In 1985, Michael Jackson and Lionel Richie brought some of their most famous peers under the same roof to record "We Are the World." To some, the result was the epitome of tacky celebrity philanthropy culture. But for the makers of the new documentary THE GREATEST NIGHT IN POP (2024), it was exactly what that title says.

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What Dirty Harry Callahan did for the big city, Buford Pusser did for the rural south. We discuss the Silent Majority semi-classic WALKING TALL (1973), a Nixon-era Red State phenomenon that asks: who needs due process when you can carry a big stick?

Good scenes from FRAMED (1975) - https://www.youtube.com/watch?v=xI8behel7BE&t=45s&ab_channel=BananasAboutMovies

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We've made a bit of a hobby of mining children's movies from the 1990s for ideology, so our Superdelegate patron tier sent us a challenge: discuss ANTZ (1998) and its vision of an anthill as an alienated '90s workspace. We happily obliged.

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In 1987, America was ready to look back on the Vietnam War... with laughter. We discuss GOOD MORNING VIETNAM (1987) and why it is one of the quintessential "boomer liberal" texts. PLUS: We check in on the state of Canadian politics (it's not good, folks).

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We mark an auspicious anniversary in frankly self-indulgent fashion, by revisiting one of our mutual favorite movies: Martin Scorsese's THE KING OF COMEDY (1982). We ask: does the future belong to Rupert Pupkin? And if so, how? PLUS: See, it started as a Michael Moore podcast...

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The American healthcare system is broken, but why? According to Robin Williams in PATCH ADAMS (1998), it's because the medical profession has lost touch with the healing power of laughter. We discuss one of the most cloying movies of all time.

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We discuss THE MENU (2022) and its place in the context of the current wave of "eat the rich" cinema. PLUS: we discuss Walter Isaacson's new hagiography of Elon Musk, and Joe Biden's wildly successful "I'm fit for office" press conference.

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It begins as an "eat the rich" movie, but turns into something very different. We discuss the movie that is burning up TikTok, SALTBURN (2023), and its odd take on class mobility.

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We're in a contemplative mood on this episode, and there's no filmmaker better suited for such a mood than Yasujirō Ozu. We discuss his final film, AN AUTUMN AFTERNOON (1962), and how Ozu's seemingly narrow thematic and stylistic palette encompasses so much of the human condition.

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Are commercial considerations always doomed to taint art? And are commercial considerations really a taint? We discuss Spike Jonze and Charlie Kaufman's meta-movie ADAPTATION (2002) and the artist/hack dichotomy. PLUS: We mark the passing of the world's most famous minimalist sculptor and murder suspect.

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