The book, “Got to Be Something Here: The Rise of the Minneapolis Sound” by Andrea Swensson explores Minneapolis’ segregated music scenes and the systemic racism historically at play in the city. 

Swensson speaks with KEXP DJ Kevin Cole about the overlooked bands and artists who shaped the city’s sound, the Highway Act that split largely-Black neighborhoods in Minneapolis and how Black artists, bands and venues were scrutinized by police and the local music industry. Swensson says Black artists told her they had to form racially integrated bands with white musicians as a form of survival.

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