The 2025 Bop City Records Community Music Fund has been granted to two winners, local punk rock band Mean Bikini and local musician and guitar teacher Sebastian Robles.
The funds for Mean Bikini will help cover costs of mastering their new album that was released on April 3rd, This Ain’t Gonna End Well, which the band previously was paying for out of pocket.
For Sebastian Robles the funds will go to shred guitar lessons to further his skills.
Both winners shared their stories of how music drives them, and the community their music fuels.
Milli Lyman is the lead singer for Mean Bikini, and spoke to that special something that happens when the band plays together.
“ I feel like we've been exceptionally lucky that right from the get go, something about what we're playing has had people really fired up,” Lyman said. “Every time we go and play a show, it's always been met with such a special energy that we feel like we have something special. I don't know if it's the music, or the way in which we perform, or just the energy that we all have creating together, but it's something that people really love and that really fills us up in such a profound way.”
Lyman said that after three years of growing, shifting and changing, the band feels they’ve finally locked in the perfect line-up for what they’re trying to do.
“It feels like, you know, for all the goals that we've set, the ceiling for what seems possible just keeps getting higher and higher, and we just really wanna see how high it can go,” Lyman said.
As far as coming across the Bop City Records Community Music Fund, it was a serendipitous moment in the record shop that made it happen. The band is signed to an independent label, Outhouse Records, run by Mean Bikini’s bassist Laurie Storrie. They became connected with Kip and Karen, spouses and co-owners of Bop City Records, initially as a place to sell their music.
“We were all just really charmed by the way they ran their business and how willingly supportive they were of buying and selling records from our independent label. And I just happened to be in there one day and was having a chat with Kip, and saw a form for their community fund sitting on the table. And after looking it over, this was right after we just dished out a ton of money out of our own pockets to record this album, I was like ‘wow. What an amazing initiative,’” they said.
“It was really cool too to hear how the funds came about, in terms of people coming and dropping off records for free, and Kip and Karen just being like, ‘you know what? The money that we get from these records we're gonna set aside to help local musicians.’ And the Comox Valley is such a rich place for music and it's getting increasingly harder to get your music out there in the world,” Lyman said, “so it was really cool to be able to apply for. They're covering all of the costs for mastering on the record, which takes a huge financial burden off of us, a big chunk of that. And just to be met with that support from a local business is such a wonderful thing, especially as a band that has been doing it ourselves the whole time. And it's really heart warming and just feels like it's creating a huge piece of that community connection.”
Lyman explained that mastering is applying the finishing touches on an album that has already been recorded, polishing the quality of the sound to the level you would expect on the radio, or from major artists.
When talking about the drive to create this music, Lyman said it is bigger than performing or releasing work; it’s about creating a space.
“There hasn't been a punk scene in the Comox Valley for a long time, and another big goal of ours was to create that space for people. And you know, we did that out of our own passion for the music, and sense of wanting community,” they said.
Lyman said the group has brought bands from all over the world to the Comox Valley in the last couple years, including one band from Brighton, UK, called Moody Goods.
“And it's been putting the Comox Valley on the map as a place for punk rock, which is so, so cool. And beyond that, in creating space, it's turned into something that we never even knew was gonna happen, which is this safe haven and this space for queer and neurodiverse youth, which has been so amazing,” they said.
Lyman said that in a small town like this, there can be a lack of counterculture, something they personally were drawn to as a kid and still are as a queer and neurodiverse adult. Lyman said that is an important space to provide for other queer and neurodiverse folks in the community.
“Honestly, I would say the biggest success we have had as a band is creating a space for sort of marginalized groups of young people to come and feel safe and feel like they can be themselves and express themselves and feel safe to do so. And we see it at every show that we do out here, and it never loses its shine for how special it is,” Lyman said.
Mean Bikini's new album This Ain’t Gonna End Well is available for streaming on Bandcamp, Spotify and Apple Music. The band can be found on Instagram at @MeanBikiniOfficial.
The other winner of the Bop City Records Community Music Fund is Sebastian Robles, shred guitarist and music teacher.
“I felt really nice when I found out that I got the prize. I was pretty excited, 'cause I was like, ‘oh, okay!’ Of course I put my energy into it and I was like, ‘I really wanna do this. I wanna go back to lessons and maybe this is one chance that I can take lessons again.’ So I was like, ‘okay, I'll apply for it.’ And then when I received the notification that I got it, I was like, ‘oh, great! I feel good.’ And I really appreciate their support and all that. I love going there and buying CDs too, so that was pretty nice,” Robles shared.
Robles has been connected to music since he was a baby, listening to his father who is also a musician. His motivation to try for himself came later...