Download: Inspiration and Divine Speech in 1 Corinthians
1 Corinthians 12:4-11; 13:1-2; 14:2-4, 27-33
Divine Speech in 1 Corinthians
1 Corinthians 12:4-11 This list is a Christian perspective on how God’s spirit miraculously shows up (manifests) through those who are in Christ. Speech acts include utterances of wisdom, utterances of knowledge, prophecies, various kinds of speaking in tongues, interpretations of tongues, and, arguably, discerning of spirits.In what follows, we’ll contrast the biblical understanding of inspiration and divine speech against the background of the Greco-Roman world.Inspiration in the Greco-Roman World
The organ of divination: “For they who constructed us, remembering the injunction of their Father, when He enjoined upon them to make the mortal kind as good as they possibly could, rectified the vile part of us by thus establishing therein the organ of divination, that it might in some degree lay hold on truth. And that God gave unto man’s foolishness the gift of divination a sufficient token is this: no man achieves true and inspired divination when in his rational mind, but only when the power of his intelligence is fettered in sleep or when it is distraught by disease or by reason of some divine inspiration. …[T]he liver is such as we have stated and situated in the region we have described, for the sake of divination.”1 (Plato, Timaeus 71D-72B)Gods speaking indirectly: “Do we wait for the immortal gods to converse with us in the forum, on the street, and in our homes? While they do not, of course, present themselves in person, they do diffuse their power far and wide—sometimes enclosing it in caverns of the earth and sometimes imparting it to human beings. The Pythian priestess at Delphi was inspired by the power of the earth and the Sibyl by that of nature.”2 (Cicero, On Divination36.79)Muses inspiring great poetry: “In the same manner [as a magnet] the Muse inspires men [and women] herself, and then by means of these inspired persons the inspiration spreads to others, and holds them in a connected chain. For all the good epic poets utter all those fine poems not from art, but as inspired and possessed, and the good lyric poets likewise; just as the Corybantian worshippers do not dance when in their senses, so the lyric poets do not indite those fine songs in their senses, but when they have started on the melody and rhythm they begin to be frantic, and it is under possession—as the bacchants are possessed, and not in their senses. …[E]ach is able only to compose that to which the Muse has stirred him. …God takes away the mind of these men [and women] and uses them as his ministers, just as he does soothsayers and godly seers, in order that we who hear them may know that it is not they who utter these words of great price, when they are out of their wits, but that it is God himself who speaks and addresses us through them.”3 (Plato, Ion 533E-544D)More on Muses: “Hesiod even gives their names when he writes: ‘Cleio, Euterpe, and Thaleia, Melpomene, Terpsichore and Erato, and Polymnia, Uania, Calliope too, of them all the most comely.’ To each of the Muses men assign her special aptitude for one of the branches of the liberal arts, such as poetry, song, pantomimic dancing, the round dance with music, the study of the stars, and the other liberal arts.”4 (Diodorus Siculus, Library of History 7.2-3)Cybele and Ecstatic Dancing
Cybele’s Corybantian frenzied dancers: “They invented suitable names for the flute, and for the noise of the rattles, cymbals, and drums, and for the shouting, the Bakchic cries, and foot-stomping, as well as for the servants, choral dancers, and the attendants of the sacred rites. …Similar to these [rituals] are those among the Thracian…one holds in his hand the bombyx, the result of great effort with the turning lathe, and it fully fills the fingered melody, the call that brings on the madness. Another makes a loud sound with the bronze-bound …Because the Korybantes are ecstatic dancers, we say that those who are moved to frenzy are “korybantic.”5 (Strabo, Geography 10.3.16, 21)Cybele’s castrated priests of Attis: “Insofar as metragyrtai were following Attis in castrating themselves, they were demonstrating their commitment to the Mother alone, in an excessive form of devotion. It is possible that this behaviour was stimulated by the experience of taking part in ecstatic rites in honour of the Mother. …Self-castration was clearly not expected of the crowds who took part in her festivals whether in Greek cities or even at Rome. The more universal experience of her worship was the music of pipes and horns and the noise of drums, tambourines and castanets.”6Bacchus (Dionysus) and Ecstatic Prophecies
