Listeners share their thoughts on the most divisive Marx film. Is it the last hurrah or the last straw? We sift through comments on everything from Tootsie-Frootsie to the excised “Dr. Hackenbush” song, while confronting the water carnival sequence that turns watching the movie into a hostage situation.

We also take on the film’s most uncomfortable sequence, doing our best to put it in perspective...

Along the way, there are Beatles comparisons, Lindy Hop history, and a listener who thankfully wasn’t one of Chico’s children. And as always, enough nitpicking to put any fan under observation at the Standish Sanitarium.

Matthew joins us in New York City for our first-ever episode in front of a live audience, recorded at the Museum of the Moving Image—just steps from Kaufman-Astoria Studios, where the Marxes filmed their first two movies.

We kick things off with a quick dive into Horse Feathers (because The Cocoanuts or Animal Crackers felt a little too obvious), before welcoming Craig Shemin for a look at the studio’s ongoing history. Next, we take questions from the audience, and are then joined by the great Cinco Paul, whose

Schmigadoon! is set to premiere on Broadway. Finally, we make a special announcement about an upcoming project before Cinco serenades us with a closing song.

We welcome ethnomusicologist Meg Farrell, the great-granddaughter of Will B. Johnstone—an unsung hero of the Marx story who set the template for their Broadway act with I’ll Say She Is, and later contributed to Monkey Business, Horse Feathers, and A Day at the Races.

Meg treats us to entries from “Grandpit’s” private diary, revealing surprising Marx Brothers stories from the 1920s, and insights into Johnstone’s day job as a political cartoonist. We’ll discuss the importance of the Napoleon scene from ISSI, and Johnstone’s complicated relationship with S.J. Perelman.

We welcome ethnomusicologist Meg Farrell, the great-granddaughter of Will B. Johnstone—an unsung hero of the Marx story who helped set the template for their act with I’ll Say She Is, and later contributed to Monkey Business, Horse Feathers, and A Day at the Races.

Meg treats us to entries from “Grandpit’s” private diaries, revealing surprising Marx Brothers tales from the 1920s, and insights into his day job as a political cartoonist. We’ll also discuss the importance of the Napoleon scene from ISSI, Johnstone’s complicated relationship with S.J. Perelman, and speculate on his specific contributions to their films.

April 12th, 2026. NYC. A unique event.

More details at: https://movingimage.org/event/horse-feathers/

We turn our attention to the Marx family circle—on and off stage—highlighting relatives and influences that shaped the team. We examine the showbiz roots of Minnie’s parents, the short life of Manfred, and figures like Aunt Hannah, Cousin Polly, Mabel O'Donnell, and Lou Levy.

We question common assumptions about Minnie and Frenchie, with Brett Leveridge shedding light on Minnie’s brief fling in the soft drink business. Then, Trav S.D. returns to discuss Uncle Al Shean—his role in the Brothers’ development, and his famed partnership with Ed Gallagher.

The guys respond to insightful audience comments on the brothers’ MGM classic. Is the film actually more like their Paramount work than we give it credit for? Does the brothers’ career trajectory resemble that of Picasso—or Elvis? And did Margaret Dumont actually land a joke?

These and other truly life-altering questions are debated, dissected, and delightfully overthought.

Matthew and Noah take a closer look at “Tell It to Groucho”, the short-lived 1962 successor to “You Bet Your Life”. Though nearly identical in format, the series curiously never found its footing with audiences and was quickly cancelled.

The guys are joined by the delightful Joy Harmon—Groucho’s assistant on “Tell It…” whom he first met when she appeared as a contestant on YBYL. Joy shares how she landed the role and reflects on her warm, affectionate working relationship with Groucho.

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(EDIT 4/26): R.I.P. Joy Harmon, who passed away some five months after this chat was recorded. It was likely her final interview.

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Award-winning writer/comedian and longtime Marx Brothers obsessive Elliott Kalan ("The Daily Show", "MST3K", "The Flop House", and the new book, "Joke Farming") takes us deep into the craft of professional comedy writing with a nice dose of Marx-inspired examples. Elliott details the difference between satire and parody, defends the noble pun, and tells the story behind his delightfully chaotic Marx-flavored children’s book, "Sharko and Hippo".

Council members weigh in with their takes on the 1933 classic. We dive into the big questions: Is the film genuine satire or just anarchy in disguise? Which supporting characters truly “deserve” the wrath of the Marxes? And why is there not even incidental sound in the famed mirror scene?

We’ll also discuss the difficulty some folks apparently have in fitting the entire movie on a VHS tape.

Join us as we spin our wheels trying to find logic in the brothers’ most illogical film.