Kidnapped once more in an Austin Maxi, I find myself in the Land of Mid – Kidderminster, to be precise, admiring its largely unheralded William Mitchell artwork, the Great Wall.

Travel writer Mike Parker hails from Kidderminster, and has always loved this vast concrete mural along a retaining wall beside the town’s ring road. Created in 1973 by concrete wizard William Mitchell, the Great Wall of Kidderminster is a third of a kilometre long and features his trademark abstract geometeries and rugged, Aztec-inspired designs. These days it’s aged into an ancient-looking monument, overgrown in parts. But now, after decades of being derided and ignored, is the Great Wall of Kidderminster finally having its moment in the sun?

Mike’s minor monster is another Midlands icon, The Country Diary of an Edwardian Lady, written as nature notes in 1906 by Birmingham art teacher Edith Holden and not published until 1977, at which point it became an enormous publishing phenomenon. Would Edith have recognised the way she was portrayed, or the things the Diary would go on to inspire? And why is Mike so obsessed with such a contrasting work of art?

Mike Parker is a much-loved travel writer and historian. Author of books including Map Addict: A Tale of Obsession, Fudge & the Ordnance Survey, On the Red Hill: Where Four Lives Fell Into Place, All the Wide Border: Wales, England and the Places Between as well as the forthcoming Mid Land: A Journey into England’s Heart. Jan Morris said ‘What a true wanderer he is, and how wonderfully well-read.’ Find out more about his work at https://mikeparker.uk/

Theme tune by Lorna Rees and Rufus Rees Coshan. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Monstrosities Mon Amour is a listener-supported podcast. To receive new posts and support my work, consider becoming a free or paid subscriber.

This episode was recorded live at the Horse Hospital in London on 10 May 2026 as part of Concrete Atlantis.

In this special episode, historian and biographer Gillian Darley kidnaps not just me but a whole audience at the Horse Hospital and takes us on a trip to the Essex coast, site of the long decommissioned Magnox nuclear power station at Bradwell-on-Sea. She admires it for its sublime impact on the landscape, and its ancient neighbour St Peters Chapel, built for St Cedd, for its picturesque beauty.

Hear the extraordinary story of how the power station was blithey waved through in the 1950s, and of the strange landscape in which it sits, and the graveyard of boats just off the coast.

After the big theme of nuclear power, Gillian’s minor monster is as contrasting as could be – the shoe horn, an object she cannot get by without…

Gillian Darley is an acclaimed writer and broadcaster focussed on, as she says, ‘inspiring people, intriguing buildings and beguiling landscapes’. Her many books include Villages of Vision: A Study of Strange Utopias (1975), a biography of Ian Nairn (co-authored with David McKie (2013) and Excellent Essex: In Praise of England’s most Misunderstood County (2019). Find out more about her and her incredible work at https://gilliandarley.com

Concrete Atlantis is a series of events curated by former Monstrosities guest Travis Elborough and held at the Horse Hospital in London. Thanks so much to him, and the team who recorded the episode and made the whole event possible.

Theme tune by Lorna Rees and Rufus Rees Coshan. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Let’s ditch the Austin Maxi for a gentler way to travel: cycling round the 1950s bike lanes of Stevenage, discovering the joys of a well planned town, with Stevenage-born historian Gareth Edwards.

Stevenage in Hertfordshire was Britain’s first post-war new town, designated in 1946. Initially overseen by Clough Williams-Ellis (founder of Portmeirion) and his communist deputy Dr Monica Felton, they were soon replaced by other ambitious planners and builders, not least engineer Eric Claxton, who designed the town’s elegant road network and invented – yes invented – the cycle lane.

Discover why the development corporation had to translate the town guide into dutch, the splendour of its traffic-free shopping precinct, and how the town was robbed of its dignity once the local authority took over maintaining it.

After all of that excitement, we take a break with a corned beef sandwich – a food from simpler times – and discuss its military value, its US name of bully beef, and its baffling key.

So enjoy an episode of post-war optimism, Festival of Britain-era design, and absolute stodge, as we potter about pointing at things and attempt to stop Gareth’s cats stealing the show.

Gareth Edwards hosts The Untitled History Podcast. You can follow him on Bluesky at @garius.bsky.social or game with him on Twitch https://www.twitch.tv/gariusthebrit or YouTube https://www.youtube.com/@GariusTheBrit

Monstrosities Mon Amour is a listener-supported podcast. To receive new episodes and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Let’s crash the Austin Maxi in the basement of the Victoria Centre in Nottingham, with historian and raconteur Lucy Brouwer, who runs the very entertaining and illuminating tours Watson Fothergill Walk.