Manic prophecies: “The god [Dionysus] is also a prophet: for the ecstatic and the manic have mantic [prophetic] powers in large measure. When the god enters someone in force, he causes him in madness to predict the future.”7 (Euripides, Bacchae 298-301)Fanatical tossings and prophecies: “Men, as if insane, with fanatical tossings of their bodies, would utter prophecies.”8 (Livy, History of Rome13)A cult primarily for women: “Women are prominent among Dionysos’ devotees, indeed the civic cults are exclusively women’s. …The revelers forsook their homes and cities to gather at night in the wilderness, especially on mountains, to hold torches and dance to wild music, especially of the flute, drum, and cymbal. An important object of the ritual, induced through the music and dancing, was the attainment of ecstasy, which was understood in terms of coming under the power of the god himself. Not all participants, who were called “Mainades,” “Bakchai,” “Thyiades,” or similar titles, experienced this Dionysiac grace.”9Nymphs Inspiring the Sibyls
Famous sibyls who prophesied: “There is a rock sticking up out of the earth at which the Delphians say the Sibyl Herophile stood to sing her oracles. I discovered that the earlier Sibyl was among the most ancient in the world; the Greeks say she was the daughter of Zeus and Lamia, daughter of Poseidon: they say she was the first woman to sing oracles and was named Sibyl by the Libyans. …The Delians record her Hymn to Apollo: in the verses she calls herself Artemis as well as Herophile, and then says she is Apollo’s sister, and again his daughter. She wrote all this when raving and possessed by the god; elsewhere in the oracles she said her mother was an immortal … Hyperochos of Cumae has written about the succeeding Sibyl who prophesied in the same way: how she came from Cumae in the Opician territory, and her name was Demo. …Then later than Demo there was a prophetic woman reared among the Jews beyond Palestine; her name was Sabbe. …Phaennis, daughter of the king of the Chaonians, and the Rock-pigeons at Dodona gave oracles from the god, but people never called them Sibyls. …They say Euklous was a Cypriot prophet, and Mousaios son of Antiophemos and Lykos son of Pandion were Athenians, and Bakis from Boiotia was possessed by the nymphs: I have read their prophecies.… These are the men and women down to my day who are said to have given oracles from the god; but in the long course of time there could still be as many again.”10 (Pausanias, Guide to Greece12)A frightening account of Apollo possessing a sibyl: “Now carved out of the rocky flanks of Cumae lies an enormous cavern pierced by a hundred tunnels, a hundred mouths with as many voices rushing out, the Sibyl’s rapt replies. They had just gained the sacred sill when the virgin cries aloud: “Now is the time to ask your fate to speak! The god, look, the god!” So she cries before the entrance—suddenly all her features all her color changes, her braided hair flies loose and her breast heaves, her heart bursts with frenzy, she seem to rise in height, the ring of her voice no longer human—the breath, the power of god comes closer, closer. “Why so slow, Trojan Aeneas?” she shouts, “so slow to pray, to swear your vows? Not until you do will the great jaws of our spellbound house gape wide.” And with that command the prophetess fell silent. …[Aeneas prays to Apollo]. …But the Sibyl, still not broken in by Apollo, storms with a wild fury through her cave. And the more she tries to pitch the great god off her breast, the more his bridle exhausts her raving lips, overwhelming her untamed heart, bending her to his will. Now the hundred immense mouths of the house swing open, all on their own, and bear the Sibyl’s answers through the air.”11 (Virgil, Aeneid52-67, 93-99)Consulting an oracle involved approaching a temple or shrine, paying a fee, submitting your question, and awaiting an answer. Clergy took your question to the oracle who would summon an answer from a god in an inner chamber. The priests would turn that into poetry and write your answer down and give it to you.One example comes from Zeno of Citium, the founder of Stoicism: “[W]hen he consulted an oracle about what he should do to live the best life, the god replied that he should have intercourse with the dead. Grasping the oracle’s