Making a Scene Presents

Buddy Mondlock writes songs. He does it so well that some great songwriters have recorded his songs on their own albums. Guy Clark, Nanci Griffith, and Janis Ian, to name just a few. You might’ve heard his song “The Kid” (recorded by David Wilcox, Peter, Paul and Mary and Cry, Cry, Cry) and maybe even sung it yourself around a campfire. He draws you into his world - where a single snowflake follows the trajectory of a relationship, where you get you pocket picked by a Roman cat, where you might swim over the edge of the world if you’re not careful and where dreams that don’t come true still count.

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Douglas Avery considers himself a lucky man, living his dream of being a musician.  Born and raised in Los Angeles, California, Avery got an early start performing for the first time at age five as a member of his school‘s choir, singing pop and inspirational songs. Avery studied the trumpet at age eight and was inspired by Jethro Tull's frontman Ian Anderson to pick up the flute as a teenager.

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This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it’s roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!

http://www.makingascene.org

This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!

http://www.makingascene.org

http://www.makingascene.org

This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!

http://www.makingascene.org

Teresa James and the Rhythm Tramps are on quite a roll.

Her persuasive pipes slathered in honey and soaked in Texas-bred sass, keyboardist Teresa James and her band, the Rhythm Tramps, have long reigned as one of Los Angeles’ leading contemporary blues outfits, even though their uncommonly imaginative repertoire, much of it supplied by Terry Wilson, James’ husband, producer, and bassist, is by no means strictly limited to the 12-bar form.  Their 2019 CD Here in Babylon was nominated for a Grammy in the Contemporary Blues Album category.

http://www.makingascene.org

Ten years ago, The Dead Daisies burst onto the music scene. Their mission, to create some good old fashioned 70’s style rock, gather some of the finest musicians in the world, and have a great time keeping rock music alive. The name was inspired by Jon Stevens and an old phrase ‘pushing up daisies’ as well as the Mexican celebration ‘Day Of the Dead’ with this theme influencing the logos and artwork throughout the years.

http://www.makingascene.org

The Scarlet Goodbye, labelled “the most unlikely mash-up in Minnesota Music History”, is the creative combination of Daniel Murphy and Jeff Arundel.

Murphy, pivotal in the launch of both Soul Asylum and the super-group Golden Smog, had stepped away from the game in 2012, after 30 years of recording and touring. A chance meeting with mellow Singer-Songwriter Jeff Arundel led the duo, whose careers spanned the same time frame but had essentially no other resemblance, to start writing and recording.

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Walk down Nightmare Alley, take a left on Scarlet Street, duck through a side door to a nameless, smoke-filled taproom, and immerse yourself in the world of The Noir Album, the new record from Big B and The Actual Proof. Inspired by film's seamiest genre, and filtered through a blues-drenched lens, the trio brings TEN tales of bad luck, bad choices, revenge, and recrimination to life in cinematic audio form. Led by three-time DMA (Detroit Music Award) nominee Brian “Big B” Burleson, a singer/guitarist with over three decades of wear and tear under his belt, along with fellow Motor City music vets Mitch Sharpe on bass and Erin Pitman on drums, the band paints a hard-boiled sonic picture with just enough foreboding to warrant the occasional glance over your shoulder to make sure you haven't been followed. "This record finds its origins with my mostly useless college degree," Burleson notes somewhat sarcastically. "I majored in Broadcast and Cinematic Arts with a minor in Theater.

http://www.makingascene.org