Met Opera Guild Podcast

Ever wonder what it's like to be a Met Orchestra musician? In this episode we sit down for an informative and entertaining conversation with members of the Met Orchestra to get an inside look at this elite ensemble and some of its players. For more even more great content and to stay up to date with the Met Orchestra, visit www.metorchestramusicians.org.

Since the 2015-2016 Met season came to an end last week, we're taking a look back at some of its most memorable moments. With fantastic new productions like Otello, Pearl Fishers, and Elektra, as well as an outstanding Tudor Queen trilogy, there is much to look back at and reminisce upon. Make sure you comment on our various social media pages and tell us about your favorite moments of the season!

This week we are excited to have Ira Siff on the Metropolitan Opera Guild podcast for the first time. Ira is currently a commentator on the Met’s Saturday broadcasts but also teaches and coaches opera, and even used to run his own opera spoof company! His love of opera and the Met started in his teenage years as he stood in line for standing room tickets at the Old Met in the early 1960’s. Just in case any of you don’t know, the current Metropolitan Opera House opened in 1966, and before that, the opera company was based out of its original home dubbed the “Golden Horseshoe.” Today’s episode is the first of three lectures in which Ira Siff regales us with his Memories of the Golden Horseshoe, talking about his experiences and and the legendary singers that he saw along the way. And of course we will feature many musical clips from these singers as we take this walk down memory lane. So please enjoy part one of Memories from the Golden Horseshoe!

This week’s episode features a pre-performance lecture on the final new production of the 2015-2016 Met season, Elektra. Presenting today’s lecture is radio commentator and writer, William Berger, whom many of you may recognize from Sirius XM’s Met Opera radio and the famed Met Opera Quiz. The slideshow referenced throughout the lecture is available for download at www.metguild.org/podcast.

This week we are very excited to be bringing back Santa Fe Opera’s Desirée Mays to the Met Opera Guild Podcast! We have already had such a great response to last week’s episode and Desirée’s talk on The Real Madama Butterfly, and today’s episode is equally as engaging and informative as Ms. Mays fills us in on some of the confusing plot points and Donizetti’s blurring of fact and fiction in Roberto Devereux.

This week’s episode is recorded from a live event that took place on March 29th, 2016, featuring Santa Fe Opera’s Desirée Mays as she explores the historical and literary sources that contributed to the story of Puccini's Madama Butterfly.

This Friday the Met Opera will begin an exciting run of one of Verdi’s more obscure operas, Simon Boccanegra, which will feature Maestro James Levine on the podium and legendary tenor/now baritone Plácido Domingo singing the title role. In preparation for this special musical event, today’s episode features Bridget Paolucci’s Talking About Opera lecture on Simon Boccanegra.

Today’s episode is drawn from one of our Opera Boot Camp classes - an introductory tour through Donizetti’s Tudor Queen operas. These operas have garnered a lot of attention this spring and there is a wealth of history connected to these bel canto masterpieces. This episode explores important background information and musical highlights from "Anna Bolena," "Maria Stuarda," and "Roberto Devereux."

Today’s episode is drawn from a Talking about Opera excerpt, featuring Mozart's "Le Nozze di Figaro" with lecturer Bridget Paolucci. At the time this recording was made, Bridget was a frequent lecturer at the Met Opera Guild, New York City Opera, and regularly appeared on the Met’s Radio Broadcasts. In this episode, Bridget takes us through the rich history of this opera, discussing source material, Mozart's collaboration with librettist Lorenzo Da Ponte, and delving into the layers of musical meaning and style.

Heralded by scholars and opera lovers as the “last great opera buffa,” Donizetti's DON PASQUALE has been a hit with audiences since the night it premiered in Paris in 1843. This episode features playwright and stage director Albert Innaurato as our lecturer, sharing fascinating details about the composer’s life and the musical elements that made this opera such a striking success.