After pretty much everyone involved with the first project was dead except Jerry and during a weird renaissance of attention to the Beales and Grey Gardens, Albert Maysles recut unused footage from the 1975 original Grey Gardens into a new film that feels even more explicitly exploitative. Great job.

William Greaves’ 1968 Symbiopsychotaxiplasm puts the experiment in experimental film. The documentary inside a documentary inside a third documentary, shot in public, essentially boils down to the director seeing how far he can push his cast and crew before they revolt — not violent push, but still an antagonistic one. It’s fascinating and absurd and wonderful. And I suppose it could be all fake.

Krzysztof Kieślowski’s exploration of self The Double Life of Veronique is a subtly surreal and beautiful film, yet much of our conversation is centered around coming to terms with the essays included in the Criterion release, particularly the one written by Slovenian philosopher Slavoj Žižek.

We haven’t seen a lot of silent films in the Collection so far, and we have never seen a movie with a bigger left field ending than this particular film. GW Pabst’s Pandora’s Box has a lot of problems, and a just frankly amazing last 10 minutes. It’s absurd, and I love it.

Graham Greene called his thrillers “entertainments”, which sounds dismissive of his own work but really it was an accurate contrast to the more heavy Catholic novels he apparently preferred to write. Greene himself adapted two of his entertainments to film for director Carol Reed, one being The Third Man and the other (and first) being this week’s episode The Fallen Idol (1948) adapted from a short story called The Basement Room, a significantly worse name.