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Title: The Apparitionists
Subtitle: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln's Ghost
Author: Peter Manseau
Narrator: Jefferson Mays
Format: Unabridged
Length: 9 hrs and 31 mins
Language: English
Release date: 10-12-17
Publisher: Recorded Books
Ratings: 4.5 of 5 out of 5 votes
Genres: History, American
Publisher's Summary:
A story of faith and fraud in post-Civil War America, told through the lens of a photographer who claimed he could capture images of the dead
In the early days of photography, in the death-strewn wake of the Civil War, one man seized America's imagination. A "spirit photographer", William Mumler took portrait photographs that featured the ghostly presence of a lost loved one alongside the living subject. Mumler was a sensation: The affluent and influential came calling, including Mary Todd Lincoln, who arrived at his studio in disguise amid rumors of seances in the White House.
Peter Manseau brilliantly captures a nation wracked with grief and hungry for proof of the existence of ghosts and for contact with their dead husbands and sons. It took a circus-like trial of Mumler on fraud charges, starring P. T. Barnum for the prosecution, to expose a fault line of doubt and manipulation. And even then the judge sided with the defense - nobody ever solved the mystery of his spirit photography.
This forgotten puzzle offers a vivid snapshot of America at a crossroads in its history, a nation in thrall to new technology while clinging desperately to belief.
Members Reviews:
The books title is accurate a numer of recent books diverge from their topic
It was very interesting and informative
It provided a lot of information about the individuals. And. Was not judgemental but let the reader form your own opinion
Five Stars
It's ok
Novel and fascinating take on a particular period of U.S. history
As someone who learned darkroom skills at my dad's side at age 10, who used to write for a national photography magazine and who loves history, I was very much intrigued by The Apparitionists from the outset,. Happily, the book didn't disappoint. Author Peter Manseau has managed to blend the early history of photography with the cultural and political history of the mid-19th century (pre, during and post-Civil War) America, while bringing to life a fairly eccentric cast of characters, some legendary in America's past. More than once I was reminded of Erik Larson's Devil in the White City, though the stakes were never as high in The Apparitionists (garden-variety fraud, as opposed to mass murder).
After setting the stage in the prologue with the 1869 trial of William Mumler, who stood accused of swindling customers with "spirit photos," Manseau launches into an account of the arrival of photography in America, with daguerrotypes, introduced in the U.S. by none other than Samuel Morse, whose name to this day is associated with the telegraph and code he invented. He then outlines how other entrepreneurs jumped into the nascent field, including William Mumler, an engraver by trade, who seemed mainly to be captivated by a widow who ran a photo studio and later became his wife. Somehow, on Mumler's early images, ghostly impressions would somehow appear, and he gained a reputation among Spiritualists for the ability to call forth the spirits of people's deceased loved ones.