September 23, 2024

Make Your Warm-up the Prelude to Your Practice - PHH 175

38 minutes

If I had to give the shortest possible explanation of what a daily harp warm-up is, it would be this: your warm-up is the prelude to your practice.

Why a prelude? A prelude is most often defined as a short piece of music intended to be an introduction to a longer one. It sometimes uses musical themes or ideas which appear in the larger work, but the prelude’s most important function is to set the scene, the mood or the tone for what follows.

That’s how I like to think about a warm-up. It sets the scene for your practice. It allows for a transition from your possible hectic daily non-harp life to a more calm and focused musical space. My warm-up, which I will tell you about later in the podcast, is a moment I truly treasure in my practice. It is also a temptation moment, which I will explain later too.

I’ve talked about warm-ups on the podcast before. Episode 98 was a mini masterclass on warm-ups. Episode 120 was about three important skills that your warm-up could help you strengthen. I have linked to those episodes in the show notes so you can find them easily.

But today, I want to talk about the warm-ups I recommend most often to my students and why I think they are so good. These may be warm-ups that you already use, and if that’s the case, I will give you some tips on how I think you can use them to your best advantage. If you have another warm-up that you like, these tips will help you get more out of that warm-up too.

As I mentioned, I will also tell you what I do to warm-up. It doesn’t fit the conventional mold, but it does fit the main purposes that I believe are most important for any warm-up. That’s really the point of this episode today, to show you a different way to look at your warm-up so that your prelude to your practice can save you time, build your skills and be one of your favorite parts of your practice too.

Links to things I think you might be interested in that were mentioned in the podcast episode: