Movies About

Fresh off our return from a three-week trip to California, we watch the only movie about music set in San Francisco that we could think of: Emile Ardolino’s Sister Act, starring Whoopi Goldberg. We found this popular ‘90s popcorn movie to be surprisingly deep, with its tensions between tradition and change, church and community, and race relations. We talk about the “magical negro” trope, some problems with POC representations in Hollywood, Whoopi’s singing, Lauren Hill’s debut in the sequel, and the odd depiction of the Noe Valley neighborhood. It’s a charming, cute, lively film that may not be true to the City, but is a fun ride.

We’re back after a longer than anticipated break to fulfill a promise we made to discuss the 2018 version of A Star Is Born, directed by and co-starring Bradley Cooper. Lady Gaga is the titular character and, at least ostensibly, the protagonist; but we struggled to understand where her heart (and her music) lay. We discuss Gaga the singer and the spectacle, and the parallels between her career and the film; generational differences between the two films and the two characters; and comparisons with Streisand and Kristofferson. We close by wondering whether this kind of storyline has any relevance anymore, given today’s music culture. Finally, we hint toward some changes in the podcast going forward—including a new name and new direction.

May 23, 2022 marks the 40th anniversary of the Alan Parker helmed film Pink Floyd The Wall. We mark this moment with CeCe’s deflowering experience of the movie (okay, pun intended there) and a wide-ranging discussion about this work of art. She found it genius and Jim agrees. We talk politics, fascism, identity, Roger Waters’ songwriting, symbolism and editing in film, the connection of 완성도 with “world” and “concept,” and whether music like this is even possible anymore. We also address the question, “which one’s Pink?,” and close with a pitch to CeCe’s upcoming Liquid Arts performance / gathering in Seoul on May 28. 

Liquid Arts No. 36 event information: https://facebook.com/events/s/liquid-arts36-featuring-poet-j/697365654849615/ 

Special guest Gordon Bazsali Jr joins us for our 17th episode to discuss the 1986 film Round Midnight, directed by Bertrand Tavernier. It stars famed bebop tenor saxophonist Dexter Gordon, a role that earned him an academy award nomination. We talk about the music performances in the film, notable for being real, authentic, live performances; the all-star cameos by some of the giants of the 1980s playing the bebop of the late ‘50s; the film’s take on the theme of addiction; and dip into some side conversations on jazz in Korea and our fantasies of Paris in the 1950s.

Gordon is a jazz trumpet player and a composer of a wide variety of styles and genres. You can hear his music at gordonbazsali.bandcamp.com.

Episode 16 is a discussion about the popular 1984 movie Amadeus, directed by Miloš Forman. We focus on the cultural impact of the film, its very ‘80s aesthetic codes, art versus commerce, notation as the “recording” of music in the past, and the genius narrative. While we loved the film and all its lush extravagance, we both found it odd in 2022 to hear very American speaking styles in a story about Vienna. Other random topics include similarities with Shakespeare in Love, music and corporatism, censorship, Mozart and hiphop, and travel in Austria. Somehow we end the show singing Whitney Houston before closing with a tease of Episode 17.

Our 15th episode centers on FooFighters horror comedy Studio 666. But the episode is much more than this. The film, the loss of Taylor Hawkins, and the Chris Rock v Will Smith incident allow us to dig into themes of narcissism, violence, delusions of grandeur, being a band leader, drugs and rock n roll, the pressures of success, 90s music, drumming styles, and many other related topics. We begin by discussing the Oscar winners and The Slap (hint: we’re fully #TeamChrisRock); then discuss Studio 666, a fun, campy B-movie that turns out to be deeply allegorical; and end with a proper (and tearful) tribute to Taylor Hawkins.

#Oscars2022, #TaylorHawkins, #Will Smith, #ChrisRock