Music used to be harder to find, which somehow made finding it feel better.
In this episode of Maxwell’s Kitchen, I talk with Terry Currier, owner of Music Millennium in Portland, Oregon, about record stores, vinyl, 8-tracks, cassettes, CDs, Napster, iPods, Spotify, Record Store Day, Keep Portland Weird, and how people have bought, collected, shared, and discovered music over the last 50 years.
Terry started working in record stores as a teenager in the 1970s and has lived through almost every major format change in modern music.
We talk about the rise and fall of 8-tracks, cassettes, the CD boom, MTV, vinyl disappearing from major-label releases, the return of vinyl, the launch of Record Store Day, and what happened when Napster and digital music changed the record store business almost overnight.
We also get into Portland music history, including live performances at Music Millennium, Joe Strummer, Soundgarden, Elliott Smith, Everclear, the Dandy Warhols, La Luna, Pine Street Theater, Satyricon, X-Ray Cafe, and the local scene that made record stores feel like part of the city’s nervous system.
This is a conversation about music formats, but it is really about why physical music still matters.
The album cover.
The liner notes.
The side breaks.
The record store clerk who knows too much.
The feeling that a record can become a tiny time machine if you own it long enough.
Maxwell’s Kitchen is hosted and produced by Cody Maxwell.