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0:20 Giuseppe Vicaretti
What were your Top 5 or Top 3 Favorite or most enjoyable commercials during the Superbowl?
1:44 Cory Kostiuk
I'm in the middle of and X-Men rewatch and was wondering if you knew how Wolverine for his metal claws back after having them cut off in The Wolverine?
2:20 Woo S Kim
I need to be clear, I am only speaking for myself, lost interest in DC Comics (as far as the books are concerned) after The New 52, what are your general thoughts of The New 52, did you enjoy it, if you did, what are your favourite titles from that run? I really liked Shazam, Green Arrow, Batman, and Superman, what say you Sean?
4:57 Steven
Looking at the Big Five remaining movie studios; what are 3-5 pillars that these studios need to establish in order to “last”?
24:14 Woo S Kim
Thoughts on the XFL?
24:42 Woo S Kim
I want your thoughts on this, I have been thinking about this off and on for years now, this statement comes up on the internet often in regards to Marvel Studios, the SUMC, superhero stuff in general, "Support all superhero adaptions if you love superheroes." Firstly, I don't think it's awful that I don't want to support the SUMC or that I want Sony Pictures to lose the rights to Spider-Man, now I don't want to see people lose their jobs or anything of that nature, I just feel that I don't have to support anything I don't want too, especially in regards to my entertainment. I want the SUMC to fail, if it does, there is a better chance Spidey stays in the MCU, I can help with this, if I don't pay to see those films. Now, I shouldn't tell other people and or peer pressure other people to follow suit, but I don't believe what I choose to do is incorrect, especially when people like Tom Rothman only see the base value of Spider-Man as a means to make money money anything more, nothing less. To my original point, people should support everything involving superhero films no matter who is making them, isn't that ridiculous and silly, that's like saying I love British Rock Bands, so I should go to Target and clear out their British Rock CD Collection to prove my love for British Rock, am I off base, in my thinking, what say you, Sean?
30:27 Steven
Jumping from the last question, what impact do you think the success or failure of Bloodshot will have on Sony? Would having the ability to establish their Valient Universe make them less dependent on Spidey, or strengthen them as a Studio overall, making them less likely to sell (studio or Spidey rights).
35:58 Tom DeMichele
If he were to write one, what kind of book would you like from Jon Favreau?
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0:58 Paul Shearman
I enjoyed your conversation on a recent Bugle about Marvel Studios meeting with some different directors for some general discussion, so my question is based around this. Do you think Kevin Feige actually watches lots of other genre movies himself to know all about these up and coming directors for them to end up on Marvel’s radar, or is it the whole of the Marvel Studios parliament (for example) that point each other in the direction of potential talented storytellers they should be checking out? There’s only 24 hours in a day (you’ve talked about Kevin needing a Time Stone before of course!) so I’m always curious as to how he finds the time in the day to not only be on top of his own studios considerable output, but also have time to scope out the work of other directors. Thanks in advance as always!
5:37 LincM
Do you think there's a reason Disney+ didn't choose to use `What If...` footage in their Superbowl/big game peek?
8:58 Adam Nigh
I love this podcast and listen to it FAR more than anything else on my commutes. Thank you! The Loki synopsis places it after the events of Endgame. Do you think that means after the 2023 events of Endgame, or after the 2012 events of Endgame? (BTW, my last name rhymes with high - you were unsure on the last episode).
12:35 Paul Shearman
What if the Wandavision plot ends up being a ‘rug pull’ and it’s Vision imagining this reality? Maybe it’s taking place whilst someone like Shuri is trying to rebuild his ‘complex network’ (to quote Banner) - and it’s his desire for a ‘normal’ human existence that is creating this reality in his mind? I’m not quite prepared to ‘keep the receipt’ on this conjecture - it seems far more likely it’s Wanda’s doing - but Marvel Studios have an awesome track record of misdirects so it could be possible. Thoughts?
16:16 Mlupo5
I like the theory that Paul has suggested. But to piggyback off that theory, where has Vision’s body been for the last 5 years? We know Shuri dusted so she would not have been able to work on Vision during the blip. Did the survivors recover him and store him somewhere in hopes that they could one day bring him back? Would they have even thought to do so after seeing half of all living things vanish?
20:55 LincM
Do you think Taskmaster's shield will be made of Osmium, like in the comics, or will they simplify it by making it either vibranium, or another metal?
21:55 Adam Nigh
Watching Sam throw Cap's shield has me wondering if he is still just regular Sam Wilson or will he get some kind of super soldier serum?
25:31 Mookie Johnson
Did it seem to you that Taskmaster had the same magnetic tech that Cap had in Age of Ultron?
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Sean responds to the following prompt from Steven:
I recently watched a doc on Amazon Prime called “Rise of the Superheroes”, suggested by another Patron member. In it, they do a nice job of recounting a lot of the history of Superheroes on film, both DC and Marvel. I especially found interesting the unique importance that Batman (89), Batman and Robin (97), Blade (98), X-Men (00), and Spider-Man (02) all had for varying reasons. Here is my proposal for this month’s show: In a condensed version of “Road to Infinity War”, could you talk about your experiences with and your perception of Superheroes on film from 1997 to 2008 that sort of put us on the “Road to Iron Man (08)”. In addition, what do you think are some specific things Keven Feige saw about Superheroes on film from 1997 to 2007 that helped shape the MCU?
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