With listener insights, we take another look at the film that marked the Marxes’ Hollywood debut and stands out as the only one featuring a manicurist we can name.

This episode highlights the distinctiveness of Monkey Business, as comments explore how it stands apart from both their earlier work and later films. We’ll dive into praise for Thelma Todd and even Zeppo, alongside the random nitpicks Marx fans are famous for.

Joe Adamson, Scott Alexander and Eddie Deezen are among those contributing. Jay Hopkins would have as well, if he could figure out how to do it.

By all accounts, the brothers acquired their iconic names in 1914 while playing cards with a performer named Art Fisher…but does this story hold water, or even milk? To get to the bottom of this, we welcome master Marx researcher Pat McCaughey...and without spoiling anything, let’s just say, “it’s complicated”.

We also reflect on the importance of the stage names and whether the brothers would have been successful without them. Later, Bob and Pat detail obstacles they’ve encountered while searching for the identity of the "Night at the Opera" manicurist.

Noah and Matthew dive into Robert S. Bader’s new book, Zeppo: The Reluctant Marx Brother, the first-ever biography of the universally acknowledged youngest Marx Brother.

The guys explore Zeppo’s life of career shifts, ties to organized crime, and strained family relationships. They delve into why he didn’t bask in the glory of the Marxes’ 1960’s and 70’s resurgence, and find proof of his rumored great wit. Oh, and Matthew discovers a Groucho “Holy Grail” buried in Bader’s pages...

Not too spoilery, this episode is a must-listen whether you’ve read the book or not.

Once again, our audience takes centerstage as we respond to listener comments on the Marxes’ second (or third) film…

How is viewing the restored version akin to seeing the team live onstage? What is “insouciant whimsy”? Why is John Tefteller championing a bootleg? These are just a few of the questions we’ll ponder in another meeting of ‘The Matthew Coniam Appreciation Council’. We’ll also discuss why Chico arrives with an instrument he doesn’t play, and learn what famed comedian is not a fan of Lillian Roth.

Emmy-winning comedy writer and producer Frank Santopadre, renowned for co-hosting the often Marx-focused Gilbert Gottfried's Amazing Colossal Podcast, joins us for an insightful conversation.

Frank shares how he first became a fan of the team and reveals his favorite Marx film (it’s not Go West, by the way). He also reflects on his time working with Gilbert, including memorable interviews with friends, family, and co-stars of the brothers. Frank illuminates the historical importance of these chats, as the number of people who personally knew or worked with the Marxes is rapidly dwindling.

And yes, we’ll apologize now for the detour to Skidoo.

David Fleming, Erin’s nephew, offers raw and compelling insight into the complex life of Groucho’s “secretary.”

He recounts visits to his aunt at Groucho’s home and encounters with the man himself. We are treated to contemporary letters from Erin, describing life at the Marx house, her relationship with Groucho, and her later descent into madness. David shares firsthand memories of Erin’s battle with mental illness in explicit detail, and explains why it was predictable.

He also speculates on why Groucho was drawn to Erin.

A sympathetic yet unfettered exploration of a tragic story that you won’t find anywhere else.

NOTE: This episode contains adult language and content.

After 72 episodes of you listening to us, today we listen to you, as Council members offer their insights and opinions of the Marxes’ first (surviving) film.

Are its age and creakiness actually a blessing in disguise? How many tunes named “The Monkey Doodle Doo” did Irving Berlin actually compose? And why is Matthew comparing Oscar Shaw to Pavarotti? All this, and Eddie Deezen…need we say more?

A podcast that you won’t want to end, and it almost doesn’t.

Biographer, cultural critic, and comics veteran Danny Fingeroth joins Noah and Bob for a game of Marx Brothers "What If...?" inspired by the multiverse series Danny worked on in his days at Marvel Comics. They ask, what if Groucho had become a doctor? What if Chico had been good with money? What if Zeppo had been good at...well, performing?

Danny also discusses growing up in the Marxes' old New York neighborhood and how Lee Harvey Oswald's killer Jack Ruby helped get Gabe Kaplan to participate in Marxfest.

Matthew and Noah share a few of the most perplexing Marx Brothers mysteries they've encountered in their research, which have remained unsolved despite considerable effort.

No, this episode is not about Humor Risk or the manicurist. But Matthew will walk you down winding paths of confusion regarding the authorship of The Big Store and Double Dynamite, and Noah will call your attention to a Marx Bros. Scrapbook anomaly that can only be explained ridiculously.

This month the guys examine the directors of each of the Marx Brothers’ films. From Dick Smith of Humor Risk to The Incredible Jewel Robbery’s Mitchell Leisen, they discuss each director’s qualifications, and (Humor Risk aside) whether they elevated the material, brought their own perspectives, or simply stayed out of the way.

Matthew provides detailed and often surprising biographical info, while Noah highlights specific moments where the directors shined—as well as the work of Edward Buzzell.