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On this date in 1948, the ballet “Fall River Legend” was premiered at the Metropolitan Opera House by the Ballet Theatre of New York. The choreography was by Agnes de Mille, and the music by Morton Gould.
The previous year, de Mille and Gould had met at the Russian Tea Room to discuss their ballet, a retelling of the true story of Lizzie Borden, acquitted for the gruesome ax murders of her father and step-mother.
Both de Mille and Gould thought Borden must have been guilty as charged. “Well, what shall we do about that,” asked de Mille. “Hang her!” said Gould, adding that it any case it would be easier for him to write hanging music than acquittal music. So, with that large dollop of poetic license, de Mille and Gould came up with the scenario for a ballet that opens with Lizzie standing before the gallows.
Morton Gould was known for his ability to blend folk music, jazz, gospel, blues, and other elements into lively, colorful orchestral works. He was also a noted conductor, with over one hundred recordings to his credit—including a classic RCA “Living Stereo” recording of the Suite he arranged from his “Fall River Legend” ballet.
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On this date in 1948, the ballet “Fall River Legend” was premiered at the Metropolitan Opera House by the Ballet Theatre of New York. The choreography was by Agnes de Mille, and the music by Morton Gould.
The previous year, de Mille and Gould had met at the Russian Tea Room to discuss their ballet, a retelling of the true story of Lizzie Borden, acquitted for the gruesome ax murders of her father and step-mother.
Both de Mille and Gould thought Borden must have been guilty as charged. “Well, what shall we do about that,” asked de Mille. “Hang her!” said Gould, adding that it any case it would be easier for him to write hanging music than acquittal music. So, with that large dollop of poetic license, de Mille and Gould came up with the scenario for a ballet that opens with Lizzie standing before the gallows.
Morton Gould was known for his ability to blend folk music, jazz, gospel, blues, and other elements into lively, colorful orchestral works. He was also a noted conductor, with over one hundred recordings to his credit—including a classic RCA “Living Stereo” recording of the Suite he arranged from his “Fall River Legend” ballet.
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