Lowell Ganz joined me to discuss how watching classic sitcoms was his "college"; his parents reaction to his constant TV watching; meeting Mark Rothman; Mark Rothman's dad giving a script they wrote to Jack Klugman and Tony Randall who gave it to Garry Marshall; getting hired, fired and rehired by The Odd Couple; "The Ides of April" and "Fear of Flying"; moving to Happy Days; writing the experimental three camera episode "Fonzie Gets Married"; going to # 1; introducing Laverne & Shirley; not realizing these characters could be spun off; test pilot scene; favorite episodes; meeting Michael McKean and David L. Lander and sneaking Lenny & Squggy past ABC; Busting Loose; giving new writers their first jobs; Cindy Begel; his skill at joke memory; The Ted Knight Show; The Lovebirds; The Rita Moreno Show; directing; going back to Happy Days; Ron Howard talks about directing; burning down Arnolds; how he personalized the news article that turned into "Night Shift";  Babaloo Mandel; "Splash"; changing Bruce Jay Friedman's original script; Oscars; Writer's Guild Lifetime Achievement Award; Red Buttons; Garry Marshall puts older writers in the room; Danny Thomas; A Happy Days episode gets Tom Hanks "Splash"; Working Stiffs gets Michael Keaton "Night Shift"; "Spies Like Us"; George C. Scott; Lowell's roles in "Splash" & "Parenthood"; Bpb Hope; Phil Silvers; "realness" of "Parenthood"; closes movie to him; unsurity of box office appeal; "City Slickers"; Rick Moranis has to drop out; Bruno Kirby will play either role; David L. Lander; "A League of their Own"; a bad review; ballplayers love it; Penny Marshall's directing"; 5 TV shows from his movies; how his characters are done to him after the movie finishes; "City Slickers II"; "Fever Pitch"; making like less misogynistic than book; ending changing to mirror real life; Mr. Saturday Night the Musical; Garry Marshall's Memorial Service"