This week, we kick off the episode by thanking everyone for coming out to Nina Boodhansingh's artist reception at the Gallery at Steel Pixel Studios. After that, Ben and Elisabeth talk with Marie Jeanna Haba about her artwork.
Marie Jeanne is an independent artist working and living in Hellertown, Pennsylvania. Her interest in art and stained glass began in 2010 when she first arrived to the U.S. from Guinea Conakry in West Africa. While attending Germantown High School, she distinguished herself by crafting paper birds with intricate feathers and stained glass. One of her feather birds won first place in the Philadelphia School District art competition, kicking off her career as a visual artist.
Upon graduating, she attended Community College of Philadelphia where she continued studying English as a second language. Jeanne then transferred to Shippensburg University where she majored in French language and culture while engaging with many art courses, including art history, 3-dimensional art, and ceramics.
After graduating from Shippensburg University, Jeanne felt torn between pursuing a career as a translator and exploring her passion for stained glass and painting. She made a studio in her basement, a sanctuary where she was able express her creativity, and dedicated herself to making art from an international perspective.
Jeanne’s artworks are inspired by her early experiences in Guinea Conakry, as well as by the West African perspective on life. She draws from the region’s spirituality and the concept of sacred femininity. “Heaven is under the feet of women,” according to Islamic belief—a popular saying across West Africa. With this in mind, Jeanne’s art depicts the female figure. Her work explores the mythology, spirituality, and representation of women in her culture. With her fine art, Jeanne manages to combine her experiences as a young adult in Pennsylvania with her early influences in Guinea Conakry. Although women are considered sacred in West Africa, there is still a taboo around open conversation about a woman’s body.
Therefore, Jeanne’s dream is to introduce a frank dialogue about all aspects of femininity—including the bodily form.
You can view her work at her website, https://www.marie-belle-art.com/, on Instagram at @belleeeart, or by visiting her on an upcoming First Friday at the Banana Factory.
Our opportunity for the week is the "Art (and) History From a Queer Perspective" at the Bradbury Sullivan Center. The next class will focus on Anne Lister (Gentleman Jack) and her era, with a special presentation by “Lister Sister” Michelle Mecham, on decoding Anne’s fascinating diaries.
While it’s sometimes hard to provide solid evidence that a person in the 1800s was actually gay, that is not the case with this fascinating woman. Diarist Anne Lister has been called the “First Lesbian”, because her (literally) 5 million words of eye opening journal entries (circa 1835) describe not only her well-adjusted understanding of her lesbian identity, but graphic descriptions written in code of making love to many women, including Ann Walker, whom she wooed and “wedded." Lister’s and Walker’s in-church commitment has been recognized as the first same-sex marriage in Britain, and Anne Lister’s life is the subject of the show “Gentleman Jack," a BBC TV series.
In this class, instructor Liz Bradbury, MFA will talk about Anne Lister’s life and a bit about other queer figures in history that were part of her era. Included in this class will be a presentation by Michelle Mecham, a “Lister Sister” who is part of the decoding project of Anne’s Diaries, organized by the Shibden Hall Anne Lister Museum.
The series is free and open to the public. Registration not required. For more information about the series, contact instructor Liz Bradbury at 610-432-5449 or [email protected].