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In this episode, we analyze the first season of "Andor," the prequel to Rogue One, with guests Bill and Ward. We discuss the show's unique approach to storytelling within the Star Wars universe, focusing on its complex portrayal of rebellion and oppression. Highlighting Cassian Andor's journey from marginalized thief to revolutionary, we examine themes of class struggle, corporate control, and character motivations. Key moments, like the Aldani heist, illustrate the blend of action and ideology. We encourage listeners to binge the season before our next discussion, promising deeper insights into this groundbreaking series.
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
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I'm joined by E.T. Lyons to discuss Oscar winning A Real Pain.
E.T. Lyons
https://beacons.ai/etlyons
https://www.instagram.com/e.t.lyons/
https://letterboxd.com/etlyons/
https://www.threads.net/@e.t.lyons
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
In this episode, I’m joined by Dan and Jared from the Concessions Podcast to explore the cultural significance of Beavis and Butthead Do America. We share personal connections to the film's absurd humor and discuss its satirical take on 90s American culture as Beavis and Butthead embark on their outrageous quest for a stolen TV.
Our conversation covers the duo’s contrasting personalities, the film's impact on youth nihilism, and its standout voice cast. We reflect on the film's relevance today and whether new audiences can appreciate its unique blend of humor and societal critique. This episode celebrates the enduring charm and complexity of this iconic animated film.
Concessions:
https://pod.link/1700141653
https://podcasts.apple.com/us/podcast/concessions-consider-the-bigger-picture/id1700141653
https://twitter.com/DanConcedes
https://www.threads.net/@jaredconcessions
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
I am joined this week by Molly Rasberry to discuss Charlie Chaplin's great work Modern Times. The critiques of labor, alienation and so much more are on full display. Let us know what you think!
Molly Rasberry
https://x.com/RasberryRazz
https://letterboxd.com/mbrasberry/
https://mollywoodwrites.wordpress.com/
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
In this episode, we take a critical look at the film "Emilia Perez," an endeavor that has stirred significant debate due to its questionable narrative and representation. Joined by Griff and Chris from "Bring Out Your Dead," we dissect the film’s convoluted plot revolving around a Mexican cartel leader's journey of transition amidst the violence of the drug war. We highlight the controversies related to the film’s lack of authentic Mexican representation and the director Jacques Audiard's dismissive approach to Mexican culture. Our conversation unpacks the harmful stereotypes perpetuated by the film, particularly regarding trans women, and critiques its failed attempts at emotional resonance. We express disappointment in the film’s arbitrary musical numbers and underwhelming performances, particularly from Selena Gomez. Ultimately, we urge listeners to rethink their engagement with "Emilia Perez," advocating for cinema that embraces authentic narratives and empowers marginalized voices
Bring Out Your Dead:
https://www.instagram.com/bringoutyourdeadpod/
https://pod.link/1706697539
https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
Fun podcast episodes is my middle name
How the Red was Won
https://www.instagram.com/how_the_red_was_won/
https://www.patreon.com/HowtheRedwasWon?
https://open.spotify.com/show/6YlNKncmYS7V08VOvs4XH4?si=066707a71c5b4a98
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
Red and SmirkGently join me to discuss Season 1 and Season 2, episode 1-4.
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
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http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
In this episode, I join Hugo and Priscilla Luna to explore the iconic 1973 horror film The Exorcist, directed by William Friedkin. We dissect its classification as horror, delve into its psychological themes, and reflect on how early exposure to the film shapes perceptions of the genre.
We examine the historical context of post-Vietnam America, discussing societal fears surrounding science and religion. The conversation highlights Friedkin's innovative filmmaking techniques and key scenes, particularly Reagan’s possession. We also analyze character arcs, focusing on Father Karras’s internal struggles. We wrap up by recommending both versions of the film to appreciate its layered narrative and significance in cinema.
Pricilla Luna:
https://www.instagram.com/communalpress
https://www.instagram.com/mutual.aid.collective/
https://www.instagram.com/calaverawearofficial/
Hugo
https://www.instagram.com/seizethemeansshirts
https://linktr.ee/seizethemeans
https://www.etsy.com/shop/SeizeTheMeans24
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
In this episode, we explore David Lynch's enigmatic film "Mulholland Drive" with author Mike Miley, who is preparing to release "David Lynch's American Dreamscape." Our discussion unravels the film’s complex narrative and its critique of the American dream, framed against the backdrop of Hollywood. Mike shares his personal experience discovering the film and reflects on its characters, Betty and Rita, as symbols of hope and disillusionment.
Mike Miley:
https://www.mikemiley.com/
Pre order Book: https://www.bloomsbury.com/us/david-lynchs-american-dreamscape-9798765102893/
https://instagram.com/mikecmiley
https://bsky.app/profile/mikemiley.bsky.social
Left of the Projector Links
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https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
Nathan Gelgud, a comic artist, discusses the 1974 film The Taking of Pelham One Two Three on the show this week. We explore the film's representation of New York City during a tumultuous period marked by crime and economic decline, highlighting its authenticity through character accents and Walter Matthau's performance. Nathan reflects on the diverse motivations of the hijackers, the film's commentary on class and desperation, and its critique of municipal authority. The conversation also touches upon the socio-political context of 1970s New York, addressing the film's problematic portrayals while affirming its significant exploration of collective action and civic-mindedness. Nathan ultimately champions the film as essential viewing for its nuanced depiction of urban struggles.
Nathan Gelgud:
https://www.instagram.com/gelgud/
https://www.patreon.com/gelgud
https://www.etsy.com/listing/1818478318/pierrot-shirt?etsrc=sdt
Left of the Projector Links
https://www.patreon.com/LeftoftheProjectorPod
https://boxd.it/5T9O1
https://leftoftheprojector.com
https://instagram.com/leftoftheprojector
http://tiktok.com/@leftoftheprojectorpod
https://www.threads.net/@leftoftheprojector
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