We visit the Inclusion Factory near Shanghai, whose goal is to facilitate the inclusion of people with disabilities into society through meaningful employment, high quality vocational training and personal development programs.

People with an autism spectrum disorder can have a hard time finding and keeping a job. Auticon in Munich harnesses the abundant talents some have and employs them as IT consultants.

Edward Bae from South Korea, Ana María Álvarez Monge from Costa Rica, Leo Legorreta from Mexico and Malakeh Jazmati from Syria - they’ve all made a new life for themselves in Germany.

Having a dignified funeral in Europe can cost thousands – more than many people can afford. Now a young Berlin start-up called Mymoria is looking to undercut standard funeral companies by offering services online.

Daniel Eltinger paints with a vengeance, but it hardly pays the rent. Like many young artists, he dreams of being discovered one day. If star art dealer Gerd Harry Lybke signs you up, for example you're already halfway to making it.

More than 60,000 inmates in Germany are required to work while in prison. They earn up to three euros an hour maximum – way below the national minimum wage. For big corporations like Daimler or Aldi they're a source of cheap labor.

US attorney Kenneth Feinberg calculates the value of human life. It's his job to distribute compensation following attacks or disasters. The amount given varies greatly according to the value assigned to the victim. 9/11 was his biggest case to date.

Human beings are often assessed according to their economic value – when doctors transplant organs, for example, or athletes insure their legs for huge sums, or companies employ staff. What at first sounds absurd is in fact standard practice.

Companies are important art collectors. Some set up their own museums. It's good for their image and might make them some money as well. We visit Art Cologne with Astrid Lilja, who advises corporate clients on acquiring art.

A portrait of Jesus attributed to Leonardo da Vinci sold at Christie's last year for $450,000,000 including buyer's premium. How come prices can be so astronomically high? Dirk Boll talks about art and the art market with us.