/@leftoftheprojector

    1 hr 3 min
  • A Real Pain (2024) with E.T. Lyons

    I'm joined by E.T. Lyons to discuss Oscar winning A Real Pain.

    E.T. Lyons

    https://beacons.ai/etlyons

    https://www.instagram.com/e.t.lyons/

    https://letterboxd.com/etlyons/

    https://www.threads.net/@e.t.lyons

    Left of the Projector Links

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    https://www.threads.net/@leftoftheprojector

    1 hr 20 min
  • Beavis and Butt-Head Do America (1996)

    In this episode, I’m joined by Dan and Jared from the Concessions Podcast to explore the cultural significance of Beavis and Butthead Do America. We share personal connections to the film's absurd humor and discuss its satirical take on 90s American culture as Beavis and Butthead embark on their outrageous quest for a stolen TV.

    Our conversation covers the duo’s contrasting personalities, the film's impact on youth nihilism, and its standout voice cast. We reflect on the film's relevance today and whether new audiences can appreciate its unique blend of humor and societal critique. This episode celebrates the enduring charm and complexity of this iconic animated film.

    Concessions:

    https://pod.link/1700141653

    https://podcasts.apple.com/us/podcast/concessions-consider-the-bigger-picture/id1700141653

    https://twitter.com/DanConcedes

    https://www.threads.net/@jaredconcessions

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 12 min
  • Modern Times (1936) with Molly Rasberry

    I am joined this week by Molly Rasberry to discuss Charlie Chaplin's great work Modern Times. The critiques of labor, alienation and so much more are on full display. Let us know what you think!

    Molly Rasberry

    https://x.com/RasberryRazz

    https://letterboxd.com/mbrasberry/

    https://mollywoodwrites.wordpress.com/

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 3 min
  • Emilia Perez (2024) with Bring Out Your Dead podcast

    In this episode, we take a critical look at the film "Emilia Perez," an endeavor that has stirred significant debate due to its questionable narrative and representation. Joined by Griff and Chris from "Bring Out Your Dead," we dissect the film’s convoluted plot revolving around a Mexican cartel leader's journey of transition amidst the violence of the drug war. We highlight the controversies related to the film’s lack of authentic Mexican representation and the director Jacques Audiard's dismissive approach to Mexican culture. Our conversation unpacks the harmful stereotypes perpetuated by the film, particularly regarding trans women, and critiques its failed attempts at emotional resonance. We express disappointment in the film’s arbitrary musical numbers and underwhelming performances, particularly from Selena Gomez. Ultimately, we urge listeners to rethink their engagement with "Emilia Perez," advocating for cinema that embraces authentic narratives and empowers marginalized voices

    Bring Out Your Dead:

    https://www.instagram.com/bringoutyourdeadpod/

    https://pod.link/1706697539

    https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 32 min
  • Austin Powers: International Man of Mystery (1997) with Jen (How the Red was Won)

    Fun podcast episodes is my middle name

    How the Red was Won

    https://www.instagram.com/how_the_red_was_won/

    https://www.patreon.com/HowtheRedwasWon?

    https://open.spotify.com/show/6YlNKncmYS7V08VOvs4XH4?si=066707a71c5b4a98

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 9 min
  • TV BONUS: Severance: Season 2, Episodes 1-4

    Red and SmirkGently join me to discuss Season 1 and Season 2, episode 1-4.

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 34 min
  • The Exorcist (1973)

    In this episode, I join Hugo and Priscilla Luna to explore the iconic 1973 horror film The Exorcist, directed by William Friedkin. We dissect its classification as horror, delve into its psychological themes, and reflect on how early exposure to the film shapes perceptions of the genre.

    We examine the historical context of post-Vietnam America, discussing societal fears surrounding science and religion. The conversation highlights Friedkin's innovative filmmaking techniques and key scenes, particularly Reagan’s possession. We also analyze character arcs, focusing on Father Karras’s internal struggles. We wrap up by recommending both versions of the film to appreciate its layered narrative and significance in cinema.

    Pricilla Luna:

    https://www.instagram.com/communalpress

    https://www.instagram.com/mutual.aid.collective/

    https://www.instagram.com/calaverawearofficial/

    Hugo

    https://www.instagram.com/seizethemeansshirts

    https://linktr.ee/seizethemeans

    https://www.etsy.com/shop/SeizeTheMeans24

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 14 min
  • Mulholland Drive (2001) with Mike Miley

    In this episode, we explore David Lynch's enigmatic film "Mulholland Drive" with author Mike Miley, who is preparing to release "David Lynch's American Dreamscape." Our discussion unravels the film’s complex narrative and its critique of the American dream, framed against the backdrop of Hollywood. Mike shares his personal experience discovering the film and reflects on its characters, Betty and Rita, as symbols of hope and disillusionment.

    Mike Miley:

     https://www.mikemiley.com/

    Pre order Book: https://www.bloomsbury.com/us/david-lynchs-american-dreamscape-9798765102893/

    https://instagram.com/mikecmiley

    https://bsky.app/profile/mikemiley.bsky.social

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 34 min
  • The Taking of Pelham One Two Three (1975) with Nathan Gelgud

    Nathan Gelgud, a comic artist, discusses the 1974 film The Taking of Pelham One Two Three on the show this week. We explore the film's representation of New York City during a tumultuous period marked by crime and economic decline, highlighting its authenticity through character accents and Walter Matthau's performance. Nathan reflects on the diverse motivations of the hijackers, the film's commentary on class and desperation, and its critique of municipal authority. The conversation also touches upon the socio-political context of 1970s New York, addressing the film's problematic portrayals while affirming its significant exploration of collective action and civic-mindedness. Nathan ultimately champions the film as essential viewing for its nuanced depiction of urban struggles.

    Nathan Gelgud:

    https://www.instagram.com/gelgud/

    https://www.patreon.com/gelgud

    https://www.etsy.com/listing/1818478318/pierrot-shirt?etsrc=sdt

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector

    1 hr 2 min

About Left of the Projector

From the publisher's feed

On Left of the Projector we discuss from film from a leftist perspective. Episodes will feature guests who will offer their thoughts on films from a shared interest in class consciousness and personal…

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