KK on the beat ho.

Bubblegum KK meets Not Like Us

Mashup of Drake - Push Ups (Drop and Give Me 50) with JAWNS & Party Favor - Deadweight.

This track is not monetized. Original production/writing credits go to JAWNS, Party Favor, Drake, Boi 1-da, Fierce, Coleman, Noel Cadastre.

This was my entry for the remix competition hosted by Audius and Sable Valley for Montell2099, XIRA & Sublab - Exodia. This was one of my favorite tracks of the year, so I was excited to play with the stems and try making it into something of my own.

This is my first time exploring a breakcore drop, and this is my first time revisiting a dubstep drop in many years. I hope you all enjoy.

Go support these other great artists:

Montell2099: https://soundcloud.com/montell2099

Sublab: https://soundcloud.com/sublabmusic

XIRA: https://www.instagram.com/xiramusic/

Link to the track on Audius:

https://audius.co/lett_music/montell2099-xira-sublab-exodia-lett-remix

Cinematic Trap

4 Channels: 1 PWM Lead, 1 Square Pluck, 1 Triangle Bass, 1 Noise for Drums

That's it. We're doing trap with as little as possible. All basic waveforms, one note max per channel.

"IN ÆTURNUM" translates to forever, or eternally.

It feels like it's been forever since I've shared much of my work with the world. This past year has been a busy one, and I apologize for not releasing much content, but I have been continuing to work on material of many different styles. Here's to stopping myself from chasing perfection, and getting back to putting myself back out there, flaws and everything, because done is better than perfect.

Beat visualizer on YouTube: https://www.youtube.com/watch?v=kEu5fEz2HOg

This was my submission for the Tracklib X Chillhop Music Beat Battle, to be judged by Cookin Soul. The track that I flipped is HM Surf - Horse Betting. I ended up pulling an all nighter to get this done, so those are the vibes.

Artwork from Chillhop Music.

I trapped out some Bo Burnham. Visuals at:

https://www.youtube.com/watch?v=wMALUHFDsW0

After watching Bo Burnham's new Netflix special, Inside, this tune really caught my attention. The special as a whole resonated with me as a creative who often feels like I spend a lot of time losing my mind creating in the same room. As much as I feel that Bo has made fun of the music industry, his songwriting shows that he really knows the formula in and out, and I always wondered what his music might sound like if taken a bit further with the production to be more like the industry (Drake, Rihanna, The Weeknd, etc.). This is my shot at that.

Beat Visualizer on YouTube: https://youtu.be/lwLT-_lMyfI

This is my submission for the Tracklib competition for a placement opportunity with Royce da 5'9". The rules were to use any sample from Tracklib's library.

I went for a bit more of a boom bap approach, but still laid 808s all over it and couldn't help from adding some synths, most of which are recorded from my Arturia Microfreak hardware synth. The result is a fusion of boom bap, trap and electronica, so I think trip hop may be the best category to describe this. Heavy influences from artists like Kanye, RJD2, Gramatik.

Samples used:

Dennis Farnon - The Trackers (1969)

Statik LNK - Never Let Go - Choir (2020)

Beat Visualizer on YouTube:

https://www.youtube.com/watch?v=eR6kU2ZGKGg

This was my submission for the Metapop: Timbaland Beatclub Competition. I pushed myself to explore things I've never done before in production. I tried recording myself beatboxing for the first time. I explored psytrance and future bass more heavily for the first time. I blended more genres in this than I've ever done in a single track before. Thank you Timbaland for inspiring me to have some breakthroughs. I hope I can inspire other 'bedroom producers' around the world as well. Keep creating what you love.