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Making a Scene Presents - Booking the Festival Circuit Isn’t About “Buzz.” It’s About Proof
For a long time, getting booked on a festival felt like being chosen. You got the email, you posted the graphic, you told your friends, and you hoped the weekend would change everything. That feeling still matters, because it means you care. But the festival world has changed, and the artists who keep winning in it have stopped treating festivals like a lottery and started treating them like a system.
http://www.makingascene.org
Making a Scene Presents - Why Ownership Beats Virality Every Time
The day the internet “loves” you can still be the day you learn you own nothing
Every indie artist has felt it. You post a clip and you don’t expect much, and then your phone starts buzzing like a broken snare. Comments show up from strangers, shares stack up, and somebody types, “How are you not famous?” and for a minute you can taste the alternate timeline where one moment fixes everything.
http://www.makingascene.org
Making a Scene Presents - Why Monitoring Is the Most Important Part of Your Home Studio (And the Most Ignored)
There’s a specific kind of heartbreak that only home studio people understand. You finish a mix at 1:30 a.m., tired but proud, because in your room it finally sounds like a record. The vocal is sitting right where you wanted it. The drums feel tight. The chorus lifts. You do that little head nod like, “Okay… I’m getting good at this.”
http://www.makingascene.org
Making a Scene Presents an Interview with Melody Guy
Melody Guy is a Nashville-based Americana singer-songwriter whose unforgettable voice and fearless honesty have powered a life on the road, with more than two million miles of touring across the United States. Blending rock, country, soul, and pop, she delivers songs with the kind of emotional clarity that stops people mid-conversation. Her voice has drawn comparisons to Eva Cassidy, Linda Ronstadt, Bonnie Raitt, and Grace Slick, but her sound is ultimately her own—grounded, dynamic, and deeply human.
http://www.makingascene.org
Making a Scene Presents - Streaming Growth is Slowing And That’s Good News for Indie Artists.
For the past ten-plus years, the music industry has sold indie artists one simple dream. Get your music on streaming. Get on playlists. Get the numbers up. Then, somehow, the money will follow. A lot of artists found out the hard way that this dream has a catch. Streaming is real. Streaming is powerful. Streaming can introduce you to new listeners all over the world. But streaming, by itself, rarely builds a stable living.
http://www.makingascene.org
Making a Scene Presents Gerry Casey's Interview with Jamiah Denzel Rogers
Deacon Denzel and Dirty Church is the kind of band that doesn’t just play a set — they build a room, light it up, and then invite everybody inside. Rooted in the sweat-and-soul tradition of rock, blues, funk, and gospel, their sound feels like a late-night revival meeting colliding with a barroom jam: gritty, joyful, and impossible to fake.
http://www.makingascene.org
Making a Scene Presents an Interview with Otis Walker
Otis Walker was born in Memphis, Tennessee, and came up in the deep musical tradition of the American South. He cut his teeth in the music business in Muscle Shoals, absorbing the sounds, work ethic, and soul that have defined generations of legendary recordings. That foundation shaped both his playing and his approach to songwriting, grounding his music in feel, groove, and authenticity.
http://www.makingascene.org
Making a Scene Presents - More Artists Need to Earn Enough Instead of a Few Earning Everything
For most working musicians, the real problem isn’t that people stopped loving music. Music is everywhere. The problem is that the money stopped landing where the work actually happens.
http://www.makingascene.org
Making a Scene Presents an Interview with Dana Maragos
Dana Maragos is a Chicago-based singer-songwriter whose music is rooted in storytelling, tradition, and a lifelong relationship with song. Her journey began early, when her grandmother bought her a $25 guitar in Chicago’s Old Town at just six years old. Growing up on the city’s South Side, Dana learned her first chords from a teenage neighbor, singing along to the songs of Bob Dylan, Joan Baez, and Eric Andersen. Those early influences planted the seeds for a songwriting voice built on honesty, melody, and quiet emotional strength.
http://www.makingascene.org
Making a Scene Presents Gerry Casey's Interview with Austin and the Syd Experience
Austin & The Syd Experience is a Columbus, Ohio–based funk rock ensemble delivering a fearless, high-voltage blend of hard rock, psychedelic soul, and raw, merciless funk. Known as “ASYD Funk,” their sound is loud, sensual, and deeply groove-driven, built to hit the body as much as the ears.
http://www.makingascene.org
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