Opening in 1972, the vast and vastly ambitious Victoria Centre became the nexus of all things shopping for a city on the up, where full employment was spoken of in the launch brochure. By the next decade the government’s war on miners, as well as rising unemployment and the destruction of the city’s rag trade made the Victoria Centre’s optimism look out of step with the times.

But behind its rough concrete facade you could find a cornucopia of delights: an indoor market with a stuffed bear; a multi-themed Berni Inn, and the Emmett Clock, a magnificent kinetic whimsy that held passers-by transfixed. Lucy takes us on an odyssey to see a different side of this colossal beast, the railway station it replaced, and the many businesses that have come and gone.

Alongside that beast, Lucy’s minor monster is a lost single – lost, it has to be said, at the request of the band who made it. ‘Pop is Dead’ is a Radiohead song from 1993, that is as much manifesto as it is musical bombast. Why has it been erased from the band’s history, how did it inspire Lucy to set up a fanzine, and is it actually any good?

Lucy Brouwer is a Nottingham-based tour guide and historian. You can find out more about her tours at https://watsonfothergillwalk.com or follow her on Instagram @watsonfothergillwalk or on BlueSky @notrock.bsky.social

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Monstrosities Mon Amour is a listener-supported podcast. To receive new posts and support my work, consider becoming a free or paid subscriber.

It’s a home-town kidnapping in this episode, when award-winning beer writer David Jesudason whisks me down the road to the Point cinema in Milton Keynes.

Exploring the shiny mirrored red framed pyramid, a huge landmark of 80s entertainment and a multiplex pioneer. David grew up in nearby Dunstable, and so here he pits the wonders of the sleepy glider-town against the bright new city of MK, where the Point helped hollow out his town’s high street, but also was a massive attraction to young David. Discover a world of blockbusters, arcade games and the mysterious Le Club.

David’s minor monster mirrors the 8-bit delights of the Point: the Atari 2600, an early games console from 1977 more famed for its failed ET game than for its functional simplcity.

So let’s go Back to the Future in the DeLorean* in the latest episode of Monstrosities Mon Amour.

*Austin Maxi

David Jesudason is the author of the award winning Desi Pubs, and is twice Michael Jackson Beer Writer of the Year (2023 and 2025). Journalist and Substacker: davidjesudason.substack.com

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Monstrosities Mon Amour is a reader-supported podcast. To receive new episodes and support my work, consider becoming a free or paid subscriber.

Archaeologist Rebecca Lambert is used to investigating stone circles and prehistoric sites, but when she first visited the National Theatre she found a modern henge on the south bank of the Thames.

In the year of its 50th Anniversary, we visit the original ‘concrete monstrosity’, Denys Lasdun’s National Theatre, which opened in 1976. Seen through the eyes of an archaeologist it is a very different place, a vast modern henge and a place of ceremony where rituals, stone and water come together to create somewhere of great power and presence.

Is the National Theatre like Stonehenge? Rebecca Lambert takes us through the many strange similarities - and dissonances - that show us a whole new side of one of the most magnificent modernist buildings in Britain, with startling insight and wit.

But it’s drama of a different kind that has drawn our esteemed archaeologist to her other choice, that 1987 masterpiece of muscle, the Dolph Lundgren film Masters of the Universe. Find out what still captures her imagination in its depiction of small town America and its ‘Final Countdown’-style barrage of portentous hysteria and stonewashed denim.

Join us for an episode that is part revelatory reading of prehistory and modernism, and part riot of camp. I won’t say which is which.

Rebecca Lambert is an archaeologist and curator dedicated to public engagement, accessibility, and innovative research practices. Follow her on Instagram or Bluesky, or keep up with the progress of her work at https://practisesmakeplaces.wordpress.com/ where she’s investigating artistic responses to English ‘prehistoric’ monuments - from the 1720s to the present day. Her previous work has included the intriguingly titled Underpasses Are Liminal Places.

Monstrosities Mon Amour is a listener-supported podcast. To receive new episodes and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Writer Tom Cox has long been fascinated by the eerie flatlands of the Fens, those drained marshlands on the edge of East Anglia.

On our way around we discuss the folk horror of scarecrows, the romance of agribusiness and the weird agoraphobia - or is it claustrophobia? - of somewhere so flat and relatively uninhabited. And we marvel too at the odd midcentury modern villages that have cropped up in this landscape of ancient and modern.