meaning, he read the works of the ancients.”12 (Diogenes, Lives2)Inspiration worked through the person’s abilities: “[E]ven if these verses [of the oracle of Delphi] be inferior to Homer’s, let us not believe that the god has composed them, but that he supplies the origin of the incitement, and then the prophetic priestesses are moved each in accordance with her natural faculties. … As a matter of fact, the voice is not that of a god, nor the utterance of it, nor the diction, nor the metre, but all these are the woman’s; he puts into her mind only the visions, and creates a light in her soul in regard to the future; for inspiration is precisely this.”13 (Plutarch, Moralia 397C, The Oracles at Delphi 7)Limitations of inspiration: “Now this power cannot move to flight that which can only walk or run, nor move a lisp to clear speaking, nor a shrill thin voice to melodious utterance. …So in the same way it is impossible for the unlettered man who has never read verse to talk like a poet.”14 (Plutarch, Moralia 405BC, The Oracles at Delphi 22)The god does not take control of the voice: “Certainly it is foolish and childish in the extreme to imagine that the god himself after the manner of ventriloquists (who used to be called ‘Eurycleis,’ but now ‘Pythones’) enters into the bodies of his prophets and prompts their utterances, employing their mouths and voices as instruments.”15 (Plutarch, Moralia 414E, Obsolescence of Oracles 9)Those seeking inspiration must prepare mentally and physically: “It is not true, as Euripides says, that “The best of seers is he that guesses well;” no, the best of seers is the intelligent man, following the guidance of that in his soul…brought about by a temperament and disposition of the body as it is subjected to a change which we call inspiration. …[T]he prophetic current and breath is most divine and holy, whether it issue by itself through the air or come in the company of running waters; for when it is instilled into the body, it creates in souls an unaccustomed and unusual temperament, the peculiarity of which it is hard to describe with exactness, but analogy offers many comparisons. It is likely that by warmth and diffusion it opens up certain passages through which impressions of the future are transmitted, just as wine, when its fumes rise to the head, reveals many unusual movements and also words stored away and unperceived. …But I incline most to the opinion that the soul acquires towards the prophetic spirit a close and intimate connexion of the sort that vision has towards light, which possesses similar properties. For, although the eye has the power of vision, there is no function for it to perform without light; and so the prophetic power of the soul, like an eye, has need of something kindred to help to kindle it and stimulate it further.”16 (Plutarch, Moralia 432CDE, 433D, Obsolescence of Oracles 40, 42)Scripture Parallels Involving Music
1 Samuel 10:5-6, 10-13 A band of prophets with harp, tambourine, flute, and lyre encounters Saul who prophecies1 Samuel 19:20-24 When coming to capture Samuel, the spirit of God came upon Saul’s messengers with the result that they fell into a prophetic frenzy. Saul himself came, and he too fell into prophecy, stripping off his clothes, and lying naked all day and night.1 Samuel 16:23 David’s lyre playing relieved Saul, causing the evil spirit to depart from him.2 Kings 3:13-19 When the king requested a prophecy from Elisha, he requested a musician to play. While he was playing, the hand of Yahweh came upon him, and he prophesied.“Inspiration depended on both the earth exhaling a gas (ethylene?) and the oracle preparing herself: “I think, then, that the exhalation is not in the same state all the time, but that it has recurrent periods of weakness and strength. Of the proof on which I depend I have as witnesses many foreigners and all the officials and servants at the shrine. It is a fact that the room in which they seat those who would consult the god is filled, not frequently or with any regularity, but as it may chance from time to time, with a delightful fragrance coming on a current of air which bears it towards the worshippers, as if its source were in the holy of holies; [ἐκ πηγῆς τοῦ ἀδύτου = from the innermost spring] and it is like the odour which the most exquisite and costly perfumes send forth. …If this does not seem credible, you will at least all agree that the prophetic priestess herself is subjected to differing influences, varying from time to time, which affect that part