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This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it’s roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!
Honoring the Past, Praising the Present, Empowering the Futurehttp://www.makingascene.org
This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!
Honoring the Past, Praising the Present, Empowering the Futurehttp://www.makingascene.org
http://www.makingascene.org
This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!
Honoring the Past, Praising the Present, Empowering the Futurehttp://www.makingascene.org
A young nightclub performer from Houston with a booming bluesy voice, Jewel Brown faced a once-in-a-lifetime career choice in 1961: whether to join Duke Ellington's band or Louis Armstrong's.
"I said Louis Armstrong in a flash, " Brown recalled this week in the French Quarter hotel room that is her home while here for the fifth annual Satchmo Summerfest.
http://www.makingascene.org
http://www.makingascene.org
As a Minnesota music fan, singer/bassist and live sound engineer, Scott’s had a unique exposure to Minnesota music and the artists performing it. On the bass and backing vocals, he’s played in bands with songwriters like Tom Mason, Mark Hasbrouch (Surahoolies), Phil Solem (The Rembrandts), Aaron Seymour (The Delilahs), Melvin James (Planet Melvin) and countless others. Scott has also done much fill in work on bass as well, including groups like The Billys, Tim Mahoney, Scott Laurent Band, Rhythm Jones, The Phones, Mile One, The Kurt Neumann Band (BoDeans), Test Site 67, Rex Daisy's alter-ego band "Two Tickets To Paradise", and Patrik Tanner and The Faraway Men.
http://www.makingascene.org
Boogie Till I Die, the new solo piano album from Henri Herbert, is an intoxicating ode to a truly original American art form.
Always thinking and experimenting with the form, Henri is not content standing still. "I like trying to push it forward," he notes. "For me, it's mainly about the groove, trying to find new ways to play that beat, new rhythms that are still exciting, finding elements that have not been pushed forward and bringing them out."
http://www.makingascene.org
This is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it’s roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!
Honoring the Past, Praising the Present, Empowering the Futurehttp://www.makingascene.org
Making a Scene presents Turn it Up with Gerry Casey and his Guests the DC Blues Band
http://www.makingascene.org
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