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Matt Levine is a finance columnist for Bloomberg News. His newsletter is Money Stuff.
”I write a lot about people who have gotten in trouble with the SEC or the Justice Department. And a surprising subset of them will email me. And often I will have made fun of them, and they'll be like, ‘That was pretty fair.’”
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We've got something a little different today, the trailer for co-host Evan Ratliff's brand-new podcast Persona: The French Deception. It's the story of Gilbert Chikli, one of the greatest con artists of all time. Over eight episodes, Evan investigates how Chikli duped some of the world’s most powerful people into handing over their fortunes, evaded the law for years, and became a Robin Hood-like hero to many in the process. More than just a tale of criminal genius, Persona is about the moment we’re living in right now — the golden age of scammers — and the power of seduction. But what happens when the fantasy we’ve been lured into finally crumbles away?
The first two episodes of Persona: The French Deception are available starting today wherever you get your podcasts.
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Molly Lambert is a writer and host of the new podcast HeidiWorld: The Heidi Fleiss Story.
“I think as a writer I always had this thing: I don't want to be out front. I don't want the spotlight on me. I'm not an actor. I want to be lurking in the back with the cast accepting the applause, but I don't want to be the center of attention. And so I think kind of like making peace with like, Look man, it's fine to be the center of attention when you made something you're proud of.”
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Sam Knight is a London-based staff writer for The New Yorker. His new book is The Premonitions Bureau: A True Account of Death Foretold.
“I had a kind of working definition of what a premonition was when I was writing this book, which is: It's not just a feeling. It's not just a hunch. It's just not like a sense in the air. It's like, you know. You know, and you don't even want to know because you can't know and no one's going to believe you that you know, but you know. And what are you going to do about it? It's a horrible feeling.”
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Mitchell S. Jackson is a journalist and author. His profile of Ahmaud Arbery, ”Twelve Minutes and a Life,” won the 2021 Pulitzer Prize for Feature Writing.
”What is 'great'? 'Great' isn’t really sales, right? No one cares what James Baldwin sold. So: Are you doing the important work?”
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Joe Bernstein is a senior reporter for BuzzFeed News.
“The question of disinformation is almost an attempt to create a new mythology around why people act the way they do. I don’t mean to say that it’s some kind of nefarious plot. ... It’s a natural, or a convenient explanation. And that’s why I think it caught on for some time anyway.”
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Vauhini Vara is a contributing writer at Wired and author of the novel The Immortal King Rao.
“With a magazine story, it might be like six months or a year or two, if it's something that took you a long time. With this [novel], it was 13 years for me, but the sort of emotional arc felt similar, where there were these periods of despair and a sense that like, this wasn't going anywhere, and then these periods where like, I'm a genius and this is going to be the best book ever written. You go back and forth, as we do with our journalism. But then with every draft of it, I always felt like, all right, this is better than the last draft at least. I don't know what the next one is going to look like, but this is definitely an improvement. And I feel like that's what kept me feeling like I was at least moving in the right direction.”
Show notes:
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Azmat Khan is an investigative reporter for the New York Times Magazine. She won the George Polk Award for uncovering intelligence failures and civilian deaths associated with U.S. air strikes.
“I think what was really damning for me is that, when I obtained these 1,300 records, in not one of them was there a single instance in which they describe any disciplinary action for anyone involved, or any findings of wrongdoing. … When I was looking at this in totality, suddenly it’s really hard to say you have a system of accountability.”
This is the last in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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Daniel Chang covers health care for the Miami Herald. Along with Carol Marbin Miller, he won the George Polk Award for "Birth & Betrayal," a series co-published with ProPublica that exposed the consequences of a 1988 law designed to shelter medical providers from lawsuits by funding lifelong care for children severely disabled by birth-related brain injuries.
“I think that someone on the healthcare beat looks for stories from the perspective of patients, people who want or need to access the healthcare system and for different reasons cannot. It’s a pretty complicated system and it’s difficult for most people to understand how their health insurance works — and that’s if they have health insurance. If they don’t, there is a whole other system they have to go through. What you look for is access issues and accountability for that.”
This is the latest in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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Sarah Stillman is a staff writer for The New Yorker and the director of the Global Migration Program at Columbia University Graduate School of Journalism. She won the George Polk Award for "The Migrant Workers Who Follow Climate Disasters."
“I’m all about the Venn diagram where the individual meaningful stories of things people are up against intersect with the big systemic injustice issues of our day. It feels like climate is clearly an enormous domain where it’s been hard in some ways to tell substantive stories of where actual human beings are navigating and pushing back on some of these huge cultural forces.”
This is the third in a week-long series of conversations with winners of this year's George Polk Awards in Journalism.
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