of her soul with which the spirit of inspiration comes into association, and that she does not always keep one temperament, like a perfect concord, unchanged on every occasion. For many annoyances and disturbances of which she is conscious, and many more unperceived, lay hold upon her body and filter into her soul; and whenever she is replete with these, it is better that she should not go there and surrender herself to the control of the god, when she is not completely unhampered (as if she were a musical instrument, well strung and well tuned), but is in a state of emotion and instability.”17 (Plutarch, Moralia 437CD, Obsolescence of Oracles 50).More on the mysterious breath in the cave: “They say that the oracle is in a hollow cave that is deep with a rather narrow mouth, and from which a divinely inspired breath rises up. A high tripod is placed over the mouth which the Pythia mounts and, receiving the breath, utters both metrical and unmetrical oracles, with the latter put into meter by certain poets who are in the service of the sanctuary. They say that the first Pythia was Phemonoe, and the prophetess and city were so-called from “to inquire” (pythesthai). …Greater honor resulted for the temple because of the oracle, for it obtained the reputation of being the most truthful of all.”18 (Strabo, Geography3.5-6)Forced inspiration resulted in disastrous results: “Whenever, then, the imaginative and prophetic faculty is in a state of proper adjustment for attempering itself to the spirit as to a drug, inspiration in those who foretell the future is bound to come; and whenever the conditions are not thus, it is bound not to come, or when it does come to be misleading, abnormal, and confusing, as we know in the case of the priestess who died not so long ago. As it happened, a deputation from abroad had arrived to consult the oracle. The victim, it is said, remained unmoved and unaffected in any way by the first libations; but the priests, in their eagerness to please, went far beyond their wonted usage, and only after the victim had been subjected to a deluge and nearly drowned did it at last give in. What, then, was the result touching the priestess? She went down into the oracle unwillingly, they say, and halfheartedly; and at her first responses it was at once plain from the harshness of her voice that she was not responding properly; she was like a labouring ship and was filled with a mighty and baleful [κακοῦ] spirit. Finally she became hysterical and with a frightful shriek rushed towards the exit and threw herself down, with the result that not only the members of the deputation fled, but also the oracle-interpreter Nicander and those holy men that were present. However, after a little, they went in and took her up, still conscious; and she lived on for a few days.It is for these reasons that they guard the chastity of the priestess, and keep her life free from all association and contact with strangers, and take the omens before the oracle, thinking that it is clear to the god when she has the temperament and disposition suitable to submit to the inspiration without harm to herself. The power of the spirit does not affect all persons nor the same persons always in the same way, but it only supplies an enkindling and an inception, as has been said, for them that are in a proper state to be affected and to undergo the change. The power comes from the gods and demigods, but, for all that, it is not unfailing nor imperishable nor ageless, lasting into that infinite time by which all things between earth and moon become wearied out, according to our reasoning.”19 (Plutarch, Moralia 438ABCD, Obsolescence of Oracles 51)
Example of the oracle seeing a vision: “And if any Greeks are present, let them approach in an order determined by lot, as is the custom; for I prophesy as the god guides me. [She goes into the temple. A moment later she comes out again, terrified, crawling on hands and knees like a baby. It is some time before she can speak.] Things truly fearful to speak of, fearful to behold with the eyes…they have taken away my strength and made me unable to stand upright, so that I run on my hands instead of making speed with my legs! …I am on my way to the inner shrine richly hung with wreaths, and there I see a man sitting at the navel-stone as a suppliant for purification, a man polluted in the eyes of the gods, his hands dripping blood, holding a newly-drawn sword.…”20 (Aeschylus, Eumenides 31-42)Opinions about the Oracle at Delphi
