Paolo Quagliati (ca. 1637-1710), beginning of Canzon II from Toccata dell'Ottavo tuono, 1593, performed by William Porter

Bernardo Pasquini (1637-1710), excerpt from Recercare con la fuga in pi modi, performed by William Porter

Excerpt from Gregorio Strozzi's Capriccio primo con partite sopra ut Re Mi Fa Sol La, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany An Allegory of Hearing, a 16th-century Italian painting

Excerpt from Girolamo Frescobaldi's Toccata II per L'Elevatione, Op. 10, no.3, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany Luca Giordano's painting of The Entombment

Excerpt from Bernardo Pasquini's Partite diverse di Follia, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany painting of Roman Ruins with Card Players (School of Jan Both)

Excerpt from Largo from Antonio Vivaldi's Concerto "La Notte," Op. 10, no. 3, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany Allesandro Magnasco's painting The Excorcism of the Waves

Excerpt from Minuet from Giovanni Benedetto Platti's Sonata III, Op. 2, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany Francesco Guardi's painting of San Giorgio Maggiore, Venice

Excerpt from Allegro from Johann Sebastian Bach's Concerto in C, BMV 976, performed by Edoardo Bellotti on the Italian Baroque Organ, to accompany William James' painting of The Riva degli Schiavonni, Venice, Looking West

Excerpt from Promenade VII, improvised by Edoardo Bellotti on the Italian Baroque Organ, to accompany Bernardo Strozzi's painting of Two Musicians

Hellenistic Wreath of Oak Leaves