The Lost Princess from the 2019 album Music Of Poetic Objects. The piece is part of a triptych of tracks about an artwork called The Love Reliquary.
The album explores ekphrasis, the transmutation of art through different media. Typically applied to poetry inspired by paintings or artworks, ekphrastic music seeks to condense the essential feeling of an artwork in music.
The style of the music continues the trend from Cycles & Shadows, expressive music centred around piano performances, augmented with other electronic instruments with an orchestral feeling, to create something completely new, yet linked to the cusp between the classical and romantic eras.
The music for Swift Trilogy was composed in 2016, shortly after I completed the final painting in the series. My aim was to create music that conveyed a feeling to complement the paintings, the audio equivalent of a background layer of grey; this is why rain and mist permeate this music.
The Love Reliquary music was written in 2017, at around the time of Cycles & Shadows, and illustrates the change of direction of my musical style which began to emerge at that time.
The first six tracks were created in response to Ekphrastic Towers, an exhibition of art and poetry in Stockport War Memorial Art Gallery by the Write Out Loud poetry group and curated by John Keane.