Epicurus rejected all oracles: “Epicurus rejects all divination…and says, “No means of foretelling the future exists; but even if it did, we should regard what happens according to it as nothing to us.”21 (Diogenes, Lives 135)Cicero thought the oracle at Delphi had ceased: “Why are the Delphic oracles (of which I have just given you examples) not uttered at the present time and have not been for a long time?”22 (Cicero, On Divination56.116)Lucan was convinced it was still happening in the 60s AD: “Themis was then queen and mistress of the oracle; but, when Apollo saw that the huge chasm in the earth breathed forth divine truth, and that the ground gave out a wind that spoke, then he enshrined himself in the sacred caves, brooded over the holy place, and there became a prophet. …When this inspiration has found a harbour in a maiden’s bosom, it strikes the human soul of the priestess audibly, and unlocks her lips…For, if the god enters the bosom of any, untimely death is her penalty, or her reward, for having received him; because the human frame is broken up by the sting and surge of that frenzy, and the stroke from heaven shatters the brittle life. …Scared at last the maiden took refuge by the tripods; she drew near to the vast chasm and there stayed; and her bosom for the first time drew in the divine power, which the inspiration of the rock, still active after so many centuries forced upon her. At last Apollo mastered the breast of the Delphian priestess; as fully as ever in the past, he forced his way into her body, driving out her former thoughts, and bidding her human nature to come forth and leave her heart at his disposal. Frantic she careens about the cave, with her neck under possession; the fillets and garlands of Apollo, dislodged by her bristling hair, she whirls with tossing head through the void spaces of the temple; she scatters the tripods that impede her random course; she boils over with fierce fire, while enduring the wrath of Phoebus. …When she found it, first the wild frenzy overflowed through her foaming lips; she groaned and uttered loud inarticulate cries with panting breath; next, a dismal wailing filled the vast cave; and at last, when she was mastered, came the sound of articulate speech: “Roman, thou shalt have no part in the mighty ordeal and shalt escape the awful threats of war; and thou alone shalt stay at peace in a broad hollow of the Euboean coast.” Then Apollo closed up her throat and cut short her tale.”23 (Lucan, Civil War 81-85, 97-98, 161-174, 190-197)Divine Speech in 1 Corinthians
1 Corinthians 13:1-2 Love is necessary for tongues or prophecy (or other speech manifestations of the spirit). Nobody in the Greco-Roman literature talks about love in the context of divine speech.1 Corinthians 14:2-4 Prophecy is for upbuilding, encouragement, consolation, and building up the church.1 Corinthians 14:27-33 Not only is there no frenzy or madness, but the spirit of the prophets is subject to the prophets. Christians can choose to start and stop when they like.Bibliography
Aeschylus. Agamenmnon, Libation-Bearers, Eumenides. Translated by Alan H. Sommerstein. Vol. 2. Loeb Classical Library, edited by Jeffrey Henderson. Cambridge, MA: Harvard University Press, 2008.
Bowden, Hugh. Mystery Cults in the Ancient World. London, England: Thames and Hudson, 2023.
Cassidy, William. “Dionysos, Ecstasy, and the Forbidden.” Historical Reflections (Winter 1991: 23-44.
Cicero. De Senectute, De Amicitia, De Divinatione. Translated by William Armistead Falconer. Vol. 20. Loeb Classical Library, edited by Jeffrey Henderson. Cambridge, MA: Harvard University Press, 1923.
Euripides. Bacchae, Iphigenia at Aulis, Rhesus. Translated by David Kovacs. Vol. 6. Loeb Classical Library, edited by Jeffrey Henderson. Cambridge, MA: Harvard University Press, 2002.
Laertius, Diogenes. Lives of the Eminent Philosophers. Translated by Pamela Mensch. Edited by James Miller. New York, NY: Oxford, 2020.
Livy. History of Rome 38-39. Translated by Evan T. Sage. Vol. 11. Loeb Classical Library, edited by T. E. Page. London, England: William Heinemann, 1936.
Lucan. The Civil War 1-10 (Pharsalia). Translated by J. D. Duff. Loeb Classical Library, edited by T. E. Page. London, England: William Heinemann, 1962.
Pausanias. Guide to Greece. Translated by Peter Levi. Penguin Classics. London, UK: Penguin, 1979.
Plato. The Statesman, Philebus, Ion. Translated by W. R. M. Lamb Harold N. Fowler. Vol. 8. Loeb Classical Library, edited by G. P. Goold. Cambridge, MA: Harvard University Press, 1925.
