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Ready to get faaaaar out, #stoppies? This week's adventure has us whoodly-doodling away with some reheated jams courtesy of everyone's* favorite psychedelic Dads, Phish! Originally recorded in 1986 and inexplicably re-released twice in 1998 and 2006, "The White Tape" is a dizzying and deeply misdirected spectacle of unnecessary fuzz pedals, non-sequiters about hamburgers, synthetic keyboards and songs about stepping in literal dog shit. Unsurprisingly, the 16 song collection of disconnected wank-offs is a big misstep even for the most devoted of fans. We brought our old friend from UMass Mitchy Dee, a local musician and proud Phish enthusiast to help us figure out whether Phish is a cult, why Mike Gordon seems to hate us, and what the hell they were thinking releasing "Minkin". We still haven't figured out the answer to that one.
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Our latest exploration of mid-life crisis inspired genre experimentation leads us to Dee Dee Ramone aka Dee Dee King's 1989 punk-rap flop Standing In The Spotlight. Replete with climaxless tales of surfing and wrestling, as well as cringeworthy chronicles of his failing marriage, all delivered in a cartoonish tenor recalling hip-hop classics like "The Monster Mash", Standing In The Spotlight is undoubtedly one of the most head-scratching entries into the Make It Stop ouvre. Joining Mike and Heather to try to make sense of it all is Hayley Valencia, bassist of all-trans queercore punk powerhouses WIMP and resident Dee Dee King expert of the Greater Boston Area. How does it stack up against the rest of the ill-conceived rap projects we've covered in our few short months as a podcast? Find out this week on Make It Stop!
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Mike's brother Alex Dunn joins Make It Stop to discuss Kid Cudi's Speedin' Bullet 2 Heaven. Where to start with Speedin' Bullet 2 Heaven? How can we possibly distill this recondite opus into a mere blurb? Seems impossible, but let's give it a shot:
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The conversation runs long this week on Make It Stop as comedian and music critic Tawanda Gona joins Heather and Mike to feast on a stale cracker. In 2017, after a lengthy string of disappointing releases, Eminem released Revival, arguably his most despicable album yet. With a bloated 80+ minute runtime, and a smorgasbord of tryhard slant rhymes, outdated edgelord humor, and convoluted double entendres, Revival may just be the least enjoyable album any of us have ever heard. To soothe the pain, we try to make sense of Eminem's place in today's world. Is he more like The Simpsons or The Undertaker? Whatever the case, they all need to just Make It Stop.CW: We discuss Eminem's lyrics, many of which are misogynistic, homophobic, ableist, and contain references to r*pe.
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This week's episode finds us sliding knee deep into glam metal, braving the murky waters of post-vehicular manslaughter Motley Crue. Our guest, local renaissance woman (comedian/musician/record store owner) Angela Sawyer tells us tales about her 15 year old self hiding passionate Motley Crue love poems behind her suburban waterbed and why she thought they "smoked pee". Why does Vince Neil sound like a cartoon rat? What were they thinking name checking protestant reformation activist "Martin Luther" in a terrible ballad? Did they actually smoke pee? Find out on this week's episode of "Make it Stop"!
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Stoppies, we like you so much we're even willing to try Butt Stuff. Rather than easing our way in for our first foray into the putrid realm of Butt Rock, we're taking a full plunge, discussing Hinder's downright detestable debut Extreme Behavior. Joining us are fellow tastemakers of trash Lee Martin and Patrick SB from the Jukebox Zeroes podcast. Along the way we moan and groan and generally try to steer the conversation as far from the subject at hand as possible, but just when we think we're out, Hinder pulls us back in. "Blower" indeed.
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