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Making a Scene Presents an Interview with American Mile
American Mile isn’t just a band. They’re a touring machine, a modern voice for Southern rock, and storytellers for the real American struggle. Built on pure road-warrior grit, the band is carrying Southern rock forward with a sound that’s loud, raw, and impossible to ignore.
http://www.makingascene.org
Making a Scene Presents Gerry Casey's Interview with Claudia Cane
Claudia Cane has been a force in the music scene for almost 25 years. German audiences first got to know her as the voice behind several SAT.1 TV theme songs, including the tracks for Benzin im Blut with Sonja Kirchberger, 36 Stunden Angst, and Die rote Meile. Her distinctive, raspy voice stood out right away. After spending five years in London completing professional training in acting and musical theater, she returned to Germany and quickly became known nationwide.
http://www.makingascene.org
Making a Scene Presents - The Secret Power of Sidechains: How They Shape Modern Mixes
If you’ve ever looked at a compressor or a gate and wondered what the little “Sidechain” button does, you’re not alone. Most beginners skip right past it because it looks like something made for scientists, not indie musicians working in a home studio. But the truth is simple. A sidechain is just a way to let one sound control what happens to another sound. That’s it. Once you understand that idea, you unlock one of the most powerful tools in the entire world of mixing.
http://www.makingascene.org
Making a Scene Presents an Interview with Paul Filipowicz
He has been playing the blues for more than 40 years, all while working full-time in construction and roofing to make a living. This year, worn-out knees and elbows finally pushed him into retirement from the heavy labor. Even so, he hasn’t slowed down. He’s now building a cabin near Tomahawk using timber he harvested from his own 70-acre property.
http://www.makingascene.org
Making a Scene Presents - What Is Latency? And How to Record Without Losing Your Groove
Written for indie musicians who just want their tracks to sound right without fighting their gear
If you’ve ever tried to record vocals or guitar and felt like your timing was weird, or you couldn’t stay in the pocket no matter how hard you focused, you’ve already met the enemy. That enemy is latency. Latency is one of those home-studio problems that doesn’t care how talented you are. When it’s bad, it throws off your groove in a way that feels like someone moved the beat a few inches to the left.
http://www.makingascene.org
Making a Scene Presents - Turning One song Into 30 Pieces of AI-Generated Content
How Indie Artists Can Turn a Single Track into a Month of Promotion
The New Reality: One Song Isn’t Enough Anymore
If you’re an indie artist trying to grow your fanbase today, you’ve probably already felt the pressure. You drop a song, you post about it once or twice, and the whole thing sinks into the feed like a stone. It feels unfair, but this is the world we’re in now. The truth is that the platforms don’t promote your release just because you’re talented. They promote you when you give them steady content that keeps people watching.
http://www.makingascene.org
Making a Scene Presents - Touring 2035: Why Your Next Fanbase Will Come From a Wallet, Not a ZIP Code
The touring world you know is collapsing. That old-school strategy of drawing lines on a map, circling major cities, and hoping enough people show up to cover gas is fading fast. For decades, touring was built on guesswork and geography. But the next era of touring won’t be about cities at all. It will be shaped by something far more powerful and far more honest: blockchain wallets. These wallets hold tokens, smart tickets, digital credentials, and little pieces of fan loyalty that tell you exactly where your true community lives long before you ever pack a van. The touring map of 2035 will be drawn by clusters of fans who have already proven they care, not by the ZIP codes a promoter says might be “good markets.”
http://www.makingascene.org
Making a Scene Presents an Interview with Kamel L King Entertainment Lawyer and Artist Management
Kamel L. King was born and raised in Jackson, Mississippi. He studied at American University in Washington, D.C., before returning home to attend Tougaloo College, where he graduated with honors and earned a bachelor’s degree in Political Science and International Relations. He later received his law degree from Mississippi College School of Law, focusing on intellectual property and entertainment law.
http://www.makingascene.org
Making a Scene Presents - Why Web3 Touring Collectives Will Replace Booking Agents
How Indie Artists Can Use DAOs, Fan-Powered Ticketing, and Community Spaces to Build Tours Without Gatekeepers
The music industry likes to pretend that touring is some kind of secret science only insiders understand. Booking agents act like they hold magic keys. Venues act like they own every path to a stage. Promoters act like they decide who deserves to play. But if you talk to indie artists long enough, you learn the truth. The system isn’t complicated. It’s controlled. And Web3 is about to tear that control down to the foundation.
http://www.makingascene.org
Making a Scene Presents Gerry Casey's Interview with Pierre Lacocque of Mississippi Heat!
On the back cover of Mississippi Heat’s album Footprints On the Ceiling, there’s a photo of a man playing harmonica with such intensity you can almost hear the music in the silence of the still image. That man is Pierre Lacocque—the band’s founder, bandleader, and principal songwriter. What that photo suggests is exactly what his music delivers: a harmonica voice full of fire, soul, and emotion.
http://www.makingascene.org
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