The Farx brothers—Kyle, Kirk, and Nick—aren’t falling for the old split up shtick and are sticking together to take a stab at a ‘bate (debate) on Scream 7. In this segment, the crew takes a blade to the worst entries in the series, hack through the Scream 7 timeline issues, and question which films in the franchise work as a classic whodunnit

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Almost one year ago—just days before Easter—the Farx brothers (Kyle and Kirk) sat down with Ian Fishman to record a Bone-Us episode. What followed was one of the most inebriated, unhinged, chaotic recordings in Bone-Us history.

Editing attempts were made. Tempers flared. Vulgar language was shouted at laptops. The episode was declared lost to time, mostly due to attempts to match continuity, followed by serious discussions about whether it should ever be released.

Until now.

Because the Farx brothers realized releasing it a year later was way funnier. So rise again with us and enjoy the mayhem, crass jokes, and increasingly drunken commentary on The Passion of the Christ.

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The Farx brothers—Kyle, Kirk, and Nick—sit down to interview writer, director, actor, and model Danna Gilbertson. From the roots of its name to a new vision for the future, Danna shares how she’s pivoting Cirsium (her production company) toward writers’ retreats and creative community. In addition drops her go-to strategy for beating writer’s block. Plus, Danna gives us a first look at her latest project—a period drama set in the heart of Minnesota.

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The Farx brothers—Kyle, Kirk, and Nick—return with writer, director, actor, and model Danna Gilbertson to drop a systems patch on this ‘bate (debate) on Ron’s Gone Wrong. The crew deconstructs everything from the film’s setting to the thin line between wealth and power, ultimately questioning if Ron is actually "alive" or just a glitchy algorithm. Stepping beyond the plot, Kyle and Kirk get into the weeds to question if protracted debate is a path to progress or just a form of spinning wheels. Then, they weigh in on the controversy of a student punched for their personal views.

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The Farx brothers—Kyle, Kirk, and Nick—welcome writer, director, actor, and model Danna Gilbertson to ‘bate (debate) Ron’s Gone Wrong. To kick things off, Nick shares his relationship with cartoons and animated films. Then, the crew dives into the ethics of the machine: is Ron actually alive, do the generative bots we use today even qualify as true AI, and what are the ramifications for the next generation? Plus, Kyle shares a bizarre story about his Dad’s barber.

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The Farx brothers—Kyle, Kirk, and Nick—sit down to interview artist, film director, and theatre maker Vanessa M. H. Powers. The conversation opens with a look at Vanessa’s experience with the festival circuit, her search for distribution, and a preview of her up-and-coming projects. Then, she charts her journey from a freelancer in the film scene to her current role as a full-time editor. To wrap things up, Vanessa shares the inner workings of being on an AI committee, from extensive research to deep-dive discussions.

Visit the website below for more on Silly Little Wounds:

https://www.sillylittlewounds.com/ 

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The Farx brothers—Kyle, Kirk, and Nick—return with writer-director and editor Vanessa M. H. Powers to pick more scabs and ‘bate (debate) her feature film, Silly Little Wounds. In this extended segment, Vanessa shares the inspiration behind the story, using the high school experience as a backdrop and a catalyst for where this ensemble of characters ends up. The crew dives into the characters' questionable choices and the "silly little wounds" that drive them. Later, Vanessa reflects on writing the feature and the experience of hearing an audience react in real-time during the first screening. Plus, the crew gets vulnerable and shares their own insecurities.

Visit the website below for more on Silly Little Wounds:

https://www.sillylittlewounds.com/ 

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The Farx brothers—Kyle, Kirk, and Nick—welcome back Vanessa M. H. Powers for a ‘bate (debate) on her feature film, Silly Little Wounds. The crew dives into the film’s technical craft—from how it was shot to capturing a vibe reminiscent of The Romantics and The Breakfast Club. Vanessa also shares how the film serves as a love letter to Millennials and spotlights the key collaborators behind the script and the people who shaped the film as it came to life on set.

Visit the website below for more on Silly Little Wounds:

https://www.sillylittlewounds.com/ 

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The Farx brothers—Kyle, Kirk, and Nick—sit down to interview director and producer Barry Andersson. In this closing segment,  the crew dives into Barry’s journey from shooting on 35mm to building his own production company MOGO, and his perspective on directing versus producing. Then, Barry pulls back the curtain on his features, sharing how he cast the female lead in The Soviet Sleep Experiment and the chaos of flooding a basement for Relentless. 

Listen to Barry Andersson’s Podcast: Looking California and Feeling Minnesota

https://open.spotify.com/show/50AWqfT4FsV4R354fIyT3X

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The Farx brothers—Kyle, Kirk, and Nick—are joined by director-producer Barry Andersson for a jam-packed ‘bate (debate), spending less time on Overnight Delivery and more time taking swings at cinema as a whole. The crew clash over the chemistry between Paul Rudd and Reese Witherspoon in Overnight Delivery before diving into whether Glen Powell has real movie-star juice. Then they take on Hollywood’s cultural decay, whether Stranger Things qualifies as cinema, and which actor truly checks all three boxes: an artist, a brand, and a box-office powerhouse. Plus, Barry shares his personal connection to Jingle All the Way.

Listen to Barry Andersson’s Podcast: Looking California and Feeling Minnesota

https://open.spotify.com/show/50AWqfT4FsV4R354fIyT3X

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