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Today we're putting The Tonearm's needle on Meredith Bates, a JUNO Award-winning violinist and composer based on Salt Spring Island, British Columbia.
Meredith’s recent double album, The Observer Effect, spans roughly 140 minutes of electroacoustic music built from violin, viola, field recordings, and electronics, composed and recorded live in the studio, with very few edits. It's grounded in the physics principle that observation changes what's being observed, an idea she takes personally, musically, and politically.
Meredith talks about how the record came together, what it means to make music that witnesses and is witnessed, and what drew her to the wisdom of witches.
(The musical excerpts heard in the interview are from Meredith Bates’ The Observer Effect)
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Dig Deeper• Artist and Album:
• Collaborators:
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• Field Recording and Birding:
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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.
• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.
• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.
• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com
Hosted on Acast. See acast.com/privacy for more information.
By Lawrence Peryer5
3030 ratings
Today we're putting The Tonearm's needle on Meredith Bates, a JUNO Award-winning violinist and composer based on Salt Spring Island, British Columbia.
Meredith’s recent double album, The Observer Effect, spans roughly 140 minutes of electroacoustic music built from violin, viola, field recordings, and electronics, composed and recorded live in the studio, with very few edits. It's grounded in the physics principle that observation changes what's being observed, an idea she takes personally, musically, and politically.
Meredith talks about how the record came together, what it means to make music that witnesses and is witnessed, and what drew her to the wisdom of witches.
(The musical excerpts heard in the interview are from Meredith Bates’ The Observer Effect)
—
Dig Deeper• Artist and Album:
• Collaborators:
• Organizations and Festivals:
• Musical References and Influences:
• Field Recording and Birding:
• Concepts:
—
—
• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.
• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.
• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.
• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com
Hosted on Acast. See acast.com/privacy for more information.

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