It's 2015. Franchises rule the box office. Disney, a powerhouse studio for decades, is in the middle of its current run of live-action remakes. This year's movie, Cinderella, is directed by Kenneth Branagh, known for his Shakespearean adaptations and portrayal of Hercule Poirot. The story itself is nothing new, but Branagh presents it with lavishly and directly, making it one of the best-reviewed of the modern remakes.

What Cinderella offers casual movie fans who have always meant to watch classic movies: gorgeous costumes and sets; solid, traditional storytelling; a sincere, admirable heroine; and, arguably, everything one wants, and nothing one doesn't, in a Cinderella movie.

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It's 2005. Peter Jackson, director of the Lord of the Rings trilogy, follows that triumph by remaking one of his favorite movies--King Kong. By taking the original, iconic 1933 film and expanding it with his own knack for special effects and epic-length storytelling, Jackson creates a version that, as critic Roger Ebert says, "is like the flowering of all the possibilities in the original classic film.”

What King Kong offers casual movie fans who have always meant to watch classic movies: more of everything the original film contained; three tonally distinct stories (drama, action, and disaster); a timeless 1930s setup; and one intense giant-ape-vs-three-T-rexes battle scene.

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It's 1995. Combining the blockbuster era with CGI creates the opportunity for all sorts of movies--including ones with jungle creatures rampaging through city streets. Director Joe Johnston, who started his Hollywood career designing spaceships for Star Wars, utilizes computer and practical effects to bring a malevolent board game to life in Jumanji, starring Robin Williams, Bonnie Hunt, and a young Kirsten Dunst.

What Jumanji offers casual movie fans who have always meant to watch classic movies: the more sobering origin of the newer Jumanji movies; Robin Williams playing his patented boy-in-a-man's-body role; a largely effective blend of horror and action; and badly aged monkey CGI.

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It's 1985. The culture is saturated with youth-targeted science fiction and fantasy films. And then there's Cocoon, directed by Ron Howard, a quirky movie featuring three elderly men as protagonists. Aliens disguised as humans are recovering cocoons from the ocean and storing them in the pool of a rented house when the old men discover that the water of the pool rejuvenates them. It's a fountain of youth, but will they share it? And will the aliens let them continue using it?

What Cocoon offers casual movie fans who have always meant to watch classic movies: an exploration of life, death, and aging; a gentler, more compassionate portrayal of aliens; a plot that's not quite conventional; and lots of old people.

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It's 1975. No one knows it yet, but this is when the Blockbuster Age begins. It starts with a movie called Jaws, directed by an up-and-coming director named Steven Spielberg. If you don't know, Jaws is about a killer shark. It's the reason an entire generation feared going into the water. At the time of its release, it became the highest-grossing film of all time--and also the blueprint for a revolution in the filmmaking business.

What Jaws offers casual movie fans who have always meant to watch classic movies: Spielberg's masterful, timeless directing; John William's iconic score; three men alone on the sea; the growing, largely unseen menace of the shark; and ""You're gonna need a bigger boat."

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It's 1965. Three years previous, director David Lean released his masterpiece Lawrence of Arabia. Now, he returns with another historical epic, exchanging desert vistas for the mountains of Russia and the society of Soviet Revolution-era Moscow. Based on the Nobel Prize-winning novel, Doctor Zhivago follows the titular doctor (and poet) as his life and loves intersect with the violence and utopian dreams of the Bolshevik Revolution.

What Doctor Zhivago offers casual movie fans who have always meant to watch classic movies: stunning, wide-screen cinematography; a sweeping epic in a period not often covered by Hollywood; a story of, um, romantic adultery; and a frustratingly opaque protagonist.

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It's 1955. It's a time we look back at with nostalgia, thinking it a simpler, more peaceful time. But in one of first important "juvenile delinquent" films, Rebel Without a Cause, director Nicholas Ray and actor James Dean explore teen culture and find that the kids are not all right.

Following a little over 24 hours of the lives of Dean's Jim Stark, the disturbed "Plato," and Judy, the bully's girlfriend, the movie shows the search for meaning and mentors that seem to plague a generation of angry, confused, and lost teens.

What Rebel Without a Cause offers casual movie fans who have always meant to watch classic movies: the iconic James Dean in that red jacket, a haunting lecture in an observatory, a tragic "Chickie Run," complicated child-parent relationships, and a surprisingly modern look at growing up from 70 years ago.

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It's 1945. VE Day was May 8, but the war continues in the Pacific. Meanwhile, MGM entertains Americans back home with musicals such as Anchors Aweigh, starring Gene Kelly and Frank Sinatra as two navy sailors on a four-day shore leave near Hollywood. Hoping to spend time picking up girls, they find themselves involved in the life of aspiring singer "Aunt Susie." An eager boy and a lie are excuse enough to provide plenty of opportunities for romance, spectacle, and a happy ending.

What Anchors Aweigh offers casual movie fans who have always meant to watch classic movies: the engaging song-and-dance duo of Gene Kelly and Frank Sinatra, a convoluted set-up, the musical talents of real-life conductor José Iturbi, and a cameo of a famous cartoon mouse (no, not that one).

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It's 1935. One source of escapism during the Great Depression was the big budget spectacle--and Mutiny on the Bounty was one of the most expensive of its time. Based on the books which were inspired by true events, it follows the voyage of the HMS Bounty to Tahiti under the draconian command of Captain Bligh, as the crew, especially executive commander Christian Fletcher, weigh whether such harsh treatment is worthy of mutiny.

Filled with drama, danger, moral dilemmas, and island romance, Mutiny on the Bounty is probably the best-known movie from faithful Hollywood studio man and director Frank Lloyd.

What Mutiny on the Bounty offers casual movie fans who have always meant to watch classic movies: the iconic, sourly tyrannical Captain William Bligh; classic Hollywood doing big-budget sea adventure; island romance; and Clark Gable without a mustache.

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It's 1925. The Russian Revolution is over. Vladimir Lenin believes that “the cinema is for us the most important of the arts," leading the Soviet Union to create the world's first professional film school. With a genius for editing that is still discussed today, director Sergei Eisenstein creates a movie that was once considered the greatest movie ever made.

Battleship Potemkin tells the inspired-by-a-true-story tale of the sailors of the titular battleship and their struggle against their oppressive officers and government. It's art, but it's also propaganda.

What Battleship Potemkin offers casual movie fans who have always meant to watch classic movies: an entry point to discuss Soviet montage theory and the Kuleshov effect; a masterfully edited silent epic; the famous Odessa Steps sequence; and a powerfully visceral film.

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