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Today we celebrate the birthday of Leonardo Balada, an American composer born in Barcelona on today’s date in 1933. After studying at the Barcelona Conservatory, the 20-something composer came to New York on a musical scholarship.
Balada recalls his arrival as both a cultural and climatic shock: “When I landed in New York – on a freezing day in 1956 – little did I know of the mental turmoil I would experience in the next few years. That city had become the focal point for the latest music and arts. New York shook my musically conservative upbringing to its roots.”
Like most composers of his generation, Balada had to decide whether to follow the path of the abstract serialists who dominated music at that time or find his own path.
“I felt a strong necessity to… look to the future and not be criticized as a reactionary,” recalls Balada. “How could it be otherwise for a liberal young fellow brought up in Spain, opposed to Franco’s conservatism?”
With encouragement from the great Spanish guitarist Narciso Yepes, Balada began to draw on his own imagination and cultural heritage, blending contemporary techniques with elements of a more traditional language, often infused with Spanish themes.
Leonardo Balada (b. 1933) — Concierto Magico (Eliot Fisk, guitar; Barcelona and Catalonia National Orch.; Jose Serebrier, cond.) Naxos 8.555039
By American Public Media4.7
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Today we celebrate the birthday of Leonardo Balada, an American composer born in Barcelona on today’s date in 1933. After studying at the Barcelona Conservatory, the 20-something composer came to New York on a musical scholarship.
Balada recalls his arrival as both a cultural and climatic shock: “When I landed in New York – on a freezing day in 1956 – little did I know of the mental turmoil I would experience in the next few years. That city had become the focal point for the latest music and arts. New York shook my musically conservative upbringing to its roots.”
Like most composers of his generation, Balada had to decide whether to follow the path of the abstract serialists who dominated music at that time or find his own path.
“I felt a strong necessity to… look to the future and not be criticized as a reactionary,” recalls Balada. “How could it be otherwise for a liberal young fellow brought up in Spain, opposed to Franco’s conservatism?”
With encouragement from the great Spanish guitarist Narciso Yepes, Balada began to draw on his own imagination and cultural heritage, blending contemporary techniques with elements of a more traditional language, often infused with Spanish themes.
Leonardo Balada (b. 1933) — Concierto Magico (Eliot Fisk, guitar; Barcelona and Catalonia National Orch.; Jose Serebrier, cond.) Naxos 8.555039

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