It's easy to mistake Lisa Kron for a comedian due to her wry wit, self effacing nature, and comic timing, but Kron is a rarity in the theater word as she doesn't take herself too seriously. An actor and Tony winning playwright, Kron prefers to write and perform characters who can roam emotionally. She grounds comedy in reality and she can depict her own characters and others with equal dexterity and vulnerability.  

In our interview, Kron talks about writing her first musical Fun Home with composer Jeanine Tesori, that is based on the graphic novel by Alison Bechdel. We also discuss The Ver**zon Play, which premiered 2012 Humana Festival, and surprisingly did not turn her into a Sprint customer.  

Kron was a downtown darling in New York's theater world, but her show Well put her on the proverbial international map when it was named “Best Play of 2004” by the New York Times, moved to Broadway, and she and her co-star Jayne Houdyshell received Tony nods. Kron wrote and starred in Well, as she did with 2.5...

LISA KRON on writing Fun Home, performing Well, and how winning a Tony Award pays off.

We spend most of our time working, so what does it take to (mainly) love what you do? How do even the most gifted, talented, intelligent, ambitious, disciplined, imaginative, inventive, and lucky people develop their point of view, find meaning, serve a greater good, deal with work place politics, rejection, finances, boredom, red tape, logistics, and creative roadblocks? What are the perks or enjoyable about forging your own path? Catie Lazarus and her guests delve into beauty, banality and absurdity of work, jobs, and labor.

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In this episode Catie Lazarus talks to Obama’s former Deputy Chief of Staff  of Operations Alyssa Mastromonaco and comedy writer Peter Grosz.

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In this episode Catie Lazarus talks to acclaimed actor, writer, and director Tim Blake Nelson and singer songwriter Jill Sobule.

Tim Blake Nelson and Jill Sobule

Adam Gopnik has held many dream jobs, all in the same office. After almost forty years (and counting) at The New Yorker, Gopnik has served as a food, art, and music critic, and he’s written his own novels, children’s books, musicals, and solo shows. His latest (and first) political book A Thousand Small Sanities delves into how liberals can save Democracy. In this interview Gopnik talks to Catie Lazarus about the infighting between liberals and progressives, his upcoming solo show at The Red Bull Theater, and the incalculable torment of sibling rivalry.                                                                                                Podcast production by Cameron Drews. Theme song by Lady Rizo.

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After making her stand-up debut in Washington, D.C., Aparna Nancherla quickly became a comedy darling in Los Angeles and New York, writing for FX’s Totally Biased with Kamau Bell and Late Night with Seth Meyers. She also became a welcome fixture in New York’s competitive stand-up scene thanks to her smart and self-aware one-liners. When she opened up about her own anxiety and depression, more fans flocked. As a writer and actor, she has worked on HBO’s Crashing, Comedy’s Central’s Corporate, and Netflix’s Bo-Jack Horseman. Now she’s eager to explore new terrain in her next stand-up special but worries what fans and Hollywood will think. In her conversation with Catie Lazarus, Nancherla talks about the solitary nature of stand up and writing, the toll it takes to regularly joke about anxiety, and how to say no to too much work.

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Adrienne Truscott reveals what comedians mean by “funny is funny.” Her debut solo show transformed #MeToo, #TimesUp and still manages to be hilarious, as she proves just how funny feminsists can be. Plus, Pamela Adlon’s Better Things on FX starts up again, while Orange is the New Black reaches its final season. What do they share in common? Actor Alysia Reiner. The actor speaks about the two hit series and her film EGG, which co-stars Mad Men’s Christina Hendricks, and cracks into motherhood and work from a fresh, fun, and smart angle.

LISA KRON on writing Fun Home, performing Well, and how winning a Tony Award pays off.

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