On 23 April 1925, T.S. Eliot was invited by Geoffrey Faber to join the newly founded publishing house of Faber & Gwyer. It was to prove the most momentous appointment in 20th-century poetry in English. As a pioneering talent scout for Faber & Gwyer (which would become Faber & Faber in 1928) Eliot launched the careers of W.H. Auden, Louis MacNeice, David Jones and Stephen Spender, and oversaw the publication of the work of the poet who had discovered him, Ezra Pound.

Exactly a hundred years on, poet and critic Mark Ford, emeritus professor of English at Sheffield John Haffenden, former Faber managing director Toby Faber and senior lecturer at the University of Brighton Aakanksha Virkar visited the Bookshop to discuss the events leading up to Eliot’s appointment, and his early years with the firm.

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In William Blake and The Sea Monsters of Love (4th Estate) – ‘an impassioned magnum opus celebrating Blake’s star-shaken genius by discovering his lineage everywhere in the author’s own crystal cabinet of artists and outlaws,’ in the words of Iain Sinclair – Philip Hoare pays brilliant and digressive tribute to the maverick poet and artist and his abiding influence.

Hoare, author of the classic Leviathan and Albert and the Whale, was joined in conversation by novelist and essayist Olivia Laing.

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Sasha Debevec-McKenney’s debut collection Joy Is My Middle Name (Fitzcarraldo) packs a lot in – humour, heartbreak, politics, sex, race, womanhood, addiction, sobriety, consumerism, pop culture and much else besides. ‘Where else can you read about e-girls twerking to LBJ in hell?’ asks Maggie Millner, author of Couplets. ‘Who else can pack microplastics, adultery, and overalls into the same poem, and make you (literally) cry along the way? No one, that’s who. Sasha Debevec-McKenney is the real freaking deal.’

She read from her work and spoke about it with Jack Underwood, author of A Year in the New Life and Not Even This.

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In A Year with Gilbert White (Faber) biographer and historian Jenny Uglow continues her exploration of the 18th-century scientific revolution with a journey in the company of the father of British natural history, whose The Natural History of Selborne has been constantly in print since 1789 in over 300 editions to date.

Jenny Uglow talked about how the nature notes of an obscure Hampshire clergyman became one of the best-loved books of all time with Fiona Stafford, Professor of English at Somerville, Oxford and author of The Long, Long Life of Trees, The Brief Life of Flowers and Time and Tide.

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Emily LaBarge’s Dog Days (Peninsula Press) begins with a personal trauma – the account of how she and her family were held hostage during the Christmas holidays of 2009 – building on that experience a dazzling exploration of writing, art and the imagination. Drawing on writers and artists such as Vivian Gornick, Robert Burton, David Lynch and Sylvia Plath, LaBarge picks apart the structures of narrative forms to ask how it might be possible to tell the ‘Good Story,’ and its aftermath, on its own terms. LaBarge was in conversation with writer Olivia Laing.

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Wendy Erskine’s two short story collections Sweet Home and Dance Move marked her out as one of the most distinctive voices in contemporary Irish fiction. Now her first novel The Benefactors (Sceptre) looks set to cement that reputation. ‘In all of its glorious polyphony, The Benefactors brims with humanity’, writes Lucy Caldwell. ‘It’s got snap, it’s got sparkle, it’s got soul. All of Belfast is here, all of life. I adored it.’

Wendy Erskine was in conversation with Sheena Patel, part of the collective 4 BROWN GIRLS WHO WRITE and author of the novel I’m a Fan.

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Playful, mind-expanding, dark, funny and endlessly rewarding, Ali Smith’s dystopian parable of an authoritarian future was one of the most talked-about new books when published in hardback last year. To mark the appearance of Gliff in paperback, Smith returned to the shop to talk about it with film-maker Sarah Wood.

They also spoke about So in the Spruce Forest, an essay originally written for ‘Edvard Munch: Trembling Earth’, an exhibition in 2023 in Oslo which has now appeared in book form, beautifully printed by the Munch Museum.

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In Flower (Fitzcarraldo), his first work of non-fiction, Copenhagen-based artist Ed Atkins propels us into a world of junk food, invented memories and confessional anti-confessionalism. ‘Sometimes it brought me to tears and I’m not even sure why,’ writes Luke Kennard, ‘It’s the stuff most of us leave out, or wouldn’t even know how to articulate. By which I mean this book has made so much other writing feel like propaganda. It’s heroic. I’m not sure I’ll ever recover from it.’

Atkins read from his work and was joined in conversation by poet and novelist Holly Pester.

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In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. In The Alienation Effect (Allen Lane) acclaimed architectural historian Owen Hatherley draws on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, to argue that in the resulting clash between European modernism and British moderation, our imaginations were fundamentally realigned and remade for the better.

Owen Hatherley was joined in conversation about his book by poet and translator Michael Hofmann.

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Ken Worpole, ‘a literary original, a social and architectural historian whose books combine the Orwellian ideal of common decency with understated erudition’ (New Statesman), has written on many subjects during his long career, from cemeteries to hospices to the novels of Alexander Baron, but has often returned to the subject of his beloved Essex. His latest essay collection Brightening from the East (Little Toller) focuses on the natural and built landscapes of the ‘region of the mind’ that is the estuarine marshlands of the Thames and the East Anglian coast, bringing us stories of radical communities and arcadian dreams of new ways of living.

Worpole is in conversation with writer and journalist Melissa Benn; the evening will be hosted by writer and producer Gareth Evans.

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