Look At My Records!

Scout Gillett returns to the Look At My Records! podcast for Episode 220. 2022 has been an eventful year for the Brooklyn songwriter, as she recently shared her highly anticipated debut full-length, no roof no floor, on Captured Tracks. The release is a long time coming for Gillett, as principal tracking for the album began two years ago at The Chicken Shack in Stanfordville, NY. There, Gillett worked with Nick Kinsey, Kevin Copeland (of The Big Net, who appeared on the podcast back in 2020), and El Kempner (of Palehound). The intensely personal record delves deeply into Gillett’s own stark observations and unfeigned experiences, shedding light on addiction and coming of age, while artfully blending a fluid set of genre influences that includes country, folk, and Americana. During the interview, Scout and Tom discussed the making of no roof no floor inside a barn in upstate New York, how she connected with the folks at Captured Tracks, and what’s in store for 2023. She curated an excellent playlist of tunes from Tom’s collection, including choice cuts from The Stranglers, Flamin’ Groovies, Julia Jacklin, and more. You can follow along with her selections via the official playlist for Episode 220.

no roof no floor is out now via Captured Tracks. You can purchase the album on limited edition red vinyl via Bandcamp. It’s also available on all streaming platforms. Keep up with Gillett by following her on Instagram.

Don’t miss Gillett on tour this December! For a full list of dates, check out her Bandsintown page.

Episode 219 of Look At My Records! features an interview with Winnipeg-based songwriter Dylan MacDonald, who performs as Field Guide. In late October, Field Guide released their self-titled second full-length, which expands on the flush and warm folk textures heard on his previous works, and further, builds off of his deeply personal lyrical themes. In addition to diving into the process of recording the record, which included intimate sessions in a cabin in rural Manitoba, Tom and Dylan also discussed the inspiration behind Field Guide’s decision to cover Coldplay’s Parachutes in its entirety, the current state of the Winnipeg music scene, the project’s plans for 2023, and more. Plus, Dylan picked some awesome records from my collection, including choice cuts from Andy Shauf, Michael Rault, The War on Drugs, and more. You can follow along with his picks via the official playlist for Episode 219.

Field Guide is out now via Birthday Cake Records. You can purchase a copy of the record on limited edition vinyl via Bandcamp. The album is also available on all streaming platforms. Keep up with the project by following Field Guide on Instagram.

Field Guide also just announced a bunch of North American tour dates for 2023. For more information and to catch them in a city near you, head to the band’s website.

For Episode 218 of the Look At My Records! podcast, Tom chatted with Jackson Phillips of the Los Angeles-based Day Wave. Back in the mid-2010s, Phillips made a splash in indie rock circles with his dreamy and expansive shoegaze-influenced songs. Fast forward to 2022 and Phillips is older, wiser, and digging into his roots to plot a new direction forward. His new record, Pastlife, reflects those innate changes that come with the passage of time, as Phillips peers into the past lyrically while continuing to evolve as a songwriter. During their conversation, Tom and Jackson spoke about the evolution of Day Wave’s sound on Pastlife, how his friendship and working relationship with Pete Yorn influenced his songwriter, and what the future looks like for Day Wave. Phillips also picked some excellent records, including choice cuts from the Replacements, Liz Phair, and Brian Eno. You can follow along with his picks via the official playlist for Episode 218.

You can purchase Pastlife on limited edition vinyl via Day Wave’s website. The album is also available on all streaming platforms. Follow Day Wave on Instagram and like them on Facebook to stay in the know.

Episode 217 of Look At My Records! features an interview with Dennis Diken, drummer of the legendary New Jersey band The Smithereens. The Carteret, New Jersey natives (and New Jersey Hall of Famers) have been at it for over 40 years. Along the way, they’ve sold millions of records, played on Saturday Night Live, toured the globe, and done just about everything you can do as a band. Following the tragic and untimely passing of frontman Pat Dinizio in late 2017, the Smithereens have continued playing live to critical acclaim, with a rotating cast of singers that include power pop icon Marshall Crenshaw and Gin Blossoms’ frontman Robin Wilson. Last month, the band unveiled their Lost Album, a record that was recorded at Crystal Sound Studios in New York City in early 1993, only to be shelved for three decades. During their interview, Tom and Dennis talked all about the Lost Album, including the circumstances surrounding the mid-90s recording sessions, why the album is now seeing the light of day, and more. They also chatted about the band’s heyday, where Dennis shared fond memories of a particular New Jersey concert supporting Squeeze at Brendan Byrne Arena in 1987, playing a gig in Iceland when the band’s debut album, Especially For You, was number 1 on that country’s charts, and more. Plus, Dennis picked some awesome records from Tom’s collection, including choice cuts from The Zombies, The Impressions, and more. You can follow along with his selections via the official playlist for Episode 217.

