A classic of the 2010s, Captain America: the Winter Soldier is a wonderful time capsule into the superhero movies of yesteryear. Join us as we discuss the plot's comic book origins, how the film reflects a post-Snowden America, and the fact that Bret saw it for the first time yesterday

Unsanck your snoods listeners, because Bret takes us on a deep dive of Wallace Stevens and his wonderful poem, Late Hymn From The Myrrh-Mountain. We talk literary allusions, not understanding poetry, and whether or not Seth can find his water bottle.

Seth takes us through Fellini's 8 1/2, a thought provoking film from bygone eras of Italian cinema. We talk dubbed soundtracks, quotes from Origen, and the funky clown guy at the end of the movie.

In another lively episode about classic poetry, Bret guides us through Coleridge's uncompleted poem Christabel. We discuss popular readings, Coleridge's unique writing structure, and debate whether or not the poem includes a vampire.

Join us as we explore the world of Hades, the 2020 video game from Supergiant Games that many have hailed as one of the greatest games of all time. We talk art style, Greek mythology, and the wonderful challenge of game difficulty.

Today we talk about adapting books, why books sometimes aren't better than movies, and what makes Savage the Jane Austen of the West.

Bret takes us on a wonderful journey through an excerpt of Harold Bloom's The Art of Reading Poetry. We discuss poetry (wow!), a U2 album, and the awesome power of poetry.

Today we tackle Adam Robinson-Yu's adorable indie video game A Short Hike. We explore this beautiful love letter to the outdoors and the amazing power of emergent storytelling.

Seth takes us through Elaine May's Ishtar, a film once called "the worst film of all time" that is now having a critical revaluation in the modern era. We talk Beatty and Hoffman, whip smart jokes, and U.S. foreign policy.

Bret takes the guys through a wonderful example of baroque poetry. We cover Saint Teresa, martyrdom, and the wonderfully witty words of Richard Crashaw.