The Farx brothers—Kyle, Kirk, and Nick—welcome director and producer Barry Andersson to a ‘bate that, unlike Overnight Delivery, packs big debates into one express segment. The crew opens on whether 2019 was the last truly great year of cinema—and ask if it’s harder to build a solid top ten films of the year. Then they tackle Barry’s great films standard, the gap between a  genuinely good film and a dopamine rush, and whether today’s protagonists are too polished compared to the flawed icons of the past. Plus, they question what counts as art in film.

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The Farx brothers—Kyle, Kirk, and Nick—sit down with composer Eric Richardson to talk about his path into music and film. Eric shares how he got pulled into filmmaking, which later led him to study Music Education at the University of Minnesota. He also reflects on how teaching students reshaped his relationship with music and pushed him to find a new way to keep his passion alive. To top it off, Kyle throws him an impromptu music scenario on the spot.

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The Farx brothers—Kyle, Kirk, and Nick—with composer Eric Richardson continue their sting operation in a ‘bate (debate) on The Rip. The crew defines “fridge-ing,” or women in refrigerators, debates whether The Rip truly qualifies as an action movie, and breaks down standout elements like the armored car sequence and the film’s two “true” details. Then, they close with a broader discussion on the Netflixization of cinema and how The Rip fits into the evolving streaming landscape.

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The Farx brothers—Kyle, Kirk, and Nick—welcome composer Eric Richardson into a full-blown sting operation for this ‘bate (debate) on The Rip. In this segment, they kick things off by asking who the better actor is—Matt Damon or Ben Affleck. Then they tackle whether being on Netflix helped or hurt the film, how it stacks up against other action heavyweights, and the Batfleck movie that almost happened but never did.

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The Farx brothers—Kyle, Kirk, and Nick—are still stranded on the island and still locked in a ‘bate (debate) over Sam Raimi’s Send Help. Nick starts by airing his Bone Temple nitpicks before pivoting to Send Help, where the in-depth discussion begins. The crew spar over the constantly shifting power dynamics between Linda and Bradley, whether Rachel McAdams was the right choice to play Linda, and how the ending shakes out. And the real question: was Linda the villain?

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The Farx brothers—Kyle, Kirk, and Nick—after washing up on an island find themselves in a ‘bate (debate) on Sam Raimi’s Send Help. In this segment, they tackle corporate power structures, unhinged eating challenges, and the Nightmare on Elm Street and Friday the 13th franchises. Plus, they share their rankings of Sam Raimi’s films.

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The Farx brothers—Kyle, Kirk, and Nick—are back in another minisode, swinging into their ‘bate (debate) on Primate. The crew breaks down the film’s single-location setup—what works, what doesn’t, and the kills—and later dives back into the question of which films really qualify as sci-fi. Plus, Kirk shares his theater experience watching the film.

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The Farx brothers—Kyle and Kirk, with Nick off-camera—monkey around in this minisode as they ‘bate (debate) Primate. The crew questions whether the film’s premise has real substance before the conversation goes off topic, touching on real-life events in Minnesota and later on the original ’80s Strangers.

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The Farx brothers—Kyle, Kirk, and Nick—sit down for an interview with multi-hyphenate filmmaker Nick Krekeler. In this closing segment, he dives into his production company, Kale Whinn Productions, and the short films and projects he’s created, from Tomorrow to The App. Krekeler also walks through his writing process and breaks down the power of great sound design, while sharing insights into the characters he’s had the chance to play.

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The Farx brothers—Kyle, Kirk, and Nick—alongside Nick Krekeler return to the Continental to ‘bate (debate) John Wick Chapters 1–4. The crew kick things off with a brief tangent on the unexpected emotional brutality of ’80s kid movies. From there, they dig into how much time actually passes in the John Wick universe, whether Winston is secretly the real villain, and which past characters should have made a return.

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