
Sign up to save your podcasts
Or


The total work of art, as conceived by Walter Gropius, in which painting, sculpture and architecture are combined, had an integral designer as its operator. Is it possible, nowadays, to keep on thinking of the designer as an individual capable of interdisciplinary articulation or will the level of diversification definitively make the designer specialize more and more?
El objeto de arte total, como lo concebía Walter Gropius, en el que se conjugan pintura, escultura, arquitectura tenía como operador un diseñador integral. En la actualidad ¿es posible seguir pensando en el diseñador como un sujeto capaz de articularse de manera transdisciplinar o definitivamente el nivel de diversificación hará que el diseñador se especialice cada vez más?
How present are the old school Bauhaus procedures in our days through your experience in teaching?
¿Qué tan presente está en nuestros días los procedimientos de la vieja escuela Bauhaus a través de su experiencia en la enseñanza?
How relevant can be the methodologies and production of the Bauhaus today?
¿Cuán relevantes pueden ser en la actualidad la metodología y la producción de la Bauhaus?
How relevant can be the methodologies and production of the Bauhaus today?
Visual Communication became a new language in the last century. What are the inputs of digital propaganda vs printed posters in our days? How do cities live with these new expressions?
Visual Communication became a new language in the last century. What are the inputs of digital propaganda vs printed posters in our days? How do cities live with these new expressions?
There is an incredible enrichment of the universe of image and at the same time an impoverishment of the haptics. The same seems to happen with virtuality and reality. To what extent can the visual/virtual replace the material/real?
There is an incredible enrichment of the universe of image and at the same time an impoverishment of the haptics. The same seems to happen with virtuality and reality. To what extent can the visual/virtual replace the material/real?
In your production with the choreographer William Forsythe, how is the dimension of danced movement and how it plays with your design work?
It can be said that the image states for itself
From the publisher's feed