In "G. A. L. Burgeon" C. S. Lewis reviews his friend and fellow Inkling Owen Barfield's book This Ever Diverse Pair. Joined by Barfield's grandson, also named Owen, here we encounter how Lewis applies some of his thinking on metaphor and imagination to a novel written by Owen Barfield - the friend from whom Lewis derived much of his thinking about thinking, imagination, and metaphor.

Find more on Owen Barfield at ⁠owenbarfield.org⁠

You may want to check out the entries that explain Barfield's thoughts on ⁠Metaphor⁠ or ⁠Metaphoric Internalization⁠ or ⁠The Metaphoric Period.⁠

C. S. Lewis' essays can be located at ⁠⁠⁠⁠⁠⁠pintswithjack.com/essays⁠⁠⁠⁠⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

In "Who gaf me drink?" C. S. Lewis reviews his friend and fellow Inkling Owen Barfield's book Romanticism Comes of Age. Joined by Barfield's grandson, also named Owen, here we encounter how Lewis applies some of his thinking on metaphor and imagination to a book largely about imagination written by Owen Barfield - the friend from whom Lewis derived much of his thinking about thinking, imagination, and metaphor.

Find more on Owen Barfield at owenbarfield.org

You may want to check out the entries that explain Barfield's thoughts on Metaphor or Metaphoric Internalization or The Metaphoric Period.

C. S. Lewis' essays can be located at ⁠⁠⁠⁠⁠pintswithjack.com/essays⁠⁠⁠⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

In the second part of his 1936 essay, "Bluspels and Flalansferes: A Semantic Nightmare" C. S. Lewis, once again, is defending metaphors as valid, useful, valuable, even necessary ways of speaking about reality. He concludes it is actually those who are best at creating metaphors who are "masters of meaning" rather than those who try to avoid metaphors and stick to the literal. We cannot have just one or the other for, while reason is the organ of truth, "imagination is the organ of meaning."

C. S. Lewis' essays can be located at ⁠⁠⁠⁠pintswithjack.com/essays⁠⁠⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

In his 1936 essay, "Bluspels and Flalansferes: A Semantic Nightmare" C. S. Lewis, once again, is defending metaphors as valid, useful, valuable, even necessary ways of speaking about reality. He introduces the idea of a "Master's Metaphor" and a "Pupils Metaphor" to explain how metaphors can be tied to our understanding of a concept, but that this is not always the case.

The Eudo Podcast: "Bluspels & Flalansferes"

C. S. Lewis' essays can be located at ⁠⁠⁠pintswithjack.com/essays⁠⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

In the second part of this 1960 essay, "The Language of Religion," C. S. Lewis once again defends the ordinary and poetic nature of most of our language within and about Christianity from those who would want it to be more scientific, literal, or quantitative. There is a use for this language, says Lewis, and even Christians sometimes need language like this when doing theology. However, if this was the only way we talked about things, there would be "some death in it." There is always a need and a value for poetic, qualitative language.

⁠Check out the Mere C. S. Lewis podcast ⁠

C. S. Lewis' essays can be located at ⁠⁠pintswithjack.com/essays⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

In this 1960 essay, "The Language of Religion," C. S. Lewis once again defends the ordinary and poetic nature of most of our language within and about Christianity from those who would want it to be more scientific, literal, or quantitative. There is a use for this language, says Lewis, and even Christians sometimes need language like this when doing theology. However, if this was the only way we talked about things, there would be "some death in it." There is always a need and a value for poetic, qualitative language.

C. S. Lewis' essays can be located at ⁠⁠⁠pintswithjack.com/essays⁠⁠⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

Exploring C. S. Lewis' 1944 essay "Is Theology Poetry?" where he defends the Christian belief against the accusation that we believe it merely because it is imaginatively appealing. There may often be aesthetic enjoyment of the truths of Christianity; it may be poetic, narrative, mythic, and metaphoric at times. And these are all valid ways of coming to know truth, but they not the only reasons we have to believe Christian claims are true.

Click here for more of Dr. Jerry Root.⁠

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

Exploring C. S. Lewis' 1944 essay "Is Theology Poetry?" where he defends the Christian belief against the accusation that we believe it merely because it is imaginatively appealing. There may often be aesthetic enjoyment of the truths of Christianity; it may be poetic, narrative, mythic, and metaphoric at times. And these are all valid ways of coming to know truth, but they not the only reasons we have to believe Christian claims are true.

Click here for more of Dr. Jerry Root.

The Treachery of Images painting by Rene Magrite

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

Myth was important to C. S. Lewis. He thought it should be important to everyone, especially Christians. Before we get to Lewis' essays "On Metaphor and Myth" this season, we check in with Dr. Charlie W. Starr, author of ⁠"The Faun's Bookshelf: C. S. Lewis on Why Myth Matters"⁠, to ask just that question — why does myth matter?

For more on Charlie W. Starr —

⁠His Books⁠

⁠His Blogs⁠

⁠The C. S. Lewis Retreat 2023⁠

Hear Charlie discuss The Faun's Bookshelf

His Contribution on The Abolition of Man

⁠C. S. Lewis and the Arts⁠

We highly recommend Charlie's interview on his book The Lions Country on the Pints with Jack Podcast as a great counterpart to this episode.

Find more Lesser-Known Lewis — 

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com

Myth was important to C. S. Lewis. He thought it should be important to everyone, especially Christians. Before we get to Lewis' essays "On Metaphor and Myth" this season, we check in with Dr. Charlie W. Starr, author of "The Faun's Bookshelf: C. S. Lewis on Why Myth Matters", to try and get an overview on what Myth is to Lewis. In short, Myth is a way of languaging, of communicating concrete realities to people so they can know them by experience through their imagination. Or, to quote Charlie, "Myth is perceived in the imagination, comes across in story, and is meant to point us to a higher reality through embodiment in story."

For more on Charlie W. Starr —

His Books

His Blogs

The C. S. Lewis Retreat 2023

Hear Charlie discuss The Faun's Bookshelf

Find more Lesser-Known Lewis — 

Online: ⁠⁠⁠⁠⁠⁠⁠⁠⁠pintswithjack.com/lesser-known-lewis⁠⁠⁠⁠⁠⁠⁠⁠⁠

Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠

Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@lesserknownlewis⁠⁠⁠⁠⁠⁠⁠⁠⁠

Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Lesser-Known Lewis Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: [email protected]

Graphic Design by Angus Crawford.

Music: Dream Cave / Crowned Kings / courtesy of www.epidemicsound.com