The Lost Album is out now via Sunset Boulevard Records. You can purchase a copy of the record via the band’s website. You can also stream it on your platform of choice. Keep up with The Smithereens by liking them on Facebook and following them on Instagram.

Episode 216 of Look At My Records! features an interview with Pascal Stevenson of Los Angeles’ Fashion Club. Despite an extensive background playing in various bands, including Sub Pop recording artists Moaning, Fashion Club is Stevenson’s first vessel for her own songwriting. Dark, brooding, and driven by Stevenson’s distinctively haunting voice, her debut record as Fashion Club, Scrutiny, thrives off of a unique approach to production and songwriting that places an equal emphasis on pop structures and lush, but biting, electronic soundscapes. During the interview, Stevenson and Tom discuss what it was like piecing together demos for the songs on Scrutiny while touring Europe with Moaning, the lyrical inspiration behind stand-out tracks like “Pantomime,” how the song “Reaction” almost didn’t make it on the album, and much more. Plus, Stevenson picked some awesome records from Tom’s collection, including choice cuts from Wire, Sade, and Kate Bush. You can follow along with her picks via the official playlist for Episode 216.

Scrutiny is out now via Felte Records. You can order a copy on limited edition vinyl via Bandcamp. Keep up with Fashion Club by following them on Instagram.

Episode 215 of Look At My Records! features an interview with New Jersey’s Sweaty Lamar. The new-ish project of songwriter Tara Giancaspro started at the onset of the pandemic when she began formulating the songs that will appear on her forthcoming EP, A Little Bit Cuntry, A Little Bit Rock & Roll. So far, Giancaspro has shared three excellent singles, “I Have Always Been In Love With You,” “Mysteries,” and most recently, “Abbey, I’m Sorry I Stole Your Man,” a sequel to Dolly Parton’s “Jolene.” During the interview, Tom and Tara spoke at length about how she fell into songwriting, the inspiration behind her unique stage name, and some of the deeper meanings behind her music.  She also picked some awesome records from my collection and had some great associated stories to tell, including two from Jersey legends Titus Andronicus and Bruce Springsteen. You can follow along with her picks via the official playlist for Episode 215. 

You can purchase Sweaty Lamarr’s music on Bandcamp or stream it on your platform of choice. Keep up with the project by following them on Instagram.

Episode 214 of Look At My Records! features an interview with indie pop veteran Phil Sutton of Love, Burns. You may be familiar with Sutton from his contributions to various bands of the guitar-pop ilk over the last few decades, including the New York City-based Pale Lights and U.K. jangle-pop legends Comet Gain, but with the onset of the pandemic, Sutton shifted gears from his group efforts towards Love, Burns, his first-ever solo project. After releasing two 7-inch singles in 2020 and 2021, Sutton shared his debut full length as Love, Burns, It Should Have Been Tomorrow, in February of this year. The record is filled to the brim with the kind of gooey, ramshackle guitar jangle that Sutton has spent decades perfecting, and includes standout tracks like “Wired Eyes,” his first stab at an affecting political tune with a guitar pop twist. During the interview, Sutton and Tom chatted all about the record, including why he decided to go solo, the process behind piecing together the songs, his creative relationship with Kyle Forrester, and much more. Plus, Sutton shared stories about his DIY pop origins in Comet Gain, including what he remembers about the group’s first Peel Sessions, playing with Bikini Kill in the mid-90s, and how the band powered through adversity to reach mythical status in indie-rock circles. He also picked some awesome records, including a handful of choice cuts from Nicole Yun, The Byrds, and Look Blue Go Purple. You can follow along with his picks via the official playlist for Episode 214.

