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Titel: Übungsgrammatik für Anfänger: Basisübungen

Autor:: Renate Luscher

Erzähler: div.

Format: Unabridged

Spieldauer: 1 hr and 47 mins

Sprache: Deutsch

Veröffentlichungsdatum: 09-26-05

Herausgeber: Hueber

Kategorien: Arts & Entertainment, Visual Arts

Zusammenfassung des Herausgebers:

Deutsch als Fremdsprache: Übungsgrammatik für Anfänger - Basisübungen. Der "Referenzrahmen für das Sprachlernen" sieht sechs Einteilungsstufen zur Bestimmung des sprachlichen Niveaus vor:

(c) 2005 Max Hueber Verlag

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Title: Holbein in England

Subtitle: Studies in World Art, Book 35

Author: Edward Lucie-Smith

Narrator: Joe Van Riper

Format: Unabridged

Length: 8 mins

Language: English

Release date: 01-19-18

Publisher: Cv Publications

Genres: Arts & Entertainment, Visual Arts

Publisher's Summary:

It is a paradox of a sort that the only fully authentic Holbein painting of King Henry VIII of England should now reside in Madrid, in the Museo Thyssen-Bornemisza. It left Britain as late as 1933, sold by Earl Spencer, grandfather of Diana, Princess of Wales. Holbein is, after all, the author of what is perhaps the most iconic and formidable of all British royal images. Fittingly, the Thyssen-Bornemizsa portrait adorned the cover of the catalogue that accompanied the "Holbein in England" exhibition at Tate Britain in London.

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Titolo: Scuola di Atene di Raffaello [School of Athens by Raphael]

Sottotitolo: Audioquadro [Audio-Painting]

Autore: Paolo Beltrami

Narratore: Elena De Bertolis

Formato: Unabridged

Durata: 30 mins

Lingua: Italiano

Data di pubblicazione: 12-16-15

Editore: Area51 Publishing

Categoria: Arts & Entertainment, Visual Arts

Riepilogo Editore:

Raffaello Sanzio fu uno dei più importanti artisti che operarono in Italia tra la fine del XV e l'inizio del XVI secolo: le sue opere, dal più piccolo ritratto ai maestosi affreschi come la Scuola di Atene, sono ammirate da turisti, critici e studiosi di tutto il mondo.Papa Giulio II della Rovere gli commissionò le decorazioni dell'appartamento privato al secondo piano dei Palazzi Vaticani. Nella Stanza della Segnatura, un ambiente imponente e magnificamente affrescato, pieno di colori, punti di luce e soggetti importanti, spicca la Scuola di Atene. In questo affresco, Raffaello elabora un "manifesto" della concezione squisitamente rinascimentale che vede l'uomo al centro dell'universo culturale e letterario. La Scuola di Atene è dedicata alla filosofia come un percorso verso la conoscenza: tutti i filosofi dipinti nel quadro cercavano tradizionalmente la verità attraverso la conoscenza e lo studio delle cause alla base della realtà.

Please note: This audiobook is in Italian.

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Title: A Stagnant Art World

Subtitle: Studies in World Art, Book 136

Author: Edward Lucie-Smith

Narrator: Jack Wynters

Format: Unabridged

Length: 17 mins

Language: English

Release date: 01-15-18

Publisher: Cv Publications

Genres: Arts & Entertainment, Visual Arts

Publisher's Summary:

This may seem a funny moment to proclaim that nothing much is happening in art - certainly not in contemporary art. In many ways, the art world has never seemed more vibrant and active, and this activity is increasingly focused on what is defined as contemporary. There hasnt, in fact, been a moment like this in the relatively recent history of art since the mid-19th century.

What was the situation then? The French Revolution and the Napoleonic Wars were safely over. These had witnessed a great break up of historic art collections, prominent among them that of the Dukes of Orléans, cadet members of the French royal house. The great shakedown was almost over. There was a new generation of collectors, many of them British, far from aristocratic in origin, and enriched by the booming Industrial Revolution. They were proud of their own success and had great faith in their own time, as superior to the epochs that had preceded it.

If one looks at the years of political and economic chaos between 1789 and 1815, as the fortunes of war swayed back and forth, this is not surprising. Many of them lacked the rigorous classical education that had formed most of the great collectors of the past. What appealed to them was art made in the here and now, by their own contemporaries.

Anything else seemed too remote to be really interesting - though, paradoxically, they had no objection to historical subjects seen through the eyes of their own time. Hence the huge success of a number of now half-forgotten Victorian artists.

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