Michael and Us

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Guy Maddin's Depression-era cinematic fantasia THE SADDEST MUSIC IN THE WORLD (2003) is not only a great film, but also a great piece of Canadian culture. We grapple with the truths about the True North that only an artist of Maddin's calibre manages to articulate. PLUS: A.O. Scott is leaving his job - but why?

We mark the 20th anniversary of the Iraq War by revisiting some of the classic clips from our cowed and deferential news media circa 2003. PLUS: What is artificial intelligence and what does it mean for the future? Pulitzer-winning columnist Thomas Friedman doesn't know, but that didn't stop him from writing about it.

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For years, the conservative film critic Armond White has been the scourge of Rotten Tomatoes readers with his contrarian taste and awkward prose. We compare some of his recent writings for the National Review to some of his '90s-era criticism to find out what has happened to his prose. PLUS: We discuss the culture criticism of another National Review correspondent, Dan "The Baseball Crank" McLaughlin.

For nearly 20 years, one libertarian businessman with a wildly dangerous theme park held the state of New Jersey under his thumb. We discuss the documentary CLASS ACTION PARK (2020) and its uneasy mix of nostalgia and condemnation for Action Park.

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A man spends a night in an isolated woman's desert shack, and loses his identity in the process, in WOMAN IN THE DUNES (1964), Hiroshi Teshigahara and Kōbō Abe's resonant parable about... what, exactly? Your hosts are not entirely sure, but forge ahead anyway with this seminal work of postwar Japanese cinema.

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First: a passionate Will gives a bewildered Luke a thorough breakdown of the VANDERPUMP RULES scandal that has torn a nation asunder, and what it all means. Then: on the eve of the 95th Academy Awards, the hosts remember some of the great Oscar moments of days past, and fire off fiery hot takes about this years nominees.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/79746684

We begin with Will setting the record straight on perhaps the most important topic the podcast has ever covered before moving on to a discussion about two showbiz movies of wildly differing quality that both deal in excess: BABYLON (2022) and SHOWGIRLS (1995).

George Orwell's popularity is at a new high in the post-Trump era, and he's been claimed by both the left and right. We discuss NINETEEN EIGHTY-FOUR (1984, Michael Radford's feature-film adaptation of Orwell's most famous novel, and try to rescue a self-described socialist from the Dave Rubins of the world.

Listen to us discuss Orwell's writing in episode #190 - https://www.patreon.com/posts/190-lion-and-44728064

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/79406807

We discuss a movie that has, for some unknowable reason, been much-requested by our loyal listeners. Will has seen it many times. Luke had never seen it before. It hails from a very different era of blockbuster filmmaking. Folks... it's SUPER MARIO BROS. (1993).

Abbas Kiarostami's masterpiece CLOSE-UP (1990) used the true story of a poor man who impersonated a famous filmmaker to meditate on class, identity, and the cinematic apparatus. PLUS: the slow erosion of universal healthcare, and checking in on Fox News post-Trump.