As well as that, Tom dazzles me with his love for the Rolling Stones’s psychedelic experiment, their 1967 album Their Satanic Majesties Request, which many fans deem a failure but which Tom rates higher than Sgt Pepper. Find out why this album is so inspiring, and how its spirit is the very antithesis of people-pleasing AI.

Tom Cox is the author of three novels – Villager, 1983 and his most recent, Everything Will Swallow You, as well as numerous works of non-fiction such as 21st-Century Yokel (on the spooky edges of the outdoors) and Ring the Hill (it’s a book about hills, obviously). You can find out more about his work on his site, where he also shares lots of new writing.

Grindrodia is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Get ready for an underwater adventure as we go beneath the Thames with curator and architectural historian Dr Rosamund Lily West.

Have you ever been told you’ve got a mouth as big as the Blackwall Tunnel? Or been stuck in a conversation about the traffic? Or worse still, been actually stuck in the traffic there? It’s easy to overlook what an engineering marvel the Blackwall Tunnel is, the first tunnel built in the late Victorian era, and a second opened in 1967 as part of a second age of engineering ingenuity. But why does art and architectural historian (and local) Dr Rosamund Lily West like it? And what secrets does this great unsung piece of London’s infrastructure hold for the curious Monstrosities Mon Amour listener?

After a joy ride through the tunnel Rosamund takes us for a booze-up at Wetherspoons, the pub chain people love to hate, where we marvel at their incredible historic buildings, gasp at their local interpretation boards, and polish off our microwaved curries.

Dr Rosamund Lily West is a brilliant architectural historian and academic. You can find out more about her work, her publications and her walking tours on Instagram https://www.instagram.com/rosamundlilywest/ and Bluesky @rosamundlilywest.bsky.social and at her profile on British Art Network https://britishartnetwork.org.uk/membership/members/rosamund-lily-west/

Monstrosities Mon Amour is a reader-supported podcast. To receive new episodes and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Let’s visit an ancient Norfolk town, and instead focus on its postwar estates with one of Britain’s best loved housing historians, John Boughton of Municipal Dreams.

Thetford gets a bad rap. It isn’t particularly well known outside of Norfolk, and in many ways feels like a lot of towns expanded in the 1960s and 70s. With a variety of housing estates demonstrating the fashions and philosophies of the day, Thetford is a town of great history, from Roman to medieval and Georgian, and also of modernity. Discover where Dad’s Army’s Warmington on Sea was filmed, where Conran’s modern furnishings were made, and where a young municipal dreamer’s fascination with postwar housing was first kindled.

And let’s also find out just why he’s so obsessed with white bread – not the plastic ready-sliced sort, and certainly not sourdough…

John Boughton’s book Municipal Dreams grew from his amazing Wordpress and Substack sites: https://municipaldreams.wordpress.com and https://substack.com/@municipaldreams

Monstrosities Mon Amour is a listener-supported podcast. To receive new posts and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod

Let’s visit a wonder of Britain’s industrial heritage – the gaudy seafront excess of Blackpool, Britain’s most extraordinary seaside town.

After a summer break Monstrosities Mon Amour is back with a seaside special!

Blackpool isn’t just the Tower, the illuminations and Strictly. Where else could you get your bumps felt on the beach by a phrenologist, see a dead woman in a coffin just for fun, and experience Britain’s first carpeted amusement arcade? Kathryn Ferry has spent years researching seaside history, and here she shares her love for this, the ultimate holiday destination, a place that thrived until the rise of the package holiday. Here’s a joy-ride through unexpected murano glass mosaics, beach huts and post-war design heritage, in a place as heady as candy floss and as over the top as drag bingo. Let’s allow ourselves to enjoy laughs, thrills and memories in one of the most remarkable towns in Britain.

And let’s discover another of Kathryn’s passions too – postwar plastics, here in the form of drip-dry wonder fabric crimplene, which was invented in Macclesfield in 1959. Guaranteed to make you rush to Vinted to buy a psychedelic outfit fit for a distant relative at a 1970s wedding.

Kathryn Ferry’s new book is Twentieth Century Seaside Architecture: Pools, Piers and Pleasure around Britain’s Coast, published by Batsford with the 20th Century Society. You can find out more about her other books and her work at https://kathrynferry.co.uk/ and follow her on Instagram at https://www.instagram.com/seasideferry/

Monstrosities Mon Amour is a listener-supported podcast. To receive new episodes and posts and support my work, consider becoming a free or paid subscriber.

Theme tune by Lorna Rees and Rufus Rees Coshan. Logo by Richard de Pesando. You can support Monstrosities Mon Amour by subscribing through Substack or through Ko-fi at https://ko-fi.com/grindrod