Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!

Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play the jazz standard by legendary jazz saxophonist Lester Young, Lester Leaps In. In this Jazz Piano Lesson you will:

Discover
The Jazz standard by Lester Young (the Pres), Lester Leaps In
Learn
Historical Facts, Form, Chords Changes, Melody, Harmonic Structure of Lester Leaps In
Play
Lester Leaps In using Melodic Treatments and Improvisation

For maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while studying and practicing the jazz standard by legendary jazz saxophonist Lester Young, Lester Leaps In.

Download Podcast Packets
Illustrations
(detailed graphics of the jazz piano skill)
Lead Sheets
(beautifully notated music lead sheets)
Play Alongs
(ensemble assistance and practice tips)

EPISODE OUTLINE:
Introduction
Discover, Learn, Play
Invite to Join JazzPianoSkills

DEMO ONE
Lester Leaps In (Key of Bb)
Melodic Treatment (‘A’ Section)
Single Note (Bud Powell Style)
Improvisation (‘B’ Section)
Chord Tones Only

DEMO TWO
Lester Leaps In (Key of Bb)
Melodic Treatment (‘A’ Section)
Unison Line (Oscar Peterson Style)
Improvisation (‘B’ Section)
Chord Tones Only

DEMO THREE
Lester Leaps In (Key of Bb)
Melodic Treatment (‘A’ Section)
Octave + 5th (Red Garland Style)
Improvisation (‘B’ Section)
Chord Tones Only

DEMO FOUR
Lester Leaps In (Key of Bb)
Melodic Treatment (‘A’ Section)
Locked Hands (George Shearing Style)
Improvisation (‘B’ Section)
Chord Tones Only

DEMO FIVE
Lester Leaps In (Key of Bb)
Melodic Treatment (‘A’ Section)
Quartal/Fourthy Structures (Herbie Hancock Style)
Improvisation (‘B’ Section)
Chord Tones Only

Conclusion
Closing Comments

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