Plato. Timaeus, Critias, Cleitophon, Menexenus, Epistles. Translated by R. G. Bury. Vol. 9. Loeb Classical Library, edited by G. P. Goold. Cambridge, MA: Harvard University Press, 1929.
Plutarch. Isis and Osiris; the E at Delphi; the Oracles at Delphi; the Obsolescence of Oracles. Translated by Frank Cole Babbitt. Vol. 5. Loeb Classical Library. Cambridge, MA: Harvard University, 1962.
Sicily, Diodorus of. Library of History. Translated by C. H. Oldfather. Vol. 2. Loeb Classical Library, edited by E. H. Warmington. London, England: William Heinemann, 1935.
Strabo. The Geography. Translated by Duane W. Roller. Cambridge, UK: Cambridge, 2020.
Virgil. Aeneid. Translated by Robert Fagles. Penguin Classics. New York, NY: Penguin, 2006.
- Plato, Timaeus, Critias, Cleitophon, Menexenus, Epistles, trans. R. G. Bury, vol. 9, Loeb Classical Library, ed. G. P. Goold (Cambridge, MA: Harvard University Press, 1929), 187, 89.
- Cicero, De Senectute, De Amicitia, De Divinatione, trans. William Armistead Falconer, vol. 20, Loeb Classical Library, ed. Jeffrey Henderson (Cambridge, MA: Harvard University Press, 1923), 311.
- Plato, The Statesman, Philebus, Ion, trans. W. R. M. Lamb Harold N. Fowler, vol. 8, Loeb Classical Library, ed. G. P. Goold (Cambridge, MA: Harvard University Press, 1925), 421-3.
- Diodorus of Sicily, Library of History, trans. C. H. Oldfather, vol. 2, Loeb Classical Library, ed. E. H. Warmington (London, England: William Heinemann, 1935), 363.
- Strabo, The Geography, trans., Duane W. Roller (Cambridge, UK: Cambridge, 2020), 458, 60.
- Hugh Bowden, Mystery Cults in the Ancient World (London, England: Thames and Hudson, 2023), 127-8.
- Euripides, Bacchae, Iphigenia at Aulis, Rhesus, trans. David Kovacs, vol. 6, Loeb Classical Library, ed. Jeffrey Henderson (Cambridge, MA: Harvard University Press, 2002), 37.
- Livy, History of Rome 38-39, trans. Evan T. Sage, vol. 11, Loeb Classical Library, ed. T. E. Page (London, England: William Heinemann, 1936), 255.
- William Cassidy, “Dionysos, Ecstasy, and the Forbidden,” Historical Reflections (Winter 1991: 26.
- Pausanias, Guide to Greece, trans. Peter Levi, Penguin Classics (London, UK: Penguin, 1979), 435-8.
- Virgil, Aeneid, trans. Robert Fagles, Penguin Classics (New York, NY: Penguin, 2006), 184-5.
- Diogenes Laertius, Lives of the Eminent Philosophers, trans., Pamela Mensch (New York, NY: Oxford, 2020), 228.
- Plutarch, Isis and Osiris; the E at Delphi; the Oracles at Delphi; the Obsolescence of Oracles, trans. Frank Cole Babbitt, vol. 5, Loeb Classical Library (Cambridge, MA: Harvard University, 1962), 397.
- Plutarch, 319.
- Plutarch, 377.
- Plutarch, 469-75.
- Plutarch, 495-97.
- Strabo, 411-2.
- Plutarch, 499-501.
- Aeschylus, Agamenmnon, Libation-Bearers, Eumenides, trans. Alan H. Sommerstein, vol. 2, Loeb Classical Library, ed. Jeffrey Henderson (Cambridge, MA: Harvard University Press, 2008), 359-61.
- Laertius, 389.
- Cicero, 503.
- Lucan, The Civil War 1-10 (Pharsalia), trans. J. D. Duff, Loeb Classical Library, ed. T. E. Page (London, England: William Heinemann, 1962), 245, 51, 53.
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