At best, it's such a fetching mess. Think I dialed in the punk correctly against the jazz. Maybe just smashed the console.

Don't mean to double dip this month, but I think this one has been worked over enough that I can't add anything. If the last one had weedy bass, this one wags the dog. As always, constructive mixing notes are welcome.

I've got a quarter for the psychopomp and the smoke is pouring out of my pockets. I better get my shit into the shop and leave it with the coping mechanic. This tedious emergency! You put in for a 6 month tour. Try and show some urgency. Everyone is keeping score.

At its best, it's such a fetching mess, I know. Don't forget how very dangerous it its.

You've got the things you always wanted by the throat. That's not to say you've got a chance, but that's not to say you don't.

This calvary of salty sweet tooths do the job but don't take no credit. Do the work but hide the math. Always say that a wizard did it.

Now, I'm not saying that it's malignant. But it ain't exactly benign. You know, I really shouldn't talk shit. I'm doing aggressively fine.

when iat best...

I'm sorry to tell you kid.Now it's all down to you. Not that you haven't got a chance, but that's not to say you do..

A 7-string solo guitar arrangement of a badass harp tune by Joanna Newsom

This one is at least six years in the making, and even longer in imagining doing it. I almost got the arrangement to work in two other tunings before finding that I could play all the notes in AEADF#AE, albeit with some of them taken down an octave.

Shout out to my pal Bolo for the expert mix.

Bashy garage rock inspired by a microscopic image of butterfly wings and "This Is How You Lose the Time War," by Amal El-Mohtar and Max Gladstone. And romantic frustration, obviously.

oh. All the guitars were recorded on an acoustic and then treated digitally because of circumstances. And I think they came out pretty damn good.

Because I 'm not supposed to want you and I'm not supposed to call. No, I'm supposed to love myself first but I don't feel so at all.

When I'm hiding in your seams where you bleed denim and cream and it isn't quite so stitched up as it seems. I'll be nesting in your eaves and I'll drink denim and cream and I'll lick these old wounds clean and scrub the scene.

Because I'm not supposed to want you but I'm gonna anyway. Because it's all day and every day.

I'll be hiding in your seams when you bleed denim and cream and I'll pick your bones white clean. A crow's got needs. I'll be nesting in your eaves and we'll drink denim and cream. And I'll meet you, fox, downstream. Red, blue, and green.

Dreampop demo. Put your shades on, hon.

Going from a page in a notebook to a real song in three hours is magical, isn't it? I wrote the lyrics and suggested chord progressions and synth patches for this, but make no mistake, the performer (currently going by Cy Reign) is the songwriter.

In honor of the late Sonny Rollins, here are a few choruses of saxophone improvisation over the chord changes to one of his most famous tunes.

Bass provided by https://www.youtube.com/watch?v=UrkRWMvaoi0 (MrSunnybass)

Sonny Rollins is one of my musical role models and finding out this morning about his recent passing hit me harder than I expected this sort of thing ever would. I ended up devoting most of my playing time today to his pieces and this is the result

DJ CYLINDER WANTS TO SEE YOU WRITHE!!!!!!!!!!!!!!!

Johnny Kidd meets Underworld north of watford junction

i heard Johnny Kidd and the Pirates , Casting my Spell - and the vocals reminded me of carl hyde / underworld, so for fun ... born piratey lol

For Shakespeare's birthday, a song from A Midsummer Night's Dream.

Lyrics: probably Shakespeare

Arrangement, vocals and a small amount of dodgy piano: me

Ye spotted snakes with double tongue,

Thorny hedgehogs, be not seen,

Newts and blindworms, do no wrong,

Come not near our Fairy Queen.

Philomel, with melody

Sing in our sweet lullaby.

Lulla, lulla, lullaby.

Weaving spiders, come not here:

Hence, you long-legged spinners, hence!

Beetles black, approach not near;

Worm nor snail, do no offence.

Philomel, with melody

Sing in our sweet lullaby.

Lulla, lulla, lullaby, lulla, lulla, lullaby.

Neither harm

Nor spell nor charm

Come our lovely lady nigh.

So good night, with lullaby.

been working on this all day. short and sweet banger/soother combination like a taco bell/cookout. y'all ever see one of those? ACTUALLY unholy. have a great night

This is a cover of the classic Sammy Fain tune done in a sort of synth bossa nova style with saxophone handling the melody

This came about kind of by accident:

I am currently working on a tune using the Alice In Wonderland chords changes and I had it up on my computer while I was practicing my saxophone so I decided to just record a chorus of the standard melody over my WIP track because why not?

Made with Renoise using u-he Diva synth, a few drum samples from some jazz/bossa records, and an alto saxophone

Just sort of ends...