Making Art Work

During part 2 of our interview with conductor JoAnn Falletta, we explore her experience with the Ulster Orchestra in Belfast, Northern Ireland, contrasting that orchestra's model with those of American orchestras. We'll also explore the season planning process, and how programming influences marketing, and vice versa.

Currently serving as executive director of Dallas Black Dance Theatre (DBDT), Zenetta Drew has taken the company from a local, founder-driven organization to a fully professional company with a worldwide following. Founded in 1976 by artistic director Ann Williams, DBDT has grown during Ms. Drew's tenure to present more than 300 annual performances on a budget of $2.3 million and was named one of the top five organizations of color in the nation. In this conversation with Ms. Drew, we will explore her thoughts on community engagement, making connections with business leaders, and the importance of a strong partnership between artistic and executive directors.