They tried to silence us.
They tried to mold us.
We burned their cages to the ground.

The Unheard is a call to every bedroom singer, every self-taught musician, every artist born from yearning, not privilege.
This is our uprising. Our art is the fire. Our voices are the new oceans.

Mania’s Muse: Voice of Fire — Season 2 continues.
You are not alone. You are us.

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The Unheard is a declaration for those who have created in silence, sung through cracked voices, and shared their art with no safety net. It's for the self-taught, the unpolished, the ones who burned quietly with dreams too big for the rooms they were told to stay in.

In this piece, Calice summons the raw, untamed spirit of the forgotten — a symphony of flawed, beautiful creators who refuse to be categorized. The Unheard is a love letter to the artists who carry galaxies in their minds and turn yearning into rebirth.

Part of Mania’s Muse: Voice of Fire, Season 2 — a movement for those who were never meant to fit in.

Welcome to the Virtual Universe, where illusion is currency, and truth is the glitch in the system. Calice is back, untamed, unapologetic.

Season 2 of Mania's Muse: Voice of Fire begins now—step into the flame.

The wait is over. The fire returns.

Season 2 is here.

Voice of Fire ignites this Sunday with 11 countries of you.

Part of Mania’s Muse—where the unspokens burn the brightest.

Are you ready to feel the fire?

In this episode of On a Quest Called "Love" from Mania's Muse: Verses from the Edge, Calice reveals a chilling journey of entrapment disguised as affection. She paints the image of a cage she finds herself locked in, where freedom is replaced by a haunting truth.

Calice explores twisted power dynamics, exposing the cost of kindness that comes with control. The episode captures the irony of love turned into domination, stripping away everything she has fought to preserve. Each line reflects her sacrifices—a lifetime of healing, isolation, and resilience—facing attempts to take it all away.

Her story is one of sacrifice—resilience tested by those trying to take away her sense of self.

For anyone who has questioned love's price.

In this episode of Cagefight of Mania's Muse: Verses from the Edge Calice dives deep into a raw, unfiltered exploration of her internal battles. From feeling like an imposter to questioning her worth, she exposes the hidden fears and doubts that have haunted her for years. The episode takes listeners through a whirlwind of emotions—moments of paralysis, flashes of childhood memories, and a constant search for freedom from the cages she's built around herself.

With vivid metaphors and poetic reflections, Calice questions if she's truly a phoenix, capable of rising from the ashes, or if she's burning her own wings in the process. The episode is a powerful journey through self-doubt, vulnerability, and the desire for liberation, as Calice searches for a voice that will echo back, guiding her towards clarity and strength.

This is a must-listen for anyone who has ever felt stuck in their own cage, searching for the courage to break free and rise.

In Petrichor, Calice conjures a vivid narrative that intertwines music, memory, and personal growth, capturing the feeling of nostalgia wrapped in creative tension. This episode of Mania's Muse: Verses from the Edge reads like a lyrical journey — a retrospective on artistry, youth, and the relentless pursuit of self-expression.

Petrichor also speaks to the insecurities that accompany creative pursuit. Calice reflects on moments of doubt and frustration, such as the feeling of one’s voice being "stuck in traffic". This image is particularly evocative, capturing the sense of delay and obstruction in the process of becoming.

Calice's imagery becomes increasingly expansive as the poem unfolds. The laundry room becomes not just a place of practice but a crucible of ambition. The stairway, the amphitheater, the tennis court — these places are imbued with personal significance, where life and art intersect. They represent the landscape of the artist's memories, where aspirations once seemed insurmountable but now reflect a hard-won journey toward self-realization.

The artist’s ambition, once a distant dream, has become a lived experience — "I gave it my everything, to be everything."

Calice invites the reader to experience not just the triumphs, but also the insecurities, failures, and moments of uncertainty that accompany any meaningful pursuit.

Ever feel like running? Like the weight of everything you’ve built is about to come crashing down? That’s exactly where Walk Away grabs you. The poem speaks to the part of you that wants to drop it all, to escape before the collapse, but it’s not that easy. Calice stands on the edge of something huge—success or disaster—and you can feel the fear in every line.