Sutton and his backing band, which includes Alex Curtain on bass, Kenny Wachtel on lead guitar, Kyle Forrester on keys, and Hampus Öhman Frölund on drums, recorded a special live session at Gary Olson’s Marlborough Farm Studios for Look At My Records! Tune in to hear four cuts from It Should Have Been Tomorrow and an incredible, never before heard song!

You can purchase It Should Have Been Tomorrow on limited edition vinyl via Bandcamp. It’s also available to stream on Spotify. Keep up Love, Burns by following them on Instagram.

David Algrim of Chicago noise-pop outfit Gentle Heat is our guest for Episode 213 of Look At My Records! The project just released their second full-length, Sheer, a towering record that sits sweetly between the distorted haze of shoegaze and the saccharine melodies of noise-leaning indie pop. With new member Sarah Clausen on keys, the group’s songwriting features poppier elements to counteract their guitar fuzz, including gorgeous vocal harmonies that remain constant across the album’s nine tracks. Algrim and Tom chatted all about the album’s pop influences and more, including how Gentle Heat has persisted through several lineup changes since forming in the late 2010s, Algrim’s background playing in a Milwaukee-based hardcore band, the dynamics of Gentle Heat’s live shows. Plus, David picked some awesome records from Tom’s collection, including choice cuts from Poppies, My Bloody Valentine, and En Attendant Ana  You can follow along with his picks via the official playlist for Episode 213.

Sheer is out now via Flesh & Bone Records. You can purchase it on Bandcamp or on vinyl via the Flesh & Bone website. It’s also available on Spotify.

Gentle Heat will be celebrating the release of Sheer tonight at The Hideout in Chicago with Smut and Discus. Then they’ll be hitting the road for the rest of May. Don’t miss them here in New York at The Broadway on May 28th. For a full list of dates, check out the band’s Instagram.

Episode 212 of Look At My Records! features an interview with Stella, Helena, and Mikaela of New York City up and comers Hello Mary. We last spoke with the trio for a piece on the site back in December of 2020, and since then, they’ve been through some changes. They’ve graduated from the DIY recording setting to a proper studio, enlisting the services of veteran indie rock producer Bryce Goggin for their recent string of releases, which includes the captivating double single, “Stinge” b/w “Sink In.” They also embarked on their first West Coast tour, played some pretty big gigs, and added a bit of polish to their signature sound. During the interview, the band dished on all of this and more, including the circumstances that inspired one of their recent singles, “Evicted,” how Julia Cumming of Sunflower Bean has acted as a mentor to the band, and of course, what’s next for the trio. They also picked some awesome records, including some great cuts from Echo & The Bunnymen, Big Thief, and more. You can follow along with their picks via the official playlist for Episode 212.

Hello Mary is playing a bunch of gigs in the Northeast this month. They’ll be supporting Sunflower Bean on May 12th at Webster Hall. On May 29th, they’ll be playing at White Eagle Hall in Jersey City with Les Savvy Fav. For a full list of tour dates, follow the band on Instagram.

You can purchase Hello Mary’s music via Bandcamp or stream it on Spotify.

Episode 211 of Look At My Records! features an interview with Zack Nestel-Patt and Tasha Abbot of the Los Angeles-based dreamgaze band No Swoon. We’re quite familiar with this talented duo from their days as a Brooklyn outfit, but last year, Nestel-Patt and Abbot made the trek westward, but not before hanging in a bit of pandemic-induced limbo. After COVID-19 canceled their March 2020 tour, the two bounced around a bit, ultimately settling in western Massachusetts to write and record their new record, Take Your Time. As an album, Take Your Time sees the band exploring more ethereal and serene sounding textures while shifting their lyrical focus to more introspective themes. Tune in to the interview to hear all about the new record, including the dream that inspired the song “Beside,” how their songwriting process has evolved since their debut, what inspired the change in their lyrical themes and sound, and much more. Plus, Zack and Tasha picked some awesome records, including choice cuts from Angel Olsen, Broadcast, and Sharon Van Etten. They also swapped stories with Tom about some real-life encounters with their indie rock heroes! You can follow along with their record picks via the official playlist for Episode 211.

Take Your Time is out now via The Nothing Song. You can purchase a copy on limited edition cassette via Bandcamp. The album is also available on all streaming platforms. Keep up with the band by following them on Instagram.

No Swoon will be playing a month-long residency at Silver Lake Lounge every Wednesday in May. Stay tuned for more info soon!