Monkeys and Playbills

It’s astounding… time is fleeting… madness has taken control of Monkeys and Playbills! We are joined live in the living room by Breton Lalama (@bretonlikethecrackers) to discuss 1975’s “The Rocky Horror Show!”

This occult classic has Jill! Paul! Breton! Dr Scott! asking… who was your sexual awakening in the film adaptation? Why didn’t New York like this show? And have you HEARD Tim Curry’s original Broadway accent?!

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

We gratefully acknowledge the support of the Canada Council for the Arts, as well as our producing partners the Crescent Arts Centre, on this season of Monkeys and Playbills.

It’s 2008. The height of the iPod. Hoodies have that weird flap thing in front. Paul makes Daphne include a bit about how The Dark Knight came out this year and that was great. And also, a little two-hander on Broadway makes a tiny splash: this week, we’re talking about Bartram and Hill’s “The Story of My Life!”

Paul and Jill stare at a blank Word document, hopelessly wondering: why is Tom such a dingus? Is there space on Broadway for a teeny-tiny musical? And why does Jill keep bringing up the circus?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

We gratefully acknowledge the support of the Canada Council for the Arts, as well as our producing partners the Crescent Arts Centre, on this season of Monkeys and Playbills.

Welcome to It Takes Two! On this podcast, we pair five emerging artists with five professional mentors to work together on an informal mentorship process. Over four weeks, pairs will develop and create a performance piece as well as record an interview together to talk about their process.

Who are we now? This week, we’re bending the rules just a bit to talk about a very special under-100 performance: the great Beanie Feldstein-Julie Benko-Lea Michele upset of 2022. It’s time to take a look at Funny Girl!

Paul, Jill, and Daph examine the drama with opera glasses to ask: whatever happened to that girl from Spring Awakening? How do we solve a problem like a miscast performer? And does Twitter need to calm down? (Spoiler: the answer is yes.)

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

We gratefully acknowledge the support of the Canada Council for the Arts on this season of Monkeys and Playbills.

It’s the 80s. Hair is big. Suits are shoulder-padded. And Boy George is running around screwing with all your preconceived notions of gender. Join Paul, Jill, and special guest Tatiana Carnevale as we explore 2004’s Taboo!

While head-bobbing to techno, our intrepid hosts find themselves wondering: is it a bad idea to play your best friend in a musical? Was the world not yet ready for this amount of gay? And will Paul have perpetual nightmares spawned by Leigh Bowery’s “Birth”?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

We gratefully acknowledge the support of the Canada Council for the Arts on this season of Monkeys and Playbills.

Call us the Necronomicon, because we’re back with another instalment of Revive or Die! This week, Paul and Jill let Producer Daph talk enough to join them in visiting three forgotten musicals of yesteryear: 70, Girls, 70; Home Sweet Homer; and Rockabye Hamlet.

Together, these intrepid practitioners of the dark arts find themselves asking: is anyone more bad-ass than Angela Lansbury? Can Yul Brynner get it? And what musical genre best fits Much Ado About Nothing?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

We’ve got a royal scandal on our hands this week, folks: featuring NYC and Winnipeg’s own Raffie Rosenberg! This princess production was directed by Christopher Ashley with music and lyrics by David Bryan and Joe DiPietro. You know, that guy from Bon Jovi and Memphis.

Paul, Jill, and Raffie hold court to ask the important questions, like: should one’s kingdom get funkadelic? Why can’t I marry a Scorpio? And why didn’t we go with “Epic Smackdown for the Crown” over “Thriller in Manila”?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

Paul and Jill don their fedoras and trenchcoats for a look at 1940s - what? Really? Okay, 1991’s Nick & Nora! This salute to the fast-talking dames and lads of mid-century private detecting was directed by Arthur Laurents (welcome back!) with music by Charles Strouse (welcome back Chuck!)

Paul and Jill sidle up to the bar and slyly ask the big questions, like: who’s a good boy, Riley? How did so many heavy hitters sign on for this show? And can you fine someone for writing such racist and sexist stereotypes?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

New year, same us! Paul and Jill gather with aching heads and full hearts to discuss ol’ buddy ol’ pal of the podcast Charles Strouse. The clock is ticking and we have only half an hour to take on Annie: the original plucky young orphan with a heart of gold and infectious optimism. Like, maybe too infectious. Calm down, kid, it’s the Depression, we’re allowed to be moody.

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills

Paul, Jill, and special guest Ali Fulmyk are heading down the rabbit hole in this week’s look at 2011’s Wonderland! This Christmas Carroll - no? wrong thing? oh well - was directed by Gregory Boyd with music by recurring composer, Frank Wildhorn. Oh, Frankie, we gotta stop meeting like this.

Paul, Jill, and Ali flip upside down to ask the Caterpillar the big questions, like: can authors make a guest appearance in all their adaptations? Can Carlos Santana and Rob Thomas sue? And how are we going to fit this whole cast in Thirsty Jail?

We got MERCH now y’all! Visit Spring to check out our mugs, t-shirts, hoodies and more!

Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills