Lyrics To Go

Seth and Marc talk about the origins of, and the boycott called for, Ram Jam's only hit; Black Betty. Repetitious, rocking, and awkward coming from the mouths of a bunch of long-haired white dudes, this song has left a lasting impression.

Nothing says Lyrics To Go quite like a guy telling a girl/woman that they are too beautiful that they make them want to kill themselves. Marc and Seth talk about lyrics written by a 16 year old that sound like lyrics written by a 16 year old.

The dudes go through the semi-hidden meaning of a song about being bored named after a town in California; Longview. Can it really all be about jerking off because you're smoking too much pot? Yeah, pretty much.

Seth and Marc discuss the Spinners cover of Working My Way Back To You. What is probably supposed to be passed off as a sweet song of self-reflection is really just psychological torture from a masochistic narcissist.

Seth and Marc invite Arden to discuss the Katy Perry smooching anthem I Kissed A Girl. Is it pro-bi or is it objectifying queer women for the sake of a hit song? Maybe both.

Special Guest: Arden Simon.

The guys go against the advice of T-Boz, Left Eye, and Chilli and chase Waterfalls by TLC where they discuss sex worker kinks, drug dealers, and whether or not "chasing waterfalls" is a good analogy.

Seth and Marc are graced with the presence of "Chef" Kevin Bartelt of Hollywood Handbook/We're Here To Help/Action Boyz/etc. fame to talk about the troublesome single Invisible. Originally performed by Irish boy band D-Side, Clay Aiken actually heard it and decided to put out his own version. What we want to know is... why?

Special Guest: Kevin Bartelt.

The faint smell of Aqua-Net is in the air... Seth and Marc call upon the expertise of metal lover Doug to discuss the new Motley Crue single Cancelled. This is them at their worst trying desperately to drum up a new fanbase that hates the "woke mob." Unsurprisingly, it sucks.

Special Guest: Doug Davison.

Seth and Marc invite past guest Nick to talk about a song he referred to as "hot doo-doo ass"; Freaxxx by Brokencyde. There is not much to say about this song other than it is horrendous and I'm sorry we did it.

Special Guest: Nick Hanlon.

The dudes try their hand at a rough translation of the 80's a-ha hit Take On Me. Is this a case of Norwegian-to-English mayhem or is it just stupid and kind of creepy?