In this special episode of Medieval Roots, Dr Godelinde Gertrude Perk, Marie Skłodowska-Curie Fellow in the Faculty of Modern and Medieval Languages (University of Oxford) reads four spine-chilling stories for Halloween. 

The first story is from the vita of Trude of Beveren (d.1428)  ("Concerning Sister Trude van Beveren"), found in the sister book of Diepenveen. Godelinde is reading from the translation by David F. Johnson, kindly provided by Wybren Scheepsma. The translation will form part of Scheepsma's forthcoming edition of DV “Hier Beghint dat Leven en Starven Onses Eerwerdighen Vaders Heer Johan Brinckerinck” (Deventer, Athenaeumbiblotheek, 1524), https://athenaeumcollecties.nl/collecties/topstukken/detail/0be4351e-3487-11e6-9603-b3eb7ac8b442/media/e0f6a70b-de61-4fa7-d219-19639b351f07, Athenaeumbibliotheek, ms. 101 E 26 KL. Commonly referred to as DV, this manuscript witness was composed by sixteenth-century Sister Griete Essinches. Godelinde is deeply grateful to Wybren Scheepsma for his scholarly generosity providing to her with a transcript of DV, which will form the basis of his forthcoming edition and English translation.

The second story is taken from the vita of Alijt Plagen (d.1428) from the Deventer sister-book. The Deventer sister-book recounts the lives of the sisters from the Master Geert’s House (†1428), a community of Sisters of the Common Life, laywomen living a nun-like life, freelance nuns). I rely on Dirk de Man’s early twentieth-century’s edition of the Deventer sister-book. Dirk de Man, ed., Hier Beginnen Sommige Stichtige Punten van Onsen Oelden Zusteren (’s-Gravenhage: Nijhoff, 1919). The translation is taken from the sister-book play by Lieke Smits, Marly Terwisscha van Scheltinga, and yours truly.

See, Terwisscha van Scheltinga, Marly, Lieke Smits, and Godelinde Gertrude Perk. “Dead Sisters Do Tell Tales: A Theatrical Reading of Modern Devout Sisterbooks.” Presented at the Leeds International Medieval Congress, Leeds, July 4, 2018.

The Third story is from the Diepenveen sister-book, from the narrative concerning Hilwartshausen ("How Hilwartshausen was first founded and the sisters of Diepenveen were sent there by Sister Stine des Groten"). Translation by David F. Johnson.

The final story is from the vita of Daya Dierkens ("Concerning Sister DAYA DIERKENS") from the Diepenveen sister-book. Translation by David F. Johnson.

Credits:

"Dramatic Organ, B.wav" by Inspector

In this episode, Henry Carter takes us back to troubadours of the Middle Ages - people of song who bought about many of our modern ideas of love and desire. Henry takes us on a journey from traditions in Arabic to the influence of the troubadours on artists such as The Beatles, Bob Dylan, and Beyonce. This episode also features an original recording of a Geoffery Chaucer song by Henry. 

Henry Carter is an MPhil student in English (Medieval) at St Hilda’s College, Oxford. You can find him on Twitter here: @swiftfootedhar 

In this episode, Jasmine Jones discusses the medieval origins of educational institutions in 21st-century Britain. In response to coronavirus lockdowns which have disrupted the education of millions of people around the world, Jasmine looks at monasteries, universities, and schools which helped create the places we have missed so dearly during the past year. 

Jasmine Jones is a master's student in English at Lady Margaret Hall, University of Oxford. 

Music by Darren Curtis. 

In this episode, Llewelyn Hopwood looks at the use of medieval script in the advertisements created by the Welsh tourist board, Visit Wales. Tracking the surprising and complicated story of the font that has greeted visitors to Wales since the 2015 rebrand, Llewelyn takes us from the Middle Ages to the present day. This episode finishes by exploring the relationship between font, language, and meaning. 

Llewelyn Hopwood is a DPhil student at the Faculty of English, University of Oxford.

In this episode, Dr Godelinde Perk and George Haggett explore the lives of anchorites, women who withdrew from society to practice a quiet and solitary devotion to God. Featuring music recorded especially for this podcast, George and Godelinde ask how solitary existences of the past can help us through our own experiences of isolation and loss.   

Dr Godelinde Perk is Marie Skłodowska-Curie Fellow at the University of Oxford, working on the 'What Do Medieval Women Want Us To Remember?' project. You can find out more about the project here or follow the project on Twitter.   

George K. Haggett is a DPhil student at the Faculty of Music. You can read his blog here, follow him on Twitter, or listen to his podcast, Bent Notes: A Queer Musicology Podcast.   

The recording of Psalm 131 is by Caroline Lesemann-Elliott.