The moment Calice steps on stage, there’s no turning back, and neither can you. The pull to “just walk away” is there, but there’s a deeper fear, too: the fear of what happens if they succeed. What if you get everything you want and lose the safety of having a fallback, that familiarity of not knowing anything? That question lingers long after you finish reading.

The lines are raw and relatable. The battle inside is all too familiar, like the times you’ve doubted yourself, questioned if you’re enough, or if you should just quit. “Hello me, how’s fighting been?” You’ve asked yourself this before, haven’t you? But you can’t ignore the clock ticking, pushing you forward, forcing you to confront what’s next.

What would you choose: retreat into safety or risk everything for the unknown?

In The Stranger, as part of Mania's Muse: Verses from the Edge Calice presents a striking exploration of identity, vulnerability, and the hidden dynamics of human connection. The poem reads like an intimate conversation between the self and its various fragmented versions, capturing the essence of estrangement that comes from living behind a mask — the persona we create versus the truth we often avoid.

The imagery of the photographer and subject frozen in time introduces us to a moment of reflection. This moment, suspended in the space between observation and revelation, speaks to the tension we all experience when confronted with the layers of our own existence. The photographer represents an external observer, perhaps society, while the subject is the self, performing for the lens, yet hiding behind it. Calice’s choice to frame the poem this way signals a deeper conflict: we are both the artist and the art, and the act of seeing ourselves is just as performative as being seen by others.

There is a poetic unraveling here — one that strips away the familiar comforts of daily routine and plunges the reader into a darker introspection. The line, "We wake up next to strangers, meet ourselves the next day," encapsulates the poem’s theme of disconnection, where identity is fluid, elusive, and sometimes terrifyingly unfamiliar. This passage mirrors the way modern life dehumanizes us: we float through our interactions, numb to the emotional weight they carry. The streets, the subway, and the office all become spaces of quiet suffering, where everyone carries their private pain, unacknowledged by the world around them.

Calice’s decision to anchor this emotional landscape in the metaphor of peeling layers and stripping before a mirror highlights the vulnerability inherent in self-examination. Each layer reveals a more fragile version of the self, one that is unafraid of the external gaze yet terrified of its own reflection. The poem moves swiftly from individual introspection to a more ominous dialogue about relationships and emotional dependency.

The second half of The Stranger introduces a darker narrative, where the speaker reflects on how affection can become a weapon — a tool for emotional manipulation. The metaphor of Stockholm Syndrome weaves through the lines, particularly in "kissing the hands of your destroyer," where love becomes a means of control and submission. Calice’s use of this concept deepens the tension in the poem, suggesting that the stranger we wake up next to is not just someone else, but a version of ourselves that willingly walks into the arms of destruction.

As the poem reaches its conclusion, the metaphor of Pandora’s box becomes central. Calice vividly captures the moment when the speaker offers up their insecurities to another, only to find that these vulnerabilities are now weaponized against them. The stranger, once an innocent observer, becomes the predator. The narrative shifts from introspection to a chilling realization — that in revealing our deepest fears, we expose ourselves to annihilation. It is a potent commentary on trust and the danger of emotional transparency.

The Stranger is an artful meditation on the nature of identity, relationships, and the precarious line between vulnerability and self-destruction. Calice’s work invites readers into a world where darkness and light coexist, where the self is constantly shifting, and where trust, once given, can easily be betrayed.

Preying, Preying, Preying slithers into the shadows of Mania's Muse: Verses from the Edge. This piece is a dance with the dark, where perception twists and the hunter becomes the hunted. It’s a descent into the madness of masks and the terrifying clarity of seeing too much. As you read, feel the slow creep of control slipping, where every glance hides a deeper truth, and the prey you once were now stalks in silence.

Embrace the darkness; the hunt has just begun.

With the Darkness, I'll Become One descends into the abyss of Mania's Muse: Verses from the Edge. This poem drags you back to where it all began, where shadows whisper secrets and darkness becomes a haunting melody. It’s a journey of merging with the void, where creation bleeds into oblivion, and the lines between fear and desire blur. Words become weapons, and the silence of the night is shattered.

Welcome to the edge, where the